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A Treatise on Cosmic Fire - Section Two - Division D - Thought Elementals and Fire Elementals |
The Devas of the Etheric Double The subject that we are to deal with now concerns those devas who are etheric doubles of all that is. It is full of profit therefore to the wise student, for it reveals the method whereby all forms materialize upon the physical plane. It is not the purpose of this treatise to trace the materialization of a form as it originates upon the archetypal planes, through the agency of divine thought, and from thence (through directed streams of intelligent energy) acquires substance as it is reproduced upon each plane, until eventually (upon the physical plane) the form stands revealed at its densest point of manifestation. No form is as yet perfect, and it is this fact which necessitates cyclic evolution, and the continual production of forms until they approximate reality in fact and in deed. The method of form production may be tabulated as follows: [926] FORM PRODUCTION
An interlude or period of pause is to be found at this stage of development; in it the processes of coordination and of stabilization are carried on; the energy or the vibration is increased until it becomes possible, by a simultaneous effort, emanating from all the three aspects, to bring into objectivity that which is as yet subjective. This is paralleled by man on the physical plane in the applied effort he has to make to bring through and materialize, that which he has conceived and desired. The reason so many people fail in materializing their concepts, and hence come to be reckoned as failures, is owing to the fact of their inability to make a coordinated applied effort, and thus set in motion substance of the three lower subplanes of the physical plane. They [928] succeed in bringing their concept through from the mental plane (as does the Logos on cosmic levels) as far as the fourth etheric level of the physical, and there their energy becomes exhausted owing to three things:
85 Mantric Sounds. A mantram is a combination of sounds, of words and of phrases that, through virtue of certain rhythmic effects, achieve results that would not be possible apart from them. The most sacred of all the Eastern mantrams given out as yet to the public is the one embodied in the words: "Om mani padme hum." Every syllable of this phrase has a secret potency, and its totality has seven meanings and can bring about seven different results.There are various mantric forms, based upon this formula and upon the Sacred Word, which, sounded rhythmically and in different keys, accomplish certain desired ends, such as the invoking of protective angels or devas, and definite work, either constructive or destructive upon the planes. The potency of a mantram depends upon the point in evolution of the man who employs it. Uttered by an ordinary man it serves to stimulate the good within his bodies, to protect him, and it will also prove of beneficent influence upon his environment. Uttered by an adept or initiate its possibilities for good are infinite and far-reaching. Mantrams are of many kinds, and generally speaking might be enumerated as follows:
All these mantrams depend for their potency upon the sound and rhythm and upon the syllabic emphasis imparted to them when enunciating and intoning. They depend too upon the capacity of the man who uses them to visualize and to will the desired effect. |
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