C8. The ancient use of mica in pyramids
This story had started because of my obstinacy. I cannot digest the
fact that I had cut willingly the soliloquy of that white peeled
little being with blue eyes. Perhaps he was not overbearing but only
defined. Also because of my susceptibility I seem to had lost
important information for the right construction of the pyramid.
Time, searches, commentaries of some qualified people, and other
indications, let me
understand that it was not just all foolishness that had been
dictated to me during that brief
‘dream’. In turn, if the phenomenon embraced the sphere of my
reality, and it could be
considered authentic, then why do not try to get a new contact with
‘him’, asking for more details,
or asking to kindly repeat the instructions? Well, since that time,
perhaps most of time, and maybe even right now, the “telephone lines
were a little bit busy”, but still it didn’t cost anything to try.
It is useless to say that I didn’t succeed. Never, although mine
obstinacy.
Only once (about one year later), during my night attempts to dream
‘him’ willingly, it happened to me something strange. Like the
usual, and against my intention, I felt sweetly asleep. Like the
previous time, whatever I was dreaming in that particular moment, it
was interrupted.
As a detail underlined by a director in a modern movie, I saw a pair
of normal human male hands at about the distance of 30 cm from my
nose. The hands were normal, like every human male would expect to
have, but also a little bit more tanned if compared to the standard
Italian male hands. They (hands) were opening a tiny panel as part
of something much bigger seemingly made of a black metal. Because of
the extremely close distance, unluckily I could not have a global
vision of the scene around me.
The opening of the tiny panel
revealed me an empty chamber/cavity, more or less as a quadrangular
shape. Then, these hands took an object vaguely similar to a
transformer - looking like those ones used for Christmas tree’s
lights, and turned it between fingers as checking if everything was
in order. Because of this action, I had the chance to observe the
object with more details. It seemed to be a compound cube, composed
of several layers of little thin panels placed one over the other.
They were all squared and dark grey in color.
These panels were
separated one from the other by very small black cubes placed in
each corner. After a while, one hand took this strange cube from the
other hand, inserted it in a cavity of the same size (like that of
the cube) and then shut again the tiny panel. When I woke up, I
thought over what I had seen. The action carried out reminded me a
lot the movement one makes when the battery are inserted in the
recorder: the same sequence of gestures. The very small black
separating cubes seemed to be little magnets ... but the material
was dark grey, almost black, and I had never seen it before! What
could it be?
Among encyclopedia, mineral treatises, and photos of
stones, I wasted more than one month to discover that the material
seen was existing, and its name was “mica”. But had it some relation
with our pyramid? Was it something useless for its working? And in
case, where would it be placed? Or was it a simply normal dream, and
I suffered with fixed ideas? Afterwards I decided to disassembly my
iron that I used for ironing my clothes, as somebody had told me
that there was mica inside of this iron (incidentally it was true,
but it was not the kind of mica, and the color, that I was looking
for). Of course, it goes without saying that soon later I decided to
buy mica.
It took me further six months of deep researches before I managed to
find out that the kind of mica I had “seen” is only produced (in
Europe) in Germany – and of course it is not sold in the shops. At
that time Dupont was the sole company which produced it. And it was
supplied mainly as covering for the shuttles or for the rockets. It
is useless to say that I was forced to drop the idea of buying it.
Many years later, I plucked up courage – and you need a lot of it to
talk about these things - and I wrote to Jan about this “dream”, hoping it had some meaning
for him. I don’t know anything about technical things, thus if I
don’t ask somebody – I told to myself – I will never know if a
“dream” brings knowledge or only fantasies. I would have not written
about this experience if a new and very recent information were not
took over.
I felt my heart to jump a beat and then to speed up. My hand gripped
more tighten the book that I was reading, my eyes continued to run
through the same lines again and again as my mind galloped
unrestrained trying to find the right balance between fantasy and
reality. Is this the madness – I asked to myself – when you find out
what you think fantastical abstraction suddenly could have a real
foundation?
I read once time more the words of that
very short chapter entitled “The
Sun and the Moon and the Way of the Dead" from the
book [C15] “Fingerprints
of the Gods” by Graham Hancock, which I quote
entirely as it is written in the book.
Before we go on, I must say this: if I wanted to insert this little
part of the book of Graham
Hancock into this treatise, it was necessary to have the original
text in English written by the
author. How to do it? I tried through Internet to find the site of
this author on the Web. The idea
was to ask him to send me those pages by mail. I didn’t find the
Hancock personal Web page,
but I found one of his fans and webmaster of a site about the
author. It is useless to say, I contacted him explaining my problems
and asking for the original text in English. He has been very kind.
Luckily he had the Hancock book and he sent to me by mail the
photocopies of the pages requested. Thus, I thank very much Robert
Speight from Twickenham, Middlesex, England,
<http://www.rspeight.demon.co.uk> for having sent to me the
following pages in English.
“Some archaeological discoveries”, writes Hancock, “are heralded
with much fanfare; others, for various reasons, are not. Among this
latter category must be included the thick and extensive layer of
sheet mica found sandwiched between two of the upper levels of the
Teotihuacan Pyramid of the Sun when it was being probed for
restoration in 1906.
The lack of interest which greeted this discovery, and the absence
of any follow up studies to determine its possible function is quite
understandable because the mica, which had a considerable commercial
value, was removed and sold as soon as it had been excavated. The
culprit was apparently Leopoldo Bartres, who had been commissioned
to restore the time-worn pyramid by the Mexican government.
There has been a much more recent discovery of mica at
Teotihuacan
(in the ‘Mica Temple’) and this too has passed almost without
notice. Here the reason is harder to explain because there has been
no looting and the mica remains on site.
One of a group of buildings, the Mica Temple is situated around a
patio about 1000 feet south of the west face of the Pyramid of the
Sun. Directly under a floor paved with heavy rock slabs,
archaeologists financed by the Viking Foundation excavated two
massive sheets of mica which had been carefully and purposively
installed at some extremely remote date by a people who must have
been skilled in cutting and handling this material. The sheets are
ninety feet square and form two layers, one laid directly on top of
the other.
Mica is not a uniform substance but contains trace elements of
different metals depending on the kind of rock formation in which it
is found. Typically these metals include potassium and aluminium and
also, in varying quantities, ferrous and ferric iron, magnesium,
lithium, manganese and titanium. The trace elements in Teotihuacan’s
Mica Temple indicate that underfloor sheets belong to a type which
occurs only in Brazil, some 2000 miles away. Clearly, therefore, the
builders of the Temple must have a specific need for this particular
kind of mica and were prepared to go to considerable lengths to
obtain it, otherwise they could have used the locally available
variety more cheaply and simply.
Mica does not leap to mind as an obvious general-purpose flooring
material. Its use to form layers underneath a floor, and thus
completely out of sight, seems especially bizarre when we remember
that no other ancient structure in the America, or anywhere else in
the world, has been found to contain a feature like this.
It is frustrating that we will never be able to establish the exact
position, let alone the purpose, of the large sheet that Bartres
excavated and removed from the Pyramid of the Sun in 1906. The two
intact layers in The Mica Temple, on the other hand, resting as they
do in a place where they had no decorative function, look as though
they were designed to do a particular job. Let us note in passing
that mica possesses characteristics which suit it especially well
for a range of technological applications. In modern industry, it is
used in the construction of capacitors and is valued as a thermal
and electric insulator. It is also opaque to fast neutrons and can
act as a moderator in nuclear reactions”.
Just some months earlier to the reading of this book, Jan had
pressed me to write in this treatise my “mica’s dream” which I had
written to him. I had refused because I considered it without
foundation and without a logical or visible link with our pyramid.
But today – after the reading of “Fingerprints of the Gods” by
Graham Hancock – I have changed my mind because I think there is a
circumstantial evidence to support even though I continue not to
understand the relation.
Top
C9. My experiments with Kirlian camera and how they could help in
building the pyramid
For a certain period of my life (1975-1980) I was interested in
children having wide mental skills: extra-sensorial perception
(ESP),
psychokinesis (PK), telekinesis, bending spoons, etc. Because
of my interest at that time, it happened that I was in the some
circle of Italian researchers which, in academic field, tried to
succeed in producing a conclusive proof for the reality of these
phenomena.
The orthodox scientists didn’t believe in these
phenomena. But some of them, these with more open-minded
mentalities, were interested in these avant-garde researches. The
objective difficulties to reproduce the same phenomena and effects
in laboratory, and the lack of scientific equipment in Italy that
would be suited to control this kind of phenomena, pushed myself to
deal with these scientists actively.
Why I was accepted? Because I was young, nice, full of enthusiasm,
and above all I had at that time more money than them to spent in
this field - it can happen in Italy where this kind of research is
not supported by anybody.
I approached some of these children (between 9 and 14 years old)
scattered throughout the Italian countryside, with the intention to
find something scientific that could help the researchers. I was
young and I still suffered from romantic ideologies. I had my
personal ideas on how it was possible to produce a conclusive proof
of such phenomena as
psychokinesis.
I had read about some researches done by qualified American
scientists (see [C14]:
Psychic Exploration, 1974, by Edgar D. Mitchell & Associates, Inc.,
G.P. Putnam’s Sons, New York, published in Italy by Casa Editrice
MEB, Torino, 1975, Vol. 1 and 2), and their researches provided me
with some ideas that I would have used after a while. By mail I had
bought for the occasion
a Kirlian camera from the Edmund Scientific
company in United States. I also invented for that situation a
detailed protocol of experimentation that each child must follow in
every detail. I presented these experiments as a “game”, to avoid
nervous tension and wayward refusal. While chatting with the child,
at the same time I carried out a kind of simple psychological and
cognitive investigation of the subject’s personality.
The protocol of my experimentation consisted of the following proves
to which children were submitted:
-
Photo Kirlian of child’s hand in “rest condition” (it means
without to do nothing).
-
Photo Kirlian of the same child’s hand while he must (with the
mind) to bend an object (usually a fork or a spoon) hold in the
other hand or previously placed in another room. Due to the fact
that the exposition time for the black and white photographic paper
is 7 seconds (14 seconds for the color dia/sheet 13x18 cm), the
subject had to manifest his/her skills in those 7 seconds (or 14
seconds), otherwise it wouldn’t have been possible to see on the
photographic paper the psychophysical alterations.
-
Kirlian photo of the subject’s same hand after the experiment in
“rest condition” (to compare with the first photo).
This
experimentation gave the chance “to read” the photos by comparison
and at the same time to have many of bent objects for analysis.
Then, I gave these objects to some acquaintances I had then in the
former CNR (Nuclear Research Centre - today ENEA), which in turn
(not in a formal way) make analysis and gave to me, when possible, a
documentation of the results.
These experimentation were important
mainly for two reasons: firstly, when an object is bend with the
mind (or with the mental energy) it shows particular molecular
alterations under analysis – and this is a proof the object has not
bend with a trick. Secondly, when the person uses his/her mental
energy to bend an object, it shows on a Kirlian photo his/her
typical psychophysical alteration – and this is another proof the
person is not going to use a trick.
One of the first things I realized is that the mental “frequency”
needed to bend an object was not for each child equally “strong” –
for some children it was easier, for other more difficult. The
second thing I found out it was that for bending an object is needed
less “energy” than it is needed “to read” well a Kirlian photo
(under experimentation).
The Kirlian photography is a photographic process obtained by
contact (in the meaning
there aren’t any traditional lenses in the Kirlian device), and it
is used to view on the photographic
paper (or on the dia/sheet/plate) the difference of the “electric
potential” existing between a
dielectric plate and the object of scrutiny. This “electric
potential” is visible as a crown, or halo
effect.
The crown effect is a week electric overflow that manifests
when the electrostatic charge
on the surface of a conductor maintained at high potential,
surpasses the “dielectric resistance” of the air. At this point a
flow will ionize the air around the conductor, rendering it
luminescent. In other words, the Kirlian Camera projecting ions and
electric charges, creates on the sensitive photographic paper/plate
the crown effect characteristic of the object under study.
Many years ago, Kirlian Cameras have been used in various branches
of science in both Russia and the United States. The “Russian
Journal of Science” noted in 1966 that V. I. Mikhalevskii and
G. S. Frantov used the Kirlian process to localize and discover minerals,
such as highly conductible sulphurous minerals – to scarcely
conductible silicates.
The basic principle applied for the discovery
of minerals is based upon the different conductibility of the
minerals. In the United States, based on research conducted in
Russia, Thelma Moss and Kendall Johnson – working at that time at
the Institute of Neuropsychiatry of U.C.L.A., reached some
surprising conclusions (1973-1974). They observed a thin fracture
inside a special metal that was provided by NASA. This test has been
adopted in other laboratories and was used to analyze metal stress
and metal fractures.
Observation of the famous “leaf ghost effect” was first proposed by
Soviets. This effect has been reproduced in many laboratories.
Controls on the researches done by Milner and Smart in England,
regarding effects on the air to be used for atmosphere analysis. By
these studies, any object containing alterations shows its preceding
energetic image, i.e. – false paintings, doctored license plates,
cancelled finger prints, etc. This type of research, as highlighted
by these points, can also be extended to medicine, agriculture,
mining, photography, pharmacology, biology and industrial chemistry.
Acupuncture, as well as the Kirlian photographs, can be included
among the most recent scientific developments that come under the
title of “research of systems”. Von Bertalanffy (1966), defines a
system as a complex of components in reciprocal interaction. R.
Buckminster Fuller (1972) uses the term “synergy” to describe the
comportment of the systems, not being predictable from the single
action of each part. Just as our own knowledge of the chemical
compounds do not allow us to foresee the level of organic
association of the molecules within the biological cells, so our
knowledge of the cells does not allow us to foresee their
association in a biological tissue.
All of the data on tissues are
in their turn, of no help to foresee the modes of comportment of the
various living species. The Kirlian photographs of various forms of
life, demonstrate that each species has its own light pattern
(Krippner and Davidson, 1972). However, these patterns of each
organism cannot be explained only on the basis of the components, or
of the system, or the species as a whole. Moreover, the effect of
the “phantom leaf” or “cut leaf” would furnish visible proof of the
Fuller concept called “synergy”. Another example of “synergy” and
“systems” could be acupuncture, since it suggests highly complex
body interactions.
According to “General Theory of Systems” (Von Bertalanffy, 1966) the living organisms enter into a special
category of the “open systems” which maintain an open exchange of
matter with the surrounding ambience by means of input and output,
or also by means of construction and destruction of the components.
The open systems, compared to the closed systems of traditional
physics, demonstrate singular characteristics. An open system can
reach a static state but, this constancy is obtained by continuous
exchange of the components.
Von Bertalanffy, writing in General
System Theory and Psychiatry (American Handbook of Psychiatry, Vol.
3) – notes that:
“even without external stimuli, the organism is not
a passive system, but an active one; the stimulus (change of
external conditions) does not provoke a process in an otherwise
inert system, modifying only the processes in an autonomously active
system”.
The Kirlian photographs of the fingertips of a man in good health,
calm and of good disposition, are different from those of a tense
and anxious individual (Ostrander and Shroeder, 1971, in [C4]:
Psychic Research Behind the Iron Curtain). Through Kirlian
photographs it is possible to demonstrate the general state of a
system as well as its reply to external stimuli.
Conceptually charting a living organism as an “open system” could be
very useful in interpreting
information obtained by the Kirlian method. Krippner wrote in his
book Galaxies of Life:
“I think Kirlian photography give images of the light emitted because of the
air ionization caused by the
electrons cool emission of the various samples examined.
But the
differences between these
emissions can be due to an unusual kind of matter, as the “bioplasm”
suggested by same
Russian scientists (Inyushin and others, 1968).
“The physicists have
divided the world in four kind of material substance: solid, liquid,
gaseous, and plasma. The so called “bioplasm could be a plasma
variation (it would represent the subatomic particles present in the
living organisms) or a fifth state of the matter. In both cases, the
“bioplasm” can modify itself at each littlest change of the body’s
condition. If it is so, it can influences the cold emission of the
examined sample’s electrons, modifying therefore the images
obtained”.
It must be considered that these books and researches are
very old from scientific point of view. I am sure that now there are
new concepts and new ideas about the explication of this form of
energy.
Coming back to my experiences with the kids, I can state that when a
person makes willingly a noticeable psycho-physic alteration, it is
possible to see this on the Kirlian photographs, if one reads them
by comparison. Because of this, it is easy to understand that any
psychophysical alteration creates a particular frequency. An emotion
of fear, for instance, causes an adrenaline discharge in the blood,
a cardiac acceleration, etc., varying in this way the electrical
potential of the body. The voluntary alteration of the own physical
status, obtained with the concentration or emphasizing the own
emotions, causes electrical variation in the body.
These variations
allow to read Kirlian photographs by comparison. I have read (in a
Tiller’s report, if I remember well) that the emission seen in a Kirlian photo passes through every material (paper, metal, cloth).
It means that if for instance one puts the hand wearing a glove on
the Kirlian camera, the photograph that is obtained will show the
characteristic emission of his/her hand without any modification –
like if the glove doesn’t exist. The only material that can disturb
the emission of the photographed sample is the wood. Considering
this American experimentation, I though that the specific kinds of
emission which I was investigating (ESP, PK, etc.) should have a
particular radiation, and as every radiation does it - this
particular radiation should have its own frequency.
I tried with the
only material in my hands that could stop the light: the black
plastic envelope wrapping up the sensible black and white paper -
that one used to make the Kirlian photographs. It was a good idea.
The photographs of the hands that I did, inserting that black
plastic sheet between the hand and the dielectric plate, were
totally blank, except for some very little dots. (I am talking about
the white and black photos. Of course, the photos in color were
totally dark, except for some very little blue dots). The radiation
didn’t pass.
Then, I tried to make the photos under my
experimentation: first Kirlian photo without to do nothing (with the
mind), second photo altering willingly the emotional state, and
third photo of control – as the first. My idea was correct: all the
second photos I did showed the typical crown around the fingers!
What does this means? From my point of view it means that the idea
of the “bioplasm” could be right. It means that “under certain
condition” the human being emits a particular kind of “radiation”.
It means that would be possible to detect the frequency of this
“radiation” with the right equipment.
And this dismiss all those
people (orthodox “scientists”, and not only them) who say that the Kirlian discharge seen on the photographic paper is only an
electrical effect. Unbelievable, but because of this my new path of
experimentation, it happens to me to be invited by an English
foundation in London and in Paris. There I did a conference (in
English, ah! ah!), not to the public but to the scientists working
in this field and coming from all around the world.
The readers are lucky because can read this treatise in good
English. But I wish to remind them about the hard work that Jan has
done to make it comprehensible. Anyway, despite my English, some
scientists from the States were fascinated by my experimentation.
Yes, I was happy, but as far as I know, nobody has carried them out
professionally after me!
Thank to the electroencephalography we also know our brain produces
Alfa waves (813 cycles per second), Beta waves (1530 cycles per
second), Theta (47 cycles per second) or Delta (0,5-3 cycles per
second).
Now, as before, the problem is: what frequency corresponds
to the skill of bending forks, spoons, glasses, etc.? A trace about
this question has been given by Peter Bender, psychologist, in his
introduction to the book [C16] “Da dove vengono i miei poteri?", by
Matthew Manning, published by Armenia Editore, viale Cà Grande 2,
Milano, Italia, copyright 1976 (original title: “The Link”,
copyright 1974, Colyn Smithe Ltd).
In the summer of 1974, Dr George Owen, Director of the “Foundation
for New Horizons
Research” at Toronto, Canada, organized a seminar to study the
extraordinary potential of
Matthew Manning, another English psychic, who today is still not
known as widely as Uri Geller. Joel L. Whitton was delegated to
complete research on Mr Manning. He recorded a new type of profile
on an electroencephalograph.
This profile appeared while Manning
psychically “bent” keys and other similar objects. Amongst
scientists which took part in these experiments was Prof. Brian Josephson, Member of
the Royal Society and in 1973 Nobel Prize
winner for Physics. In the official report received from Peter
Bender, the psychologist who has written the introduction to the
book of Manning, Whitton says that Manning was attached to the
electroencephalographic device and to an electromiographic machine,
both connected to a computer (Peter Bender was a psychologist who
has written these notes in the introduction to the book “The Link” -
Italian title “Da dove vengono i mie poteri”, by Matthew Manning). A
normal tracing of Manning brain waves in relaxed condition were
taken, and one while concentrating – bending a key.
During these
experiments, the electromiograph revealed no muscular activity at
all. According to the computer readings however, considering the
rapid eye movements (R.E.M.), Manning was in the 4th grade of deep
sleep (Theta), and yet, to the scientists present, it was evident
that the youth had never slept (Matthew Manning was 18 years old
when he wrote this book, so when experiments took place he probably
was 17 or even less). The verified electroencephalographic outline
was without precedent; and due to its form was called “ramp effect”.
This “ramp function” contained Theta waves and up to 49% of Beta
waves (extreme concentration) lasted up to 20 seconds. On these
experiments, Whitton published a pamphlet titled: “Ramp Functions in
electroencephalographic energy tracing during effective and
tentative paranormal phenomena”. Dr Owen, then published
“Preliminary Report on the Physical Phenomena of Matthew Manning”.
(Unfortunately on the book there are no references about these
reports.)
After I found out that children do not have the same mental
“strength”, I formulated the following question: if we give a
numeric value to the “strength” to bend, brake, or however to alter
an object (for instance giving the child 8 in a hypothetical scale
from one to ten), what there is before? And what there is after? And
is there something after that? I mean, in a hypothetical scale of
skills, if we place telepathy at 1, and telekinesis at 10, what
would be before 1 and what would be after 10 (I believe that before
1 is what we call sensations, feelings, instincts, but after 10 most
probably are skills that we are not able to imagine ...). It was for
this reason that my “experimentation protocol” forced me to keep up
to date with laboratory tools that I used.
The first of these tools
was a heliogiroscope, or integral Crookes radiometer. Usually it is
used in the schools as didactic tool. It has been invented by W. Crookes in 1875 and it is made with 4 thin little mica plates placed
on 4 “arms” in the vacuum inside a sphere of glass. Each little
plate is white on one side and black on the other side, turning when
the light hit them. Exposing the tool/device to the light radiation,
for instance to the sun light, the little darkened plates absorb the
radiation which causes a certain quantity of heat to be produced.
The gaseous molecules which are near the darkened plates gain then a
more kinetic energy than those near the plates not darkened (those
white). Thus, between the darkened plate and the other not darkened,
there is an imbalance of pressure in virtue of which the “arms”
start to turn, in the direction pointed in the figure, with a
certain speed – that within certain limits is proportional to the
intensity of the radiation angle. (free translation from the text of
my Encyclopedia [C17]). Because of a physics law I do not remember
(and I do not wish to translate), they turn always in the same
direction (i.e. clockwise).
The experimentation I did with the children was: to place the
radiometer on a table, far
from a light source, to wait the little plates stopped – due to the
fact each little movement make
them to wave – and then ask to child to let them turn. Well, those
children able to let them turn,
without to touch the radiometer, have done to turn the little plates
in the opposite direction
(anticlockwise). I don’t know very much (it is better to say I don’t
know anything) about radiation
and light property but from my point of view this above is an
important thing trying to establish
approximately the ‘mental’ frequency used to produce these
phenomena.
But at that time I was
not looking only for the phenomenon itself. I didn’t wish only tools
‘working’ with the ”Olympic
champions”. I wanted also some tools able to highlight who was able
‘to run’, or at least who was
able only to make ‘jogging’. In other words, one can have the skill
to produce given frequencies
but not to carry out them to the extreme consequences as to bend or
break a key or make turn a
Crookes radiometer in anti-clock direction.
Thus, I found out and added an other tool to my equipment: a neon
tube. Yes, a normal neon tube, long about 50/60 cm – that generally
speaking most of the people have over their mirror in the bathroom.
I placed the neon tube on a table, or on a chair in a dark room.
Then I asked to the child ‘to light it’: normally the neon tube
lighted – in the sense it emitted a faint discontinuous
luminescence. Probably the neon gas molecules inside the neon tube
are excited by a given mental frequency. But I had found a tool for
weak energies. In fact almost everybody can produce quite the same
phenomena – also the adult person so called ‘normal’.
Many times I
have repeated this experiment (to lit a neon tube) with friends and
acquaintances. The only difference between children is: one must
hold the neon tube in the hand. Everybody can try. If one is not
able only with his own hands, can ask friends for help. Almost
surely the skill to project our own energy towards outside of our
bodies, is part of the PK phenomena. (I hope it is clear I am
talking about a neon tube not electrically connected and far from
any electrical source).
Through the experiments, the research and the explications obtained
out of the children, I can say now in a simple words, what mechanism
produces these kind of phenomena: the thought produces an emotion,
the emotion produces energy, the energy produces the frequency, the
frequency influences and/or interacts with the matter.
I still remember a boy, about 14 years old, one afternoon told me:
“It doesn’t come”, meaning he was not able at the moment to produce
the phenomena I had requested (to bend a fork placed on the table in
another room). Then, with friendly behavior I asked him: “Have you
never seen the Play Boy magazine?”. He looked at me very baffled
(and embarrassed). But after a couple of second he shouted: “I
understood!”. Practically I had suggested him to draw the needed
emotion from his memory of something that once struck his
imagination. With this story I do not want to say that those who
will try to light a neon tube in the darkness and quietness of his
own room should have the famous American magazine aside. I want only
to point out as also the memory of a deep emotion is able to produce
the needed emotion ‘to light’ a neon tube.
The requirement of working with one’s own emotions really needs to
be stressed here. I
think this is the reason why many psychic persons fail in the
laboratory experiments. From all the
bibliography published about the psychic research (and between the
years 1970 and 1980 many
texts have been released to the public which described results
obtained by qualified American
researchers and scientists), it doesn’t appear that somebody has
tried experimentation with tools
similar to mine. Furthermore, I believe there is a good chance to
define the frequency emitted by
one’s mind during making simple experiments with such devices. What
frequency is needed to
develop to excite the neon molecules? And why do not try also with
the other noble gas as argon,
xenon, etc.?
Is it necessary a different frequency for each noble
gas? And yet what frequency is
needed to turn the Crookes little plates? When it will be possible
to find this “frequency/s”, it
would be fundamental to find a frequency able to support them and to
amplify them. In fact these
frequencies “at natural” are like little burst of energy and they do
not last enough time to give the
possibility to work with them making researches. It could be
possible, however, these my “wicked
thoughts and experiences”, begun in the far year 1975, are today
obsolete. In fact it happened to
me to read an article [C18] published the 25th October 1995 by the
Daily News from Fort Walton
Beach, Florida, U.S.A.
The title was “Sony scientist stirs
controversy with research in ESP
laboratory” written by Peter Landers – Associated Press writer. The
article says that one of the
biggest Japanese company, the Sony Corporation, created and financed
a research laboratory
for ESP (Extra Sensorial Perception). In the last four years, it was
pointed out in the article, Yoichiro Sako, a 38 years old graduate of prestigious Tokyo
University, has been director of that
Sony’s ESP laboratory (a special research section directly approved
by Sony founders Akio
Morita and Masaru Ibuka). It is not specified in the article what
kind of experimentation are done
in this laboratory, but in the interview Sako insists he is working
on a very serious matter that will
produce “a new technological revolution”.
Therefore, it could be a
logical consequence to think
that if the Sony is spending such money for ESP experimentation,
these can be referred only to a
product/item for the consumers/users working thanks to
other/different “energies”. It could be
something similar to our pyramid if, as Jan wrote in the first
treatise, it seems that the idea of a
device working by/with different energies has been ‘seeded’ in the
minds of the most dissimilar
persons. Thus, while most of the orthodox scientists from all around
the world still today refuse to take only consideration to the
possibility that man has some unexplained faculties making part of
his own nature, it could be possible that the industry itself,
finding some commercial use, goes over this intellectual/cultural
gap of our “intelligentsia” pouring on the market items using just
the psychic energy for working.
This long introduction has been necessary to explain my hypothesis
about the pyramid working. In fact the psychokinesis (PK) is only
one of
the many skills the human being has. Between them there is
also the telepathy, that one needed for our pyramid. But also this
skill works for short moments, thus it would be necessary to support
it with a carrier wave.
It could be possible also that the
telepathy’s frequency is not only one, but it could vary according
each person. At this point, from what I have understood during many
years of questions, if one knows the frequency, the choice of the
quartz, fundamental for the working of the pyramid, could be
obviously more simple. There are some more precise information I
would write as regard the pyramid I have: as for instance the shape
(the pyramid seen in “my dream” didn’t have the shape of the pyramid
that then I have built).
The fact I have done it with the measures
in scale of the Cheops pyramid, is purely circumstantial. In fact
that pyramid in perspex was the only one for sale. And to built it
according to the shape of the pyramid of my “informer”, was for me
too difficult. By chance, some years ago, I went to the supermarket
for shopping and I saw the shape of the “original” pyramid on the
soap/detersive counter.
It is a deodorizer for rooms, I think by GLED, with the shape of a pyramid. Its lower section comes off for
about one centimeters from the upper cusp section to allow the exit
of the perfume. This pyramid when it is closed has the more right
shape. These my precise information could be important because the
right shape corresponds to a certain gradient of the pyramid angles.
And the angles deal in some way with the ratio of the other elements
inserted in the pyramid.
The little being with blue eyes has
passed/transmitted to me, together with the words, concepts for him
very important. I didn’t understand anything about the concepts
themselves, but I have absorbed, we could say for “mind contagion”,
a part of his cognitions/knowledge. For instance, the matter of the
“harmony”, or of the ratio with each element of the device, for him
were very important, is linked in some way also to the angles
gradient of the pyramid. It is how if the gradient of the angles are
subordinate to a Law – a little bit as in geometry when one studies
the rules of the plane surface, of the solids, etc. If to explain
better I could draw, I will make the dashed projection of a second
pyramid, attached to the first by the base in order to obtain a
prism.
Then I will make the classic little semicircle on the double
base angle so obtained. This could means that in order to transmit,
the pyramid device should have the same shape (angles) of the
receiver and its working could be linked to the angles gradient
multiply by two - maybe. At this point, it shouldn’t be a great
difference if one pyramid is here and its twin to the other side of
the world, or in the space. Graham Hancock, in the book [C15]
mentioned before, give to me also a not direct confirmation that our
pyramid could be a device for communication.
He tells that, when
acting by impulse, he lied down inside of the stone sarcophagus in
the great Cheops Pyramid, he, quote:
“I relaxed and tried not to worry about the possibility of one of
the pyramid guards coming in and finding me in this embarrassing and
probably illegal position. Hoping that I would remain undisturbed
for a few minutes, I folded my hands across my chest and gave voice
to a sustained low-pitched tone – something I had tried out several
times before at other points in the King’s Chamber. On those
occasions, in the centre of the floor, I had noticed that the walls
and ceiling seemed to collect the sound, to gather and to amplify it
and project it back at me so that I could sense the returning
vibrations through my feet and scalp and skin”.
“Now in the sarcophagus I was aware of very much the same effect,
although seemingly amplified and concentrated many times over. It
was like being in the sound-box of some giant, resonant musical
instruments designed to emit for ever just one reverberating note.
The sound was intense and quite disturbing. I imagined it rising out
of the coffer and bouncing off the red granite walls and ceiling of
the King’s Chamber, shooting up through the northern and southern
‘ventilation’ shafts and spreading across the Giza plateau like a
sonic mushroom cloud.”
Sometimes I wonder if all the old pyramids we have in the world were
only primitive
reproductions of structures for the communications. Not one, but
several times Graham Hancock writes in his
Fingerprints of the Gods
(see [C15]) that to be inside the great pyramid gave to him the
feeling to be “inside of some huge instrument/device” that could
have a precise function.
And if the holes, the wells, the improbable
and absurd uphill and descent path/runs were only the stone
reproduction of a strange printed circuit? And if, according to the
researches of the astrophysicist,
Richard Hoagland (USA), are the
pyramids (and the Face) photographed on Mars confirmed? Then, the
Hancock hypothesis about an ancient civilization, previous to that
dated and offered by the archaeologists, could begin to have a
meaning.
Personally I think our pyramid is a device utilizing two components:
-
one known to us, electric or electronic
-
the other psychobioelectrical, to us almost totally unknown
In the psychobioelectric component there are those potential and not
developed faculties of the human being. And, according to my point
of view, the telepathy is one of these.
Anyway, if somebody will not
discover at which frequency work the “telepathic waves”, I strongly
doubt it is possible to find for luck the correct oscillating
quartz.
Top
C10. Further matters that should be considered in building the
pyramid
The quartz, for instance, at natural state, is composed by prismatic
crystals almost always ending in two rhombohedrons simulating a
hexagonal bi-pyramid. Reading here and there, I have found out that
our brain cells contain magnetite crystals (a cubic mineral
hexacisottaedric). The salt (NaCl, cubic hexacisottaedric mineral)
is in turn a crystal I have found also that, according to same
geophysicists, I quote verbatim:
“the earth nucleus would be
composed by an unique iron crystal. They have reached this
conclusion after studying the earthquake waves. The waves passing
through the core/centre of the Earth with direction North-South,
take 4 seconds less to cover the diameter of the globe respect to
the waves moving from East to West. It exists an unique crystalline
structure able to explain this variation of the iron physical
properties in function of the direction: the crystalline structure
of the iron disguised as hexagonal prisms”
(Source:
Italian TV News, 1995).
I don’t know anything about crystallography or
geophysics, and the
chemical information I pointed out are referred directly as I read
them. But I have the feeling, just a sensation, there are some
relations between the crystalline structure of the quartz, hexagonal
prisms of iron, and our pyramid, as well as between magnetite, and
salt. It is not up to me to say which are their
relations/connections but I wonder: aren’t all these crystals –
included those in our brain cells – electrical conductors? And
couldn’t they be used to transmit?
After all, my little being with
blue eyes hold the pyramid between his two hands, as if he was
trying to close a circuit. Therefore, it could be possible that the
magnetite crystals in our brain go in resonance with the quartz,
with salt, and with two little magnets (iron) placed to the sides of
the phial.
Where mercury is concerned, there is a curious note, instead. The
Italian newspaper Il Corriere della Sera, dated 19 May 1996, wrote
an article about a strange finding. In Honduras, the archaeologists,
between them Robert J. Sharer, from Pennsylvania University, and the
anthropologist Jane Buikstra, from New Mexico University, have found
out - under 8 pyramids built one over the other one – two regal
sepulchers with jewels and precious vases. The archaeologists,
writes the newspaper, run into troubles because of the mercury the
ancient priests spread on the bodies of the “Lords of Copan”. In
fact, during the celebration of the religious ceremonies, it was a
custom to burn some cinnabar/kinase and the by-product of this
combustion was the mercury at elementary state that now pollutes the
ground dug-out.
For researchers I would add a strange observation regarding the
phial. Although it has been made several times (i.e. in several
different models and copies), always under vacuum and always totally
filled with the volume ratio: half salt and half mercury; I have
noted a noticeable decrease of the salt after the period of time
exceeding around half a year. The phials have been closed
hermetically with the torch, therefore it shouldn’t happen even if
there is some evaporation of water contained in salt. But it
happens. Why?
I would like to suggest, even if I have already said it, a
particular attention to the
requirement imposed on the ratio which each single element of the
pyramid should have in comparison to other elements, so that the
“harmony” is achieved. This concept is clear in my mind, but I am
not able to explain it in a scientific way. I can just suggest to
the most available readers to consider the ‘Phi’ (Golden Section),
the function able to define harmonic combination as regard to the
measures of the elements inside our pyramid, and
the cymatic
(founder Hans Jenny) - the studying of the wave shape depicting the
relation between frequency and shape.
There are very recent proves demonstrating this direct relation
between shape and frequency. The discipline called “cymatic” by his
founder Hans Jenny depict it in tangible way. Different kind of
materials submitted to specific sound frequency take a specific
shape and form, and these shapes and forms happens only to the given
frequencies. Yet no-one can say why, or in which way, these shapes
are in relation with the responsible frequencies of their making.
But the fact is that shape and frequency are intimately
linked/fastened (free translation taken from the book [C19] “Il Serpente nel Cielo” (original title “Serpent in the Sky”) by
John Antony West (1979), published by Armenia Editore, Viale Cà Grande 2,
Milano in the year 1981.
In the Hindu tradition, for instance, sound has always been
understood to be the creative force from which all matter emanates.
Although most scientists have discounted these as religious belief,
modern physicists have recently begun to realize that all the matter
at a subatomic level is in a state of constant motion: that matter
is indeed energy at a different rates of vibration. And varying the
rate of vibration we can change the structure of the matter.
The
investigations by the Swiss doctor and scientist Hans Jenny lead him
to develop some means able to obtain all the sound vibration. Jenny
devised specialized apparatus to vibrate sound through various
media, capturing on film the harmonic and often beautiful patterns
produced by sound. Recently Dr P.G. Manners has developed Cymatic
Wave Therapy, which he describes as “the medical transplanting of
harmonic frequencies into the human structure”. This therapy is
based on the idea that the body is vibrating, or giving off
frequencies, and that scientific instruments can duplicate the ideal
frequencies of any given area, and reinforce them.
In my opinion, the most difficult thing to realize in the pyramid is
the quartz crystal. To obtain a correct working, it is necessary the
“right” frequency, and the frequency we are looking for in this
case, that of the telepathic waves, must be supported, reinforced or
multiplied.
A really good work has been done by the New Zealand researcher Mike Silao. I invite the researchers to read his report here enclosed.
Top
C11. Coincidences
There is a question always running in my mind: when the so-called
“coincidences” became improbable, and how do you actually define
“coincidences”? In 1995 in Italy arrived from the States a movie of
success. Its title was STARGATE, directed by Roland Emmerich, with
Kurt Russell and James Spader. The science fiction story is linked
to an archaeological find, leading the main heroes very far away in
respect to their actual targets. They found inhabited planet far
away from Earth. It is not my intention to tell you about the film,
from a certain point of view banal and only for entertainment.
What
I want to tell you is that this film induced in me one of the
strongest emotions of my life. This emotion was due to the
coincidence, or due to the case. At a certain point, during the
projection of the film, our heroes come out from the corridor in a
structure unknown to them, and turned back trying to understand and
to observe where they are. Then they realized that they are outside
of a huge pyramid lying on a millenarian sand. On the background
there is the sky occupied by THREE PLANETS! Well, when I saw that
frame I was breathless with astonishment: the image, the subject,
and the cut of the frame were exactly the same as those from the
painting that I did it in the year 1986 and published on the cover
of the first (Italian) edition of the treatise “Story of one
pyramid”.
How many possibilities are that this fact is a
coincidence? If, as Jan said, some ideas are seeded in the minds of
numerous different people, it perhaps is possible that creative
minds – such as these of actors, writers, set designers, etc. – are
receiving images or concepts very far away from our more immediate
reality.
Ten years ago, in 1990, when I was still convinced that the working
of the pyramid was a
deal enough simple, it happened to me to meet a man, friend of some
acquaintances. This man, about 30/35 years old, worked in the
laboratory of a little firm producing alarm systems (I described him
also in subsection C5). He too had the craze for research. And he
talked to me about his experiments with infrared TV camera in
“particular” environment: abandoned houses, houses infested by
alleged ghosts, etc.
I was not really interested in his research,
apart for the fact he had technical knowledge, a laboratory to work,
an oscilloscope, and maybe a certain kind of interests. I needed
something to meet him in confidence and to start talking about the
pyramid. So, I suggested to him we make some infrared experiments
also with the animals. Many times I had noticed a dog or a cat,
especially those domesticated, as suddenly they followed with the
eyes something of invisible to the human beings. The tension of
their bodies, the attention of the glance, and the movement of their
heads toward something of not visible to me, make me always crazy of
curiosity – specially when you know to be alone in the room. This
was the right trigger.
Our conversation became more confidential
(from the technological point of view) and I was able to talk with
him about a “device” for the communication I had dreamed (but I
didn’t say anything about the little white being with blue eyes).
And I just said, I need a technical advice. So it was one Sunday he
invited me to his laboratory where he worked. I slipped the pyramid
in a plastic bag and I presented myself to the appointment really on
time. I started explaining him why I needed a technical advice,
telling him also my strange experience with my feedback
electroencephalograph (see subsection C5 originating from the first
treatise [7]), but without details regarding the shape of my
“device”.
When I thought he was enough “drunkenness/exhausted”, I drew out our
pyramid with the same satisfaction of a conjurer when says “et
voilà” (i.e. “here it is”). There was a long silence and no gesture
of acceptance. I thought immediately he was repented of having given
“rope” to me. After all he was always a technician - maybe I had
hoped too much by his open mind. But after a time that seemed to me
unbelievably long, he took the pyramid and brought it on the work
bench. He connected it to the oscilloscope and started to turn a
knob control.
Probably with different expectations, we start to gaze
at the screen a set of lines more or less undulating. I didn’t
understand anything about the meaning of those greenish lines on the
black background. But he didn’t help me. He turned the knob, changed
the connections between the pyramid and the oscilloscope and he was
silent. To a certain point I felt from him some uneasiness or a
certain irritation.
I considered he had enough time to understand if
the pyramid was something that could work or not. I urged him to
tell me something, at least for kindness.
“ I am baffled”, he told me.
“Why”, I asked hopeful.
“Because this
‘thing’”, said pointing at the pyramid, “theoretically and in
practice cannot work. It has not any technical meaning.”
“But ”, I
pressed him.
“But it emit something or receive something. Little,
but there is. What I see here”, said pointing at the screen of the
oscilloscope, “are not the frequencies of household electrical
appliance or other devices – that among the other things I know very
well. And more, the laboratory is shielded. There is an emission.
But I do no know of which kind. I have never seen it”.
“Fantastic!”,
I said trying to hold my excitement, “and how would be possible to
know something more about it?”, I asked, trying to come to the
point.
“Well, one would need to study this thing and to complete
various experiments”, he replied.
“And could you do it?”, I asked
almost sure the curiosity would push him to accept.
“No, not me”, he
replied getting out of the invitation, “I cannot use the equipment
of the laboratory’s boss. And more, I have no time for this things”.
I was very disappointed but not particularly surprised. By the time
I well knew the reactions
of the people: curiosity and uneasiness. I was looking for the right
words to say a fast good-bye
without to be impolite, when I was hit by his waiting attitude. All
of a sudden I understood he had
not finished.
“You know”, he started hesitant, “me too I have
dreamed a pyramid” I was
dumbfounded.
“Indeed?!”, I asked flopping down on the high
work-stool.
“And when? Were there
the same elements? And does it work?”, I asked, firing at him
point-blank all the possible
questions.
“Wait”, he said.
He set out for the entrance of the
apartment where there was a
modern wall book-shelve (without books) used mostly to put away
equipment and supplies of
materials. He moved something (covering with his body my sight), and
a part of the library
rotated disclosing to light a wall safe. He opened it and he drew
out something which he brought
toward me. They were 4 thick and little copper rods/sticks about
20/25 cm, 4 china/porcelain
insulators (those old, still used in the lampposts in the street,
just to be clear) and a “little thing” he called industrial quartz.
He put all them on the work bench.
He arranged the china insulators
forming a square (one for each corner). He inserted the 4 copper
rods inside each hole of the china insulators and holding together
the rods by the vertex, he said:
“This is what I have done”.
“But
you didn’t assemble the industrial quartz, why?”, I asked.
“Because
in any case it can work. It has no meaning”, he replied terse.
“I
have dreamed it in 1986 but nothing of definite, not like yours. And
I had a strong impulse to built it. But after I have abandoned it.
In any case it cannot work”, he repeated stubbornly.
My speeches had
no weight in these circumstances. He would have never tried to build
it. His cognition and belief on what can work and what cannot work,
would have always prevent from trying. And, from my point of view,
he had also a little bit of fear. He didn’t tell me anything about
his dream and he remained evasive about further possible details. We
never met again.
I had much more luck with Nicholas Reiter, technical engineer on
behalf of a research laboratory on solar energy, in Ohio, (USA),
specialized in micro-manipulation in the vacuum. Also the meeting
(only epistolary) I had with him has something of extraordinary. I
had sent the first treatise “Story of one Pyramid” to Don Worley, a
researcher in the States, hoping he knew somebody could be
interested in our pyramid from the technical point of view. In the
same days, I read a short article on a American newspaper about a
research that nothing had to do with our pyramid.
But the kind of
research done by this researcher let me think that maybe he could
have the open mind and the scientific knowledge I was looking for
tackling the many problems linked to the building of the pyramid. I
decided to wrote to this man. His name was Nicholas Reiter. With my
great surprise, Mr Reiter replied to my letter informing me he had
already received the treatise “Story of one Pyramid” from a friend
who asked if he could do something for the working of the pyramid.
The name of his friend was Don Worley, the same researcher to which
I had sent the treatise.
Top
C12. Research
Since the time when Nick Reiter was young, he did researches on the
Tesla coil effects – incidentally fundamental element for the
working of the Kirlian Camera. He also investigated the anomalous
electrostatic phenomena, and the bio-electric and bio-magnetic
interactions. At the time I got in contact with him he was working
in a solar energy research centre, as a specialist in
micro-manipulation under vacuum. He has done an interesting research
on the phial filled with salt and mercury inside our pyramid. His
report about the result of research on this phial was published in
the article [1D2.6.2].
Nick Reiter concludes his report saying that:
-
When properly constructed, a sealed end evacuated pyrex or
quartz tube, containing crystalline anhydrous NaCl and liquid Hg,
appears to act as a unique piezoelectric device.
-
When
mechanically activated, the contents of the tube produce a visible
light emitting plasma, the characteristics of which are strongly
dependant on the composition and pressure of the ambient gas within
the tube.
-
The plasma developed within the sealed tube produces
strong RF emission which may be easily picked up by an AM band
radio. Strongest emission appears to be between 500 kHz and 1.0 MHz.
-
The appearance of the tube plasma, and the property of RF
emission, corroborate Ms. Giordano’s own early experiences.
Unfortunately, despite my attempts to get in contact with him in the
following years, Nick Reiter has vanished. I mean, maybe in the
meantime he moved to another town or in an other country, or maybe
he was fed up, or maybe is dead. My letters didn’t come back. But he
has never replied after the sending of his report. And I do not like
to insist.
Other interesting is research is carried out by the New Zealand
researcher Mike Silao
<Mike-Silao@xtra.co.nz>. He completed at least two prototypes of the
pyramid, and he took in
great consideration the concepts given by the little being with blue
eyes about “all must have a
ratio” and “must be harmonic”.
He says that:
“extending from any
form of life, there is an auric
field which is supposed to hold information about thought and
emotion. By using this very faint
field as part of an interrupt signal to a ‘balanced circuit’
(oscillatory circuit) of some sort, the
information will be then amplified and resent via telepathic waves.
The task at hand is to ‘step
down’ the frequency to that of normal brain wave functioning in the
awareness state. The design will encompass the transmutation of
plasmatic oscillations to electromagnetic waves (phial coherer
design) which in turn will be made by resonant to the
electromagnetic wave frequency of light.
This will be done by the
use of a spiral geometry which has a natural mathematical
progression to any specific design resonance. Using harmonic
calculation based on the frequency band of Nick Reiter’s work, it
was found the frequency range of 50 kHz to 1MHz was narrowed down to
660,080039 kHz... The crystal to use that will tune properly to the
colloidal reaction or the plasmatic oscillation phenomenon should be
one that is cut to a frequency of 660 kHz (more exactly should be
660.080039 kHz).”
Top
C13. The story of one pyramid goes on
In these days, while I am still adjusting my part of this treatise,
I have received at last some chapters of Jan’s part. The reading of
his chapter A left me really shocked. I didn’t know before what Jan
was going to write. I like Jan, I like the friendship we have, and I
admire him for his researches and findings. But I cannot digest the
dark scenario of alien parasites invading the Earth and using the
human beings for their goals (maybe because I am still an incurable
romantic “girl”).
I know Jan has reached his logical conclusions
using a rational investigative process, but ... but despite these
his logical conclusions, I have some different feelings about that.
We are talking about events which happened a long time ago, linked
with other events still happening now. It is a difficult task. Not
always the alleged proof gives a clear view of the facts and of the
offenders...
This is the story of my pyramid until now, year 2000, and of course
I do not know if there will be any other developments in the future.
I would like to stress that all what I have written here really
happened to me. I grew up during this years. My patience is reduced.
My pyramid is full of dust in a box. Abandoned but not forgotten.
Maybe the person who will be able to find a solution still must be
born. I feel there is a solution.
Though many people could think that I should be satisfied because I
have done a lot of things with my little knowledge, I am not
satisfied at all. Sometimes, when I think I didn’t reach any of my
targets about the pyramid despite all the “row” I have done, I am
rather depressed. All the persons I have contacted because of our
pyramid have been very kind. Even these people that didn’t
understand what I wanted from them.
As for instance Uri Geller. I
had met him many years ago in Geneve, Switzerland. We have been to
dinner together with some other his friends, after his show in a
theatre. In that occasion, during the dinner, he (mentally) bent a
little pendant I had on my neck. He is a nice guy with fantastic
paranormal skills. Those persons who fight him accusing him to be a
swindler have never read the reports about hundreds of investigative
experiments done with him at the Stanford Research Institute at
Menlo Park, California, USA, by Dr
Harold Puthoff and
Russell Targ
(Psychic Exploration, Vol. 2, by Edgard D. Mitchell & Associates,
Inc. - G.P. Putnam’s Sons, New York, 1974).
Well, I decided to get
in contact with him asking for some helpful idea about the pyramid.
It has not been an easy thing to find him, but at last I succeeded.
I sent him the “Story of one pyramid” in 1997. And a couple of
months afterwards, I received a letter from him about his work, a
request of subscription to one of his bulletins and his photo/card
with his autograph ... “with love”.
From my point of view now, I have been always in the wrong place in
the wrong moment of my life. Too young and impulsive while important
things were happening to me. Thus, I have been not able to catch the
opportunities life has offered to me. I drove my life just as one
makes surf – enjoying of each good wave. Without to think about
strategies for bringing the right people to my targets. I didn’t
phoned, I didn’t send season cards, I didn’t have the patience to
entertain boring people, or to listen the speeches of the white
little being with blue eyes.
Now, in my second youth, I have lost a lot of my enthusiasm (but not
all yet). I do not
believe in people as before – my husband says “luckily”. The times
are changed, and me too. I
have another strange and difficult research in my hands, but I don’t
go any more around looking
for scientific help. I understand now that it is quite impossible to
find a scientist that would
sponsor one’s research – especially when the problems are as strange
as mine - if he doesn’t work at the same problem as yours. I have
been very lucky to meet Jan and to have the chance to work with him.
I think now there was just one possibility over a million this could
happen. Considering also we are in very two different parts of the
world.
Last time, when Jan was in Palermo, he told me that some people were
doubtful about the story I have told in the first edition [7] of the
treatise “Story of one Pyramid”. It seemed too much to them – and
none knows how is the other part of my life! I suppose the same
persons, and this time maybe somebody else, will shudder reading
this new part of the story. I can accept the dispute about my
personal lucubration, but not that about the reality/truth of what
is happened to me.
Therefore, reader/scientist/researcher, if my
experiences disturb the professional part of your mind, or the
knowledge you have of the world, you are not obliged to believe:
just forget them. It is not my intention to convince everybody, but
to report facts as they took place. Last thing for the foreign
readers before to close: please, do not think all Italians are like
me.
I am an odd/strange person also for some of them.
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C14. Literature referred to in this chapter
In my chapter I indicated several literature sources that I was
using in my searches. Here is the complete list of them,
supplemented with editorial details of each publication:
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[C1] John White and Stanley Krippner: “Future Science”. Published in
Italy by Armenia Editore, 1978. Chapter by D. Sot Rogo: “Paranormal
recorded voices: a paraphysics breach” (copyright 1977), page 399.
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[C2] “Handbook of parapsychology”. Copyright 1977 by Litton
Educational Publishing,
Inc., published by Van Nostrand Reinhold Co. In Italy published in
1979 by Armenia Editore
(Address: Viale Ca’Granda, 2, Milano), edited by Benjamin B. Wolman,
Laura A. Dale, Gertrude
R. Schmeidler, Montague Ullman (pages 357, 362, 363, 649, 703).
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[C3] David W. Davenport and Ettore Vincenti: “2000 a.C.: Distruzione
Atomica”. Copyright 1979. Published by Sugar Co. Edizioni s.r.l.,
v.le Tunisia 41, Milano, Italia. (Note that pages 129 to 130 of this
book contain an ancient description of the pyramid.)
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[C4] Sheila Ostrander and Lynn Schroeder: “Psychic discoveries
behind the iron curtain”.
Copyright 1970 Prentice-Hall, Inc. Published in Italy in 1975 by
Casa Editrice MEB (Address:
Corso Dante, 73, 10126 Torino), under the title “Scoperte Psichiche
Dietro la Cortina di Ferro”.
Chapter XXVII, from page 353 to 362.
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[C5] Bill Schul and Ed Pettit: “Secret Power of Pyramids”. Copyright
Fawcett Inc. (golden medal) and for Italy News Blitz-Eulama
S.A./Armenia Editore. Published in Italy in 1977.
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[C6] Bill Schul and Ed Pettit: “Pyramid Power A New Reality”.
Copyright 1986, Published in 1989 by Armenia Editore.
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[C7] Stanley Krippner and Daniel Rubin (editors): “The energies of
consciousness explorations in Acupuncture, Auras and Kirlian
Photography”. An INTERFACE book published by Gordon and Breach, New
York. Copyright 1975 by Gordon and Breach Science Publishers Inc.,
Library of Congress catalog card number 74-29390. ISBN
0-677-05190-5. (Not published in Italian).
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[C8] Stanley Krippner and Daniel Rubin (editors): “Galaxies of Life
- the human aura in acupuncture and Kirlian photography”. An
INTERFACE book, published by Gordon and Brech, New York. Copyright
1973 by Gordon and Breach Science Publishers Inc. Library of
Congress catalog card number 72-96759. ISBN 0-677-15480-1. (Not
published in Italian).
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[C9] Peter Tompkins and Christopher Bird: “The Secret Life of
Plants”. Penguin Book
Australia Ltd. Copyright 1973. ISBN 0-1400-3930-9. Published in
Italy by Sugar Co. Edizioni s.r.l. (v.le Tunisia 41, Milano, Italia) under the title “La Vita
Segreta Delle Piante”.
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[C10] Cleve Backster: “Evidence of a Primary
Perception in Plant Life”. International Journal of Parapsychology,
Vol. X, No. 4, winter 1968, pages 329-48.
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[C11] “Evidence of a primary Perception at Cellular Level in Plant
and Animal Life”.
Unpublished work by Backster Research Foundation, Inc. 1973, 3
pages.
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[C12] “Handbook of Parapsychology”. Copyright 1977 by Litton
Educational Publishing, Inc. Published by Van Nostrand Reinhold Co.
In Italy published by Armenia Editore (pages 784, 785, 786, 793).
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[C13] Layall Watson: “Supernature”. Hodder and Stoughton, London
1973. ISBN 0340173688. Published in Italy by Rizzoli Editore. [C14] “Psychic Exploration”. Copyright 1974 by Edgar D. Mitchell &
Associates, Inc. G.P. Putnam’s Sons, New York. Chapter XII by Marcel
Vogel: “Communication between men and plants”. Published in Italy by
Casa Editrice MEB Torino, 1975, Vol. 1 and 2. (From page 269 to
291.)
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[C15] Graham Hancock, “Fingerprints of the Gods” (Copyright Graham
Hancock 1995, ISBN 887972201-8, published in Italy in 1996 by Casa
Editrice Corbaccio s.r.l., Milano)
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[C16] “Da dove vengono i miei poteri?”, by Matthew Manning,
published by Armenia Editore, viale Cà Grande 2, Milano, Italia,
copyright 1976 (original title: The Link, copyright 1974, Colyn
Smithe Ltd).
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[C17] “Dizionario Enciclopedico Italiano”, in 10 volumes, copyright
1970 by Istituto dell’Enciclopedia Italiana, founded by Giovanni
Treccani, printed in Italy by Instituto Poligrafico dello Stato.
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[C18] Peter Landers – Associated Press writer, “Sony scientist stirs
controversy with research in ESP laboratory”, published the 25th
October 1995 by the Daily News from Fort Walton Beach, Florida,
U.S.A.
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[C19] “Il Serpente nel Cielo” (original title “Serpent in the Sky”)
by John Antony West (1979), published by Armenia Editore, Viale Cà
Grande 2, Milano in the year 1981.
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[C20] Chris Morton and Ceri Louise Thomas, “The Mystery of the
Crystal Skulls, unlocking the secrets of the past, present and
future...”, Thortons - a division of Harper-Collins Publishers Ltd.,
1997, ISBN 88-454-1598-8; In Italy copyright 1999, RCS Libri S.p.A.
- Via Mecenate, 91 Milano, I° edizione Sonzogno, October 1999
(Describes ancient Maya legends which say that when these skulls
carved entirely from huge quartz crystals are placed again in their
pyramids, the world will be ready to receive the knowledge...).
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