(This book was formerly called Vesta. It is referred
to the path of Virgo and the letter Yod.)
1. This is the book of drawing all to a point.
2. Herein are described three methods whereby the
consciousness of the Many may be melted to that of the
One.
0. Let a magical circle be constructed, and within it
an upright Tau drawn upon the ground. Let this Tau be
devised into 10 squares (See Liber CMLXIII., Illustration
1.)
1. Let the magician be armed with the Sword of Art.1
2. Let him wear the black robe of a Neophyte.
3. Let a single flame of camphor burn at the top of the
Tau, and let there be no other light or ornament.{Note 1}
4. Let him "open" the Temple as in DCLXXI or in
any other convenient manner.
5. Standing at the appropriate quarters, at the edge of
the circle, let him banish the 5 elements by the
appropriate rituals.
6. Standing at the edge of the circle, let him banish the
7 planets by the appropriate rituals. Let him face the
actual position of each planet in the heavens at the time
of his working.
7. Let him further banish the twelve signs of the Zodiac
by the appropriate rituals, facing each sign in turn.
8. Let him at each of these 24 banishings make three
circumambulations widdershins, with the signs of Horus
and Harpocrates in the East as he passes it.
---------------- 1. In circumstances where this is
inappropriate let him be armed with wand and lamp instead
of as in text. --- N.
9. Let him advance to the square of
Malkuth in the Tau, and perform a ritual of banishing
Malkuth. But here let him not leave the square to
circumambulate the circle, but use the formula and
God-form of Harpocrates.
10. Let him advance in turn to the squares Jesod, Hod,
Netzach, Tiphereth, Geburah, Chesed and banish each by
appropriate rituals.
11. And let him know that such rituals include the
pronunciation of the appropriate names of God backwards,
and also a curse against the Sephira in respect of all
that which it is, for that which distinguishes and
separates it from Kether.
12. Advancing to the squares of Binah and Chokmah in
turn, let him banish these also. And for that by now an
awe and trembling shall have taken hold upon him, let him
banish these by a supreme ritual of inestimable
puissance; and let him beware exceedingly lest his will
falter or his courage fail.
13. Finally, let him, advancing to the square of Kether,
banish that also by what means he may. At the end whereof
let him set his foot upon the light, extinguishing it1;
and, as he falleth, let him fall within the circle.
1. Let the Hermit be seated in his Asana, robed, and
let him meditate in turn upon every several part of his
body until that part is so unreal to him that he no
longer includes it in his comprehension of himself . For
example if it be his right foot, let him touch that foot,
and be alarmed, thinking, "A foot! ... foot! What is
this foot? Surely I am not alone in the Hermitage!"
And this practice should be carried out not only at the
time of meditation, but during the day's work.
2. This meditation is to be assisted by reasoning; as
"This foot is not I. If I should lose my foot, I
should still be I. This foot is a mass of changing and
decaying flesh, bone, skin, blood,
---------------- 1. If armed with wand and lamp let him extinguish the light with his hand. --- N.
lymph, etc. while I am the Unchanging and Immortal
Spirit, uniform, not made, unbegotten, formless,
self-luminous," etc.
3. This practice being perfect for each part of the body,
let him combine his workings until the whole body is thus
understood as the non-Ego and as illusion.
4. Let then the Hermit, seated in his Asana, meditate
upon the Muladhara Cakkra and its correspondence as a
power of the mind, and destroy it in the same manner as
aforesaid. Also by reasoning: "This emotion (memory,
imagination, intellect, will, as it may be) is not I.
This emotion is transient: I am immovable. This emotion
is passion. I am peace", and so on.
Let the other Cakkras in their turn be thus destroyed,
each one with its mental or moral attribute.
5. In this let him be aided by his own psychological
analysis, so that no part of his conscious being be thus
left undestroyed. And on his thoroughness in this matter
may turn his success.
6. Lastly, having drawn all his being into the highest
Sahasrara Cakkra, let him remain eternally fixed in
meditation thereupon. 7. AUM.
1. Let the Hermit stimulate each of the senses in
turn, concentrating upon each until it ceases to
stimulate.
(The senses of sight and touch are extremely difficult to
conquer. In the end the Hermit must be utterly unable by
any effort to see or feel the object of those senses,
O.M.)
2. This being perfected, let him combine them two at a
time. For example, let him chew ginger (taste and touch),
and watch a waterfall (sight and hearing) and watch
incense (sight and smell) and crush sugar in his teeth
(taste and hearing) and so on.
3. These twenty-five practices being accomplished, let
him combine them three at a time, then four at a time.
4. Lastly, let him combine all the senses in a single
object. And herein may a sixth sense be included. He is
then to withdraw himself entirely from all the
stimulations, perinde ac cadaver, in spite of his own
efforts to attach himself to them.
5. By this method it is said that the demons of the
Ruach, that is, thoughts and memories, are inhibited, and
We deny it not. But if so be that they arise, let him
build a wall between himself and them according to the
method.
6. Thus having stilled the voices of the Six, may he
obtain in sense the subtlety of the Seventh.
7. AUMGN.
(We add the following, contributed by a friend at that time without the A: A: and its dependent orders. He worked out the method himself, and we think it may prove useful to many. O.M.)
(1) The beginner must first practise breathing
regularly through the nose, at the same time trying hard
to believe that the breath goes to the Ajna and not to
the lungs.
The Pranayama exercises described in the Equinox Vol. I,
No. 4, p. 101 must next be practised, always with the
idea that Ajna is breathing.
Try to realise that power, not air, is being drawn into the Ajna, is being concentrated there during Kumbhakam, and is vivifying the Ajna during expiration. Try rather to increase the force of concentration in Ajna than to increase so excessively the length of Kumbhakam as this is dangerous if rashly undertaken.
(2) Walk slowly in a quiet place; realise that the legs are moving, and study their movements. Understand thoroughly that these movements are due to nerve messages sent down from the brain, and that the controlling power lies in the Ajna. The legs are automatic, like those of a wooden monkey: the power in Ajna is that which does the work, is that which walks. This is not hard to realise, and should be grasped firmly, ignoring all other walking sensations.
Apply this method to every other muscular movement.
(3) Lie flat on the back with the feet under a heavy piece of furniture. Keeping the spine straight and the arms in a line with the body, rise slowly to a sitting posture, by means of the force residing in the Ajna (i.e. try to prevent the mind dwelling one any other exertion or sensation.)
Then let the body slowly down to its original position. Repeat this two or three times, every night and morning, and slowly increase the number of repetitions.
(4) Try to transfer all bodily sensations to the Ajna, e.g., "I am cold" should mean "I feel cold", or better still, "I am aware of a sensation of cold" --- transfer this to the Ajna, "the Ajna is aware", etc.
(5) Pain if very slight may easily be transferred to the Ajna after a little practice. The best method for beginner is to imagine he has a pain in the body and then imagine that it passes directly into the Ajna. It does not pass through the intervening structures, but goes direct. After continual practice even severe pain may be transferred to the Ajna.
(6) Fix the mind on the base of the spine and then gradually move the thoughts upwards to the Ajna.
(In this meditation Ajna is a Holy of Holies, but it is dark and empty.)
Finally, strive hard to drive anger and other obsessing thoughts into the Ajna. Try to develop a tendency to think hard of Ajna when these thoughts attack the mind, and let Ajna conquer them.
Beware of thinking of "My Ajna". In these meditations and practices, Ajna does not belong to you; Ajna is the master and worker, you are the wooden monkey.