SACRED GEOMETRY
Now that we have given an overview of the entire aether model in this
series, and covered some of the basics in terms of how life behaves in the
earlier densities, we shall explore some of the physical properties of these
densities, and their esoteric connections. It is important to again remember
that these densities are formed by a fluidlike, non-physical energy source.
The hard proof for the existence of a fluidlike ‘aether’ is extensive, and
will be covered in greater detail in volumes II and III.
First of all, from sources including Ra, we know that the Universe is One.
This One is unilaterally referred to as Pure White Light. It is also
referred to as the "seed sound" of the Universe, or the
AUM. We are then
told that things got rather stale as The One, since nothing really ever
changed in this Unity. So, The One decided to create new life from itself.
In order to do this, The One vibrated itself into the "octave." The
Pure
White Light became a series of seven colors - red, orange, yellow, green,
blue, indigo, violet. The visible color spectrum embodies the memory of
this. The One Seed Sound broke up into a series of pure tones - do, re, mi, fa, sol, la, ti. The immutable structure of
the Octave, those notes which
are the purest mathematical ratios and also sound the best to our ears,
holds the memory of this. (They can be seen and heard with the white keys on
the piano.) Another word for vibration is “harmonics,” and we will
frequently use that word to describe these systems.
We need to remember that this Pure Light and Pure Sound are simply two
different ways of describing the same vibrations of the fluidlike
“intelligent energy” of the One. There is no real difference between them,
as they are both functions of vibration. Sound is a vibration of air
molecules, and light is ultimately a vibration of the fluidlike aether. We
will see in Volume II how Dale Pond has demonstrated that if you multiply
the pure sound frequencies many times over, you get the visible
color
frequencies, thus showing the equivalence between the two.
[Most scientists agree that light behaves like a wave, but they also try to
assert that there is no medium that the wave is traveling through – that the
wave is simply a particle-like entity known as a “photon” traveling through
an empty ‘vacuum.’ This is a preposterous notion, as all natural examples of
waves have something that they are ‘waving’ through. The basic definition of
a wave is “an impulse that travels through a medium,” and in reality light
is no different.]
The third key “harmonic” component that we need to have in place after
light
and sound is geometry, which is the visible result of vibration. The first
and most important geometry that we must start with is the sphere, which the
ancient traditions see as the highest geometry in the Universe, the pure
essence of the One. In our physics model, the Universe is ultimately
spherical in shape, as its energy fields expanded at a uniform rate in all
directions as it was formed. [All of our visible galaxies in the Universe
have coalesced into one single “flat” super-galaxy, however, but the
spherical energy fields are still present around this super-galaxy, just not
as visible. This will be discussed in Volume III.] A sphere can be
compressed into a single point, which has no space and no time, and thus
exist as the simplest object in the Universe, but the sphere also is the
most complex form in the Universe, containing all other things within
itself. Although this might not seem to make sense at first, it is actually
quite simple to explain when we start out with a “flat” two-dimensional
demonstration, as the ancient students of sacred geometry would learn.
We start by drawing a circle with a compass. Any spot on a circle could be
defined as a point, and you could then take a straightedge and draw a line
to any other possible spot on the circle. There are literally an infinite
number of different lines, angles and shapes that could be drawn within the
circle. Mathematically speaking, no other geometric shape can form as many
different geometries inside of itself as a circle can, and thus it is the
most complex two-dimensional shape there is. At the same time, its pure,
harmonic structure makes it the simplest possible two-dimensional shape in
the Universe. It is the only shape where there is only one edge, no straight
lines, and a curve that is completely unified for a full 360 degrees around
a single center point. It resolves to One, and thus it is the simplest
possible two-dimensional shape.
When we expand this into three dimensions, we can then see that the similar
principle applies to the sphere. Confusingly, physicist Buckminster Fuller
described a sphere as "a multiplicity of discrete events, approximately
equidistant in all directions from a nuclear center." Events, you say? To
put this in drastically simpler language, in a sphere you can draw an
infinite number of lines that connect to an infinite number of points (i.e.
“events”) on the surface of the sphere, with all the lines starting from one
single center point or nucleus, and all the lines will come out to be the
exact same length. This makes the sphere the most complex three-dimensional
object that there is; an infinite number of different geometric shapes can
be drawn inside of it, by simply connecting different points on the surface
of the sphere together. Once you stretch or flatten the sphere in any way,
you have less symmetry and thus have less flexibility in what can be
geometrically created inside. (This may seem hard to understand, but it can
be proven mathematically. This also explains why liquid naturally forms into
spheres when it is in free-fall and/or in a soap bubble, as the air pressure
on the liquid is equal on all sides.) The sphere is also the simplest
three-dimensional formation in the Universe for the same reasons as the
circle; namely, there is only one edge, perfectly symmetrical in its
curvature around a center point, and thus all resolves to One. For
comparison, a cube would have six sides or edges, and this is one of the
simplest three-dimensional shapes that there is. The sphere has only one
‘side’.
Interestingly, the work of Dr. Hans Jenny (pronounced “Yenny”) has shown
that when a spherical area of fluid is vibrated at pure “Diatonic”
sound
frequencies, i.e. the basic vibrations of the Octave, then geometric forms
emerge inside the fluid. Tiny particles that Jenny put in the fluid known as
‘colloids’ would assemble into basic geometric forms during the experiment,
leaving clear water in between – where normally the particles would be
suspended all throughout the water equally. If Dr. Jenny turned up the
sound
frequency to a higher level, then more complex geometric structures would
appear, and when he turned it back down to the original level, the exact
same geometry that he started with would be seen once again in the same way.
This is quite a dramatic demonstration when seen on Dr. Jenny’s “Cymatics”
video, which is accessible from various sources – yet such research has been
remarkably undervalued and / or ignored by the scientific community.
Thus, geometry is a very basic characteristic of vibration – or as
Pythagoras once said, “Geometry is frozen music.” The five most important
three-dimensional geometries are collectively known as the Platonic solids,
since the Greek philosopher Plato first wrote them about in modern times.
As one note, the label “St. Tetrahedron” is an abbreviation for “Star
Tetrahedron,” or what is more technically known as an interlaced
tetrahedron. You can also examine the tetrahedron by itself, which is simply
a four-sided pyramid with equilateral triangles on each face, but in terms
of the workings of energy as vibration, it appears that most tetrahedral
structures have two tetrahedrons stuck inside of each other as we see above.
There is clear evidence that any scientific effort which moves towards a
discovery of the importance of these geometries in the Universe is being
actively suppressed, as those in the secret brotherhoods still have a high
degree of power and feel bound to “ever conceal and never reveal” the
“secrets of the Order.” Many of these group members have deliberately arisen
to power in various scientific institutions, and are thus positioned to
deflect certain types of research, especially those related to free energy /
anti-gravity, as we shall discuss in Volume II. Richard Hoagland and the
Enterprise Mission, working with
Lt. Col. Tom Bearden, have shown how such
suppression efforts trace back to the 19th century, at least. The great 19th
century pioneer who analyzed the behavior of the electromagnetic (EM) wave
was Sir James Clerk Maxwell. His equations, known as “quaternions,” were
used to map out the full, hidden internal structures of the EM wave in full
3-D view, with over 200 equations altogether. When you analyze all 200+ quaternions as a group, you see the geometry of a
tetrahedron inside a
sphere. This is the hidden secret of the electromagnetic
wave, the
underlying structure that determines its behavior as it moves along – and
Oliver Heaviside and others, who reduced Maxwell’s equations to
four basic quaternions and declared the hidden geometry to be “occult nonsense”,
vigorously removed it from all academic debate. Had this not been done, we
may have “solved the puzzle” far earlier along.
There is no direct way to prove that those from the secret groups inspired
this political move on Maxwell’s work, but it is exactly what we would
expect based on their own system of beliefs that they are sworn to uphold on
pain of death. An even more obvious example was the demonizing
of the
“aether” concept through using the results of the
Michelson-Morley
experiment as “proof.” 19th century mystic Madame Blavatsky predicted that
the aether would be removed from discussion, and that “the pillars of
science would come down along with it.” We will discuss this more fully in
volumes II and III. Even now, the anti-aether bias is so strong that you
will be almost immediately dismissed if you try to bring it up in a
scientific discussion – but we are not concerned, as time and proof will
heal this wound.
Once we do accept the existence of a fluidlike aether at various levels of
density, where each density has a different quality of vibration, then we
realize that certain clear geometric forms will emerge at the various “pure”
frequencies. Indeed, geometry is the single most important aspect of the
aether’s behavior in terms of being able to construct stable structures,
such as crystals. Without the geometry, matter would not be possible, as
geometry is what allows the “field bubbles” of the
aether to clump together
in precise, organized patterns, forming specific molecules. Otherwise, the
best we could hope for is that the spheres would line up pole-to-pole, and
otherwise be free flowing around each other – and this behavior would not be
complex enough to build matter. The tips of the geometries have more
strength to attract each other than the other areas on the surface of the
sphere, as we shall discuss below, and this allows the spheres to organize
into non-random “matrix” patterns.
Though we cannot directly see these geometries most of the time, except in
crystal structures, microclusters and quasi-crystals (volume III), they
create distinct “stresses” or pressure zones in the aether that can exert
enormous forces on their environment. Think about the force that is
contained in a whirlpool and you’ll see how a fluid can have areas of
stronger and weaker force inside of it. These geometric forms therefore
possess both qualities of a fluid, as they are forming in a fluid medium, as
well as a crystal, as they are clearly geometric – hence Dr. Harold Aspden
refers to them as “fluid crystals.” By the end of
Volume III, we will have
constructed a complete physics model to demonstrate how these formations are
hidden within all physics, whether quantum, biological or cosmological. If
you think the science of chemistry and quantum physics is complete as it is,
you will be very surprised to find out how many problems there are with the
current models – and that the design we present here solves every one of
these problems. In this book we will cover some of the basics of how this
geometric patterning works, including the “Global Grid” of energy lines on
the Earth, which directly shape the continents.
The most important quality of the Platonic Solids is that each shape fits
perfectly into a sphere, such that all its outer points precisely merge with
the outside surface of the sphere. Each of the straight lines that make up
these objects will be the same length, and all geometric points on the
sphere’s surface are equidistant from their neighbors – which is exactly
what we would expect with the science of vibration. Plato and other Greek
philosophers also pointed out that all the angle measurements in these
geometric solids are the same, and that each side of the three-dimensional
objects have to be the same shape. Although this may seem confusing at
first, it actually works out very nicely. There are only five major shapes
to contend with when we look at this information. Those five shapes are the
octahedron, star tetrahedron, cube (hexahedron),
dodecahedron and icosahedron.
In order to understand why such geometric objects form inside a
vibrating
sphere of fluidlike energy, we have to know a little about wave movement. If
we have a simple two-dimensional wave, such as a vibrating guitar string,
then there are three basic components that will stay the same if the wave is
not disturbed. These three basic components are the wavelength, the
frequency and the amplitude. The wavelength is how long each part of the
wave is, i.e. “the observed distance between two adjacent wave crests,”
(measured as a length quantity in angstroms when dealing with visible
light.) The frequency is the number of wave crests that pass by an observer
each second – measured as cycles per second or “hertz,” and the
amplitude is
how high each wave is – i.e. “the size of the wave measured from zero to
peak.”
Any color or sound that stays the same for a length of time will have a
continuous repetition of the same wavelength during that time. As a typical
example, the “concert-level” frequency for the note A is 440 cycles per
second. This means that when air vibrates 440 times in one second, our ear
interprets this as the musical sound “A”. That’s all there is to it. If
those 440 cycles didn’t all have the same frequency and amplitude, then we
wouldn’t hear a steady pitch at a steady volume. If we increase the
frequency of the sound, such as by going up to 497 cycles per second, then
the pitch will go up as the wavelength shortens. If we increase the
amplitude, the volume of the sound will go up as the height of the wave
increases, but its pitch will stay the same.
We should also remember that complex information can be stored in these
waves. We have two types of waves that are used for radio: frequency
modulation, or FM, and amplitude modulation, or
AM. The word ‘modulation’
simply means ‘changing.’ So, as a simple explanation, the
FM waves stay at
the same amplitude but have continuing changes (modulations) in their
frequency, whereas the AM waves maintain the same frequency but have
continuing changes in amplitude. That’s basically all there is to it. Since
these electromagnetic waves can move so fast, there is a great deal of
information that can be stored within them – and that is an important point.
The encoded information of AM/FM radio, CB, the police / fire / emergency
bands, broadcast and satellite television stations, cordless and cellular
telephone conversations are always around us in every moment.
Now when we have a three-dimensional geometric waveform inside of a sphere,
the wavelength and frequency would be represented by the distance between
the various node points across the surface of the sphere, which could be
measured in degrees, and calculated by the sine function in trigonometry.
The amplitude would be measured by the size of the sphere, which could be
measured in radians, and calculated by the cosine function. Thus, as we pump
up the strength (amplitude) of a given spherical energy field, so too will
we increase its size – which explains why these structures exist from the
tiniest level of quantum mechanics all the way up to the
known Universe. It
is also important to realize that in this fluidlike aether system, increases
in frequency will also draw in more aetheric energy from the surrounding
environment, and thereby increase the size (amplitude) of the sphere as one
geometry shifts to another. We will explore this later in the chapter, when
we see how neatly the different Platonic Solids “nest” inside of each other,
with each new geometry larger than the one inside of it. So typically, a
frequency increase will also involve an amplitude increase.
The only thing left to explain is why the vibrations form tips or points or
vertices at the surface of the sphere, with straight lines connecting them.
Again, returning to a the simple study of a wave in two dimensions, known as
wave mechanics, we know that every wave has certain points known as “nodes”
where there is no movement. This is easiest to see with the basic sine wave,
which is shaped like a slow-moving wave on the surface of a lake – a
continuing S-shaped curve. If you pluck a guitar string, there are certain
areas of the wave where there is no movement at all, but it actually will
remain perfectly still. These areas are the “nodes,” and you obtain the
wavelength by measuring the distance between these nodes. A node could also
be seen as the area where a child’s seesaw is supported by a metal pole;
either side of the seesaw can go up and down, but the middle of the board
will always stay in the same place. Again, such a point is known in wave
mechanics as a “node” or a “moment point.”
Similarly, the pointy tips or vertices of the Platonic Solids represent the
nodes of the wave. These points are where the least amount of vibration is
occurring throughout the entire sphere. Consequently, we will see that in
this “stillness” is great power, caused by the pressure surrounding the
points. These node areas (as well as the exact center of the sphere)
actually have the greatest energetic strength across the entire surface of
the sphere, because the surrounding higher-pressure zones of vibration will
naturally gather up and direct everything “loose” in the area back to these
low-pressure zones. It is for this very reason that the most number of loose
“colloids” would gather into these nodes in Dr. Jenny’s experiments. (This
is also the same reason why high-pressure storm clouds will rush into a
low-pressure zone in our atmosphere.) Since these nodes exert great force on
each other by the laws of vibration, then as the old saying goes, “the
shortest distance between two points is a straight line.” So, straight lines
of force are naturally formed between these nodes once they are created, and
when you see all the lines combined together, the geometric object emerges –
just like connect-the-dots.
The last terms from wave mechanics that we need to introduce at this time
are “moving wave” and “standing wave.” (The terms “dynamic” or “propagating”
for the moving wave and “static” for the standing wave are also used.) This
is quite self-explanatory – a moving wave moves through space, where a
standing wave stands still as it vibrates. So, if we have a sphere of fluid
that remains stationary and has a geometric stress pattern of vibration
inside of it, that geometry is referred to as a “standing wave.” Once we
think in these terms, it becomes easy to put the model together – it is
based on simple, known physical principles of vibrating fluid, and the
quasi-solid “stresses” that can be formed inside of it by vibration.
MATCHING UP GEOMETRIC FORMS TO THE “DENSITIES”
Now if we think back to the idea that there is an Octave of
aetheric
densities in the Universe, we can see that these densities have
color, sound
and geometric components. This is perhaps the most frequently studied
connection that was explored by the inheritors of the ancient mysteries,
long after they had lost track of the full scope of scientific knowledge
that was behind it. So, one early puzzle that we worked on from 1996 to 1998
was, “How do we assign a geometric shape to each of the seven major
densities, since there are only five Platonic Solids and the sphere to work
with?” We do not need eight shapes, as the ancient traditions tell us that
the sphere exists both at the beginning and the end of the Octave.
Similarly, in the Octave of sound, any note that is an octave higher than
another note will sound the same, just in a different register – a higher or
lower octave. Mathematically, any musical note that is an octave higher than
another note will have exactly twice as many cycles per second – so “A” at
440 cycles per second will again become “A” when it gets to 880 cycles per
second.
So where is the seventh shape? The answer was found in the “religious myths”
of the ancient Vedic scriptures from India, the remnants of the
Rama empire,
as told in Robert Lawlor’s invaluable book Sacred Geometry. The Hindus, or
their contacts, supplied the answer by supplying us with one of the Platonic
Solids twice. Just as the sphere appears twice, at the beginning and end of
the octave, so does its closest harmonic partner, the icosahedron, located
at the second and seventh density levels. For the rich, mystical culture of
the ancient Vedic texts, with the full cooperation of extradimensional
entities flying about in fabulous vimanas, the icosahedron shape was
actually turned into a god. They named him Purusha, and in the
seventh
dimension, or density, he represents the masculine force in the universe.
Figure 3.2 – The icosahedron, known as the masculine god “Purusha” to the
ancient Rama empire |
As we just said, Purusha also shows up as the first shape for the sphere to
crystallize into when we are at the beginning of the spectrum. Therefore,
the One, being a manifestation of all conscious entities, must crystallize
down into the world of form as Purusha, and any entity must again attain the
level of Purusha to return to the One at the end of the cycle. The next
image from Lawlor’s Sacred Geometry shows how you would draw an
icosahedron
in two dimensions, using a compass and straightedge.
Figure 3.3 – The icosahedron, as drawn in two dimensions with a compass and
straightedge.
(From Sacred Geometry) |
Before we assert that the Hindu culture was sexist and male-driven,
assigning masculinity to all the best spiritual forces in life, realize that
there is a yin to our yang. The universal feminine force is referred to as
Prakriti, and is identified as the dodecahedron, or
the sixth density.
Figure 3.4 – The dodecahedron, known as the feminine goddess “Prakriti” to
the ancient Rama empire.
(From Sacred Geometry) |
In fact, it appears that each density can be considered as having either
“male” or “female” qualities, the second being female, third male, fourth
female, fifth male, et cetera. Let us not forget that the Oneness is a
combination of both genders in Unity. Thus, as Purusha
starts as female in
the second density, we see that it is, indeed, a father / mother god, also
encompassing the feminine, or Prakriti archetype within itself. Once we read
further into the design and understand the metaphysical and spiritual
properties of the dimensions, their “genders” will make tremendously good
sense. Other than the sphere, we can see that Purusha and
Prakriti are the
two highest shapes in the spectrum, so it makes sense, in some way, that
these two shapes themselves could have been personified as gods and
goddesses. These higher realms are clearly something we can aspire to, and
these are, essentially, conscious shapes.
Our own home is currently in shape number 3. This, the octahedron, is the
vibratory level that provides the invisible background framework for the
energy that all of our atoms and molecules are created from. Rod Johnson,
whose sacred geometry model of quantum physics covered in
Volume III, has
asserted that the massless "neutrinos" that have been observed in the
laboratory could well be octahedrons. However, more often than not these
vibrations would remain undetectable, as they are only the underlying
framework of reality, not the actual reality itself. When you look at a
finished skyscraper, you don’t see the I-beams. Similarly, we don’t see the
"zero-point energy" that creates "virtual particles" of
protons, neutrons
and electrons which constantly wink in and out of existence, but yet we know
that it must exist. Therefore, the ancient physics would teach us that this
shape represents the fundamental background for all matter in our "density."
This is the forgotten ancient teaching. It is important to realize that this
is only a general rule, as within our own density we see evidence of all the
Platonic Solids, representing the different “sub-densities.” We need all of
them in place to be able to build physical matter – but the strongest one in
third-density is the octahedron.
Figure 3.5 – The octahedron, which is the underlying geometry of our own
“third density.” |
To look at just the top half of an octahedron, we can easily see that it is
identical to the shape of the Egyptian Great Pyramid. With the full physics
model in place, this simple fact will clearly illustrate that all pyramids
were designed in order to be able to focus this geometric energy of the
aether, much as would a funnel direct a flow of water. As we will see later
in this volume, the “torsion fields” on the Earth can vary from place to
place far more than the normal “push” of gravity or of the
Earth’s magnetic
field, and in the Russian lingo, any pyramid acts as a “passive torsion
generator.”
Matter itself behaves like a vibrating sponge that is submerged in water,
with fluidlike energy continually flowing in and out of it with a pulsating
motion. When you clump matter together into a single structure, the shape of
that structure will determine how the aether “currents” flow through it. Any
cylinder or cone-shaped object will harness and focalize torsion fields, as
we have extensively documented in Volume III. There are always torsion
fields coming out of the Earth in spirals, and the cone shape can direct and
focus these fields. Let us not forget that these fields are composed of
intelligent energy, so one major benefit of harnessing these fields is that
they will dramatically enhance your physical health as well as your
spiritual consciousness in a short time – hence the ancient Egyptians
referred to the pyramids as “temples of initiation.” And we know that the
Greek word “Pyramid” is a conjunction of the words “Pyre” and “Amid,”
meaning “Fire in the Middle.” This “fire in the middle” represents the
energy fields that are harnessed inside the Pyramid – hence the name itself
conceals part of the secret.
In essence, with the proper science in place, we realize that the
Great
Pyramid of Gizeh, the most precisely constructed pyramid on
Earth, is a
fantastic machine, fashioned with a technology that is far more advanced
than our present scientific level of understanding. The reason why is that
this is a technology of consciousness, working off of a physics model that
we are only just now rediscovering in the public arena. And the more that we
examine the Pyramid, the more that we can see how accurate and comprehensive
the ancient knowledge that went into it must be.
It is an established, longstanding fact that if you take the difference
between the base and height measurements of the Pyramid, the pi ratio of
3.14159 is expressed. This means that you could draw a circle from one
corner, over the top and down to the opposite corner, and that circle would
perfectly touch all three points. Then, all we have to do is think in three
dimensions, and we will quickly discover that the Pyramid mathematically
fits perfectly within a half-sphere.
Figure 3.6 – The
Great Pyramid fits perfectly within a half-sphere, as pictured |
So, in a very direct fashion, the pyramid structure forms “resonance” with
the aether, causing a sphere of unseen energy to form around itself just
like this. Remember that the strongest geometric energy structure of our own
dimension, if we could see it, would look exactly like this. Thus, the
Pyramid was not only a geometric object, it was literally built as a giant,
solidified “consciousness unit.” On one level, we could think of it as a
giant statue in honor of the energy density that we now inhabit – but it is
also a very potent machine. We have also been told by Ra that it was far
more effective when it was first built than it is now, due to the changing
positions of the Earth and the deterioration of its stone faces.
Many Pyramidologists have pointed out that the outside of the Great Pyramid
expresses the exact length of an Earth year, 365.2422, in many different
measurements. Since scholars understand that the Pyramid perfectly fits into
a half-sphere, many have concluded that the Pyramid is designed to represent
the Earth. But that wouldn’t explain why the pyramid builders didn’t simply
erect a globe, especially with the apparent technology that they had at
their disposal to precisely position such huge stones. It is only now that
we can see why the octahedral form was chosen in order to do this.
Though we cannot see the Pyramid as a crystal now, it is a well-known fact
in Egyptological circles that when the Pyramid was first built, it was
entirely covered on the outside with casing stones. These were made of
white Tura limestone that was precisely mirror-polished to a glowing sheen
(Lemesurier, 1977.) It was so bright in daylight as to be blinding, hence
the ancient Egyptians named it “Ta Khut,” or “The Light.” It would be very
easy to conclude that it was not built by primitive human beings when seen
in this original form. In the next picture below, we see the remnants of
these stones that still exist along the bottom.
Figure 3.7 – Casing stones that still exist along the base perimeter of the
Great Pyramid. |
What is not often known is that the spaces in between these casing stones
were only 1/100th of an inch wide (Lemesurier, Hoagland.) For comparison,
the best that modern technology could do to align the heat shield tiles on
the Space Shuttle was one thirtieth of an inch tolerance (Hoagland.) This
puts the fashioning of the casing stones on the level of optical precision;
something we would normally only use for extremely sensitive pieces of
equipment. All of this precision was used to make it that much more
effective as a “machine” that harnessed torsion fields.
Furthermore, in these incredibly tight spaces between casing stones, so
tight that a knife blade cannot be pushed into them, there is an impossibly
thin layer of “cement” holding them together. This “cement” is so strong
that to strike the joint with a sledgehammer, the limestone itself breaks
before the “cement” does. Still to this day, no one has provided a
satisfactory explanation for how this could have been done. It certainly
appears that the stones themselves were fused in place, and thus it wasn’t
cement at all, but a product of extreme heat, melting the two stones
together. So how did they get the heat? A laser, perhaps? Or was it focused
consciousness, transforming the matter phase of conscious limestone
molecules? Ra’s explanations start to make more and more sense to us as we
go along, as in their model, they were able to use consciousness to
visualize how they wanted the stones to arrange themselves, and their
visualizations would then become reality.
To summarize, then, the outside of the Pyramid was fashioned with an optical
precision that is only now matched by the type of work that we would do on a
mirror lens for a reflecting telescope (Hoagland.) We must then picture a
giant pyramid built out of four mirrors, so bright in the daylight as to be
almost blinding. Again, it is no wonder that ancient Egyptians referred to
it as “Ta Khut,” or The Light. When it was in its true crystal state, there
could be no doubt that it was not built by the humans of the time; it would
be a most totally alien-looking structure. We can only imagine its original
appearance now, as earthquakes jarred most of the casing stones loose in the
early years of the first millennium AD, and these perfect white stones were
then hauled off to build mosques in Cairo. Thus we can only measure the
original design of the casing stones from the few that remain along the
bottom, still intact. The top of the second pyramid also has some casing
stones still remaining.
Figure 3.8 – Top-down view of second pyramid on the Giza
plateau, showing casing stones at top |
This almost insane degree of precision starts to
make a lot more sense when
we realize what energies might be able to be harnessed by the building of
such a structure. These energies would not be cold and lifeless like
electricity; instead, they would represent conscious energy, and could thus
be directed by a conscious human being, once trained. The author’s own
sources, along with Ra and the Cayce readings, indicate that a person well
trained in directing this energy could rejuvenate dying bodies to extreme
youth and vitality, travel in time and levitate massive objects with ease.
Furthermore, it helped to stabilize the Earth on its axis, decrease severe
weather and earthquakes in the surrounding area, heal and normalize the
mind, purify water, create usable energy and eliminate leftover radiation
from nuclear battles in much shorter amounts of time. The more we learn
about the science that is involved, the more obvious this will become – and
the greater of a desire we will have to rebuild a worldwide network of
pyramids once again to heal the earth of the present damages that we are
creating.
Indeed, Ra tells us that the Pyramid was a giant gift that they produced for
our civilization, a gift whose primary purpose centered on providing a
temple for initiation while also functioning as an effective balancing agent
for the Earth’s energy fields. Having a “temple of initiation” meant that
higher-level energies could be harnessed and integrated into the physical
and nonphysical bodies of the human seeker, and the full soul evolution
progress through the spectrum of seven densities could then be made while
still on Earth. This was a very rigorous and terrifying process, as one
essentially confronts all of the “distortions” of the personality self at
once, in what amounts to a subjectively long-lasting nightmare. A trained
healer, who can travel with the person out-of-body while they go on this
journey, was always present for this work to be done, since the fear alone
could cause the person to lose track of the physical body and thereby die.
If the initiation was successful, then after such a progressive evolution is
complete, that entity would have access to all the power of the entire
octave of dimensions, becoming like a god and having Christlike abilities,
if it decided not to leave the Earth. One reason that the inheritors of the
Atlantean Mysteries felt that they had to keep the knowledge a secret is
that they felt that if a negatively-polarized person made sufficient
progress in the Pyramid, they could become a very powerful force of evil on
Earth – even though it appears that this would not truly be possible, since
the negative path cannot sustain itself above the fifth density.
It should be no surprise that mystical tradition long holds that Jesus also
completed a Pyramidal initiation in such a manner, and might well have been
the only person coming in well equipped enough to actually complete the
process in full. According to the Edgar Cayce readings, Jesus enjoyed a
former lifetime as Hermes, the co-designer of the Pyramid with the priest
Ra-Ta, who later reincarnated as Cayce himself. Thus, it appears that Jesus
later utilized the very piece of technology that he originally helped to
build, in order to complete his own initiation.
As we will see in the end of the book, the Pyramid actually wrote Jesus’
arrival directly into a timeline based on a geometric and numeric code built
into the design of the chambers and passages inside. The prophetic statement
of this Messianic arrival occurs at the moment where the narrow Ascending
Passage suddenly heightens tremendously into the Grand Gallery. This
particular event in the Pyramid symbolism is arguably one of the single most
powerful symbolic events of the entire span of time given. Obviously Jesus
knew, even as he helped design this incredible structure, what he would
later use it for in future lifetimes.
If the pyramid shape is a basic product of understanding a more advanced
physics than we are now using, then we would expect that the technology
would be discovered by any civilized society on any inhabited planet. In
1981, Ra said that Mars is the only remaining planet in our
Solar System
that had third-dimensional humanoid life like ourselves in any recent past.
And in the late 1980’s, Richard Hoagland’s work began to be more widely
known, which did indeed reveal the remnants of just such a civilization.
From Hoagland and others’ data regarding Mars, we see that the largest and
easiest pyramid to identify in the Viking-photographed
Cydonia region of
Mars is five-sided, almost precisely duplicating the top of an
icosahedron,
or the Hindu god Purusha, if we remember. Near this five-sided pyramid is a
city complex of slightly smaller pyramids that appear identical to those we
see in Egypt.
In addition, the Mariner-photographed Elysium pyramids on Mars are clearly
in the form of tetrahedrons, and Carl Munck, whom we will meet in later
chapters, demonstrates a North American Earth mound in the form of a
tetrahedron in his book The Code, also available from the Laura Lee Online
Bookstore. Furthermore, Hoagland and others have written of spherical glass
domes on the Moon, which might well serve the same purpose in harnessing
torsion fields, holding in an atmosphere and providing a clear view of
“outer space.” Our own ex-NASA astrophysicist Maurice Chatelain, whom we
also shall discuss in later chapters, came forward in 1995 with the
shattering revelation that NASA had found "geometric ruins of unknown
origin" on the Moon during the Mariner and
Apollo missions. More recently,
similar testimony was given at the
Disclosure Project conferences, starting
on May 9, 2001 – and we attended the May 10 event and personally interviewed
the witness.
GEOMETRIC ENERGY TRANSITIONS
Our next question is, “How do we naturally map out the transitions from one
geometric energy frequency to the next?” Through a moderately complex set of
procedures, one can demonstrate how each geometric form will naturally
“grow” out of the one before it. To begin with, the sphere into the
icosahedron is relatively obvious – the movement of formless
Unity into
geometric form – so there is no real modeling to be done. The second-density
icosahedron into the third-density octahedron will be clearly modeled in
Volume II. In order to turn our own octahedron into the shape of the
4th
dimension, all that is required is to expand each face into a basic
four-sided triangle, or tetrahedron. In our diagram here, we conceptualize
it as if you were going to place a tetrahedron onto each face separately.
Figure 3.8 – The transition of the octahedron (L) into the star tetrahedron
(R). |
Each face on the octahedron, which is in the form of an equilateral
triangle, (composed entirely of 60-degree internal angles, with each side
the same length,) becomes one three-sided tip of a star tetrahedron. As the
octahedron has eight sides, you would then need to add eight
tetrahedra to
its faces. To animate this progression like a cartoon, it would appear that
the octahedron was suddenly blooming like a flower; the faces suddenly
sprout upwards as the tetrahedra rise into position. [Compare the diagram
here with the original harmonic table in order to help visualize this. The
top right shape in the diagram shows where one of the eight tetrahedra would
be, in terms of position, if it were not attached directly to the
octahedron.]
In order to then progress from the fourth dimension to the fifth, you can
look at the diagram and easily see how a simple connect-the-dots on the edge
points of the star tetrahedron forms the cube. To go from the
fifth-dimensional cube to the sixth-dimensional
dodecahedron, a further
outward expansion is required, where each face of the cube sprouts an
inward-slanting "rooftop" in order to turn into the dodecahedron. The "roof"
shape that appears is most easily seen in the rectangular area below,
whereas the square area would be more akin to an overhead view.
Figure 3.9 – The
cube’s “nested” position within the dodecahedron |
Then, if you put a dot in the center of
each pentagon on the dodecahedron
and connect all of the dots together, you will have a series of lines that
form five-pointed stars that create the icosahedron shape, the last major
node before the return to the Sphere. In short, going back to our original
harmonic table again, we can see how the entire progression is a sphere, or
a Oneness, expanding into the “seed” or fundamental form of the
icosahedron,
which then by its structure gives rise to all of the other forms contained
therein (Lawlor, 1982.) The "seed" aspect of the
icosahedron is why the
Hindus associated it with a male god - they were using the metaphor of the
semen, or "seed of life."
Figure 3.10 – The full hierarchy of geometric shapes that represent the
Octave of densities, L-R |
What we have here is an understanding of the fact that the shapes formed by
these energy vibrations can grow, much in the way that crystals grow.
ALL IS ONE
We shall briefly cover another point that has been a major source of
confusion to those reading this book, and attempt to break it down into
simpler terms in this revised edition. If you still find it difficult to
understand, just be reminded that it isn’t an essential point that is needed
to understand the physics. In order for the Universe to truly be
One, there
must be a level where there is no space and no time – where All is Here and
Now. Sources such as “Seth” through Jane Roberts tell us that nothing in the
Universe really ‘exists,’ including the aether itself – that all the
Universe is expanding and contracting from a single point of Oneness in each
and every moment.
So, the many tiny “field bubbles” that make up the
fluidlike aether appear
to flow around each other when we study their behavior. On one level, this
is indeed true, as the experiments of Dr. Nikolai Kozyrev,
Nikola Tesla and
others have demonstrated, which we will cover in Volume III. On another
level, we must remember that the amplitude of the spherical wave shows us
that the “zero point” of the wave is indeed right in the center, meaning
that the wave itself is constantly expanding and collapsing from a single
point. Think of a balloon that is constantly inflating and deflating from a
very tiny point to a very large sphere. At the highest level of vibration,
all of the energy in the sphere is contained within the central point.
Though this does seem confusing, various sources such as Seth and Ra tell us
that all of those single points are actually joined together in Oneness –
that there is only one single point that all is emanating from. This is
another way that we can understand that we do have a perfect “spark” of the
One Infinite Creator within ourselves.
If this is true, and we have every reason to believe that it is, then each
of the geometric shapes that we have discussed must be continually present,
at their own frequency, in every “consciousness unit” or field bubble in the
entire Universe. Roughly speaking, every energy form is pulsating from a
point, through the icosahedron, into the octahedron, to the
star
tetrahedron, to the cube, to the dodecahedron, again to the
icosahedron, and
again back into the sphere or point once more. This is the only way we can
explain that Seth would tell us, loosely paraphrased, that
“your entire
reality system is “off” as much as it is “on,” and you simply do not vibrate
quickly enough to see what is in between the gaps.”
Another analogy that we
have used is the idea of a filmstrip. The actual filmstrip in a movie camera
is a series of still pictures that are separated from each other, but when
we watch them fast enough, they form “moving pictures,” or “movies.”
So, the spherical energy that forms the Universe itself could be seen to
vibrate through all the different shapes at mind-numbing speeds, forever
expanding from a single point out to form the boundaries of space and time
as we know it and then compressing back into that space yet again just as
quickly. Although it seems almost impossible to conceive of our entire
universe as crumpling up into a single point over and over again at speeds
too fast to measure, this is exactly what is happening, say sources such as
Ra. Since all of physical reality is ultimately nothing but conscious energy
in vibration, each density would then have the illusion of only existing at
one level in this energetic system. In fact, all of the densities are interpenetrable, and the vibrations from higher densities will exert
measurable stresses in space and time here in the third. Among other things,
this forms the basis for the
Global Grid, which we will examine in future
chapters.
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