The "Lost Tombs" Revisited:
"Success Has a Thousand Fathers ..."
Part VI
One key test of this hypothesis would be the discovery of other
arcane references or metaphors in the Osiris Myths (or other ancient
texts), or, inscriptions left on monuments connected to Osiris, none
of which were directly associated with "Precession" - but were
decipherable as intimately connected to "Hyperdimensional Physics"
itself.
When we looked for such examples ... it didn’t take us long to find
a "doozy"... and (of course) at Abydos!
Remember the central hallmark, or "sign," of Hyperdimensional Physics:
a "double-tetrahedron," circumscribed within a sphere (below, left)?
Which, in two dimensions, looks exactly like a "Star of David!"
(below, right)?
The mathematical description of this figure involves
fourteen possible axes of rotation -- the number of "double spin
symmetries" of a double tetrahedron. (There are only seven ways to
symmetrically rotate a single tetrahedron. And "symmetry," in
physics, is everything... A double-tetrahedron has twice that number
of symmetrical rotations, i.e. fourteen.)
Now, remember that little detail in one of
Osiris’ death scenes,
where --
"... it was later said that
Set found the embalmed body of Osiris
and tore it into fourteen pieces which he scattered up and down the
whole length of Egypt ..."
Fourteen! Exactly the number of "symmetry spins" of the double-tetrahedron,
signifying the precise connection to the underlying Hyperdimensional Physics we were looking for: the process ultimately
responsible in our model (through a violent tilting of the planet’s
spin axis) for a recurring, globally-catastrophic "process" ...
"coded" through all subsequent millennia as Osiris’ ancient
"murder" ...
Now, there will be those critics (there always are ...) who will
immediately cry "Foul! You’re really reaching out on this one!!"
And they will have a point: a literary metaphor (even with key
numbers) can mean ... almost anything. But ... a specific geometric
symbol?
So, look what our friend Omm Sety quietly recorded one day at
Abydos,
where Osiris (remember, representing the founding of "civilization"
... in the Myth) is supposed to have actually died ...
"Some of the early
tourists, especially those coming from Greece, left a few lines
scribbled on the walls of the temple, and there is also a very
roughly painted ’Star of David’ in red ochre. But
[because this paint is difficult for modern tourists to have access
to] this was probably done in early Christian times when this symbol
was used to keep evil spirits at bay [!]. There is no evidence that
there was ever a Jewish community in Abydos. Furthermore, there is a
possibility that the ’Star of David’ was not originally a Jewish
creation [emphasis added] ..."
Bingo!
And Omm Sety is correct: use of the "Star of David" --
as a strictly
geometric icon -- long precedes its (relatively "recent" c.
1400-1500 A.D.) identification with the Jewish people. According to
the research of Carl G. Liungmann (Dictionary of Symbols, W.W.
Norton & Co., New York, 1994), this alchemical symbol, which (among
other places) is found engraved in stone at a major Mayan center,
Uxmal, in Central America (who just happen to have their own
mythic
counterpart to "Osiris," intimately associated with "a Flood!"
initially called "Zamna," later "Quetzalcoatl-Kukulcan"), has been
in use world-wide for at least 3000 years ...
Which begs the question: what was this specific geometric
symbol, literally thousands of years before its cultural
identification with the Jews, doing scribbled at Osiris’ Temple the
"god" torn into fourteen double-tetrahedral pieces! and just a few
feet from the Osirion itself?
And ... what else in this crucial game of "connect the dots"
is still
waiting patiently to be discovered ... underneath the "sacred sands"
of Abydos ..?
Which brings us back full circle ... to the enigmatic
"glyphs" themselves.
These impossible figures, perched high under the several hundred-ton
roof of Seti-I’s stunning Temple, depict astonishingly modern looking
"flying machines" and other "high-tech" objects ... and are, as we
have seen, rightly viewed as "completely impossible" by the
professionals -- under any current archaeological views of ancient
Egypt!
Dismissed for years by both Egyptian experts (and
"alternative theorists") as either misinterpretations of
"overwritten" standard Egyptian texts, or, even an outright,
elaborate hoax, the Enterprise Mission was finally able to
independently verify in situ the authenticity of the remarkable
carvings, with aid of the Fox Television Network.
In November 1998, we personally managed to convince the Fox
production staff and television crew, filming scenes in Egypt for
their upcoming 1999 Special, to undertake a grueling, last-minute,
several hundred mile trek to the Seti-I Temple at Abydos itself --
accompanied by a platoon of obligatory armed Egyptian guards! -- to
verify and film the glyphs in place within the Temple (see this
narrative, Part I).
This crucial documentation and first time Network presentation of
these enigmatic carvings thus formed the foundation for our
controversial sub-text to the entire "Live from Egypt" Show, that
March 2nd night:
That, based on this and the other, accumulating ancient
archaeological evidence we have just presented --
We cannot be "the first!"
The unmistakably precise representation of "helicopters," "tanks"
and possibly even gravity-defying "spaceships," depicted in the
ancient ceiling glyphs at Abydos
(click above image), now make this assertion
credible ... if not almost inescapable (claims of "fallen plaster"
and "over-written hieroglyphs" aside). It is our conviction that
’somehow’ these glyphs present us with a deliberate window on a
prior, "high-tech epoch" to human civilization, that did exist ...
sometime before the known Egyptian Era of a "mere" 6000 years ago.
The discovery of a documented, officially-sanctioned
ancient
Egyptian wooden model airplane -- once displayed "front and center"
in the major Egyptological Museum in the world -- makes this
conclusion all the more compelling! That -- and an the equally
astonishing, successful reconstruction of a flying model ... based on
tiny, gold, ancient aircraft-shaped artifacts, discovered in several
South American tombs from over a millennium ago ...
Our own historical effort to explain the "glyphs," and the
other, increasingly compelling "ancient, high-tech evidence?"
Not von Daniken’s ideas: alien "space gods" who landed here over
35,000 years ago ..! And not "helicopter’s" flying contemporaneously
above the newly-built Pyramids of Egypt (in the main stream view, just
5000 years ago); or even, "tanks" accompanying Ramses II’s war
chariots in 1200 BC ...
But --
Half-remembered remnants of a long-forgotten human era, when a
previous "high civilization" -- apparently somewhat more advanced
than even ours -- existed here on Earth. Timeframe: perhaps 12,500
to13,000 years ago ... a civilization now only dimly glimpsed
through a handful of scattered myths, apparently deliberately
"encoded" here in Egypt in the persona of a mythical hero named
"Ÿsar" ("Osiris") from a prior "high-tech" civilization essentially
obliterated by a major pole shift cataclysm of the planet ...
Which is why, apart from these strange myths, there is so little
physical record of it - or its artifacts - to be discovered.
In this scenario, untold millennia after this proposed,
long-vanished "high-tech" Epoch ... which may indeed have stretched
to Mars itself(!) ... (much!) later "New Kingdom Egyptians" (like
Seti-I), a mere 3000 years ago, attempted (in this model) to
memorialize some still awe-inspiring (and perhaps even still
surviving!) sacred fragments of this ancient, fabled Past ... by
recording images of "the objects from the Gods." The objective: to
literally preserve and "magically" transfer their Power from the
Time
That Came Before ... to Seti-I ... in his continuing battle to
preserve "the Two Lands" (Ancient Egypt) against its contemporary
enemies ...
Seti I’s reign, as we have also seen, was an acknowledged
"Restoration Era" -- when Egypt (especially here at Abydos) was
turning back for inspiration and protection to "... the Things From
Long Ago." Seti I (in this scenario) not only deliberately placed his
Temple atop the Osirion -- with apparent "inside" knowledge of where
and what it truly was -- he then instructed his Temple scribes to
literally depict in his own Temple these ancient "power objects" (the
all-powerful war craft of "the ancient gods" themselves), to
incorporate them in the writing of his (and his successors) titulary
names ... which would thus (according to such "magical thinking")
forever vanquish all of Egypt’s foes!
In fact, if we are right, the unique depictions on this panel -- of
the actual "Osirian" war craft from "the Time that Came Before"
--reveal the basis for some of those later (much more
stylized) familiar hieroglyphic symbols (complete with vertical
stabilizers!) that we have come to know; the craft inevitably evolved
over millennia into some of the well-known symbols that Egyptologists
routinely use, as the priesthood cleverly incorporated their
originals "special powers" into a kind of hieroglyphic "code" (see
false-color schematic, below).
One provocative example of this projected "evolution" can be found in
the King’s "Horus-name" itself; in the 1st Dynasty, additions to the
pharaoh’s titulary (name and titles) included the so-called
Nbtyy (Nebti) title, meaning "He of the Two Ladies." The term
Nbtyy was written with the hieroglyph Nb
,a sign interpreted by
generations of subsequent Egyptologists as "a basket."
Standing alone, Nb
meant "Lord."
As Alan Alford, author of
The Phoenix Solution (Hodder and
Stoughton, London, 1998), has wryly noted:
"No-one has satisfactorily explained the connection of
lordship with
a humble basket" [emphasis added].
But, suppose the Egyptologists have got it wrong; suppose that
Nb
wasn’t "a basket" at all -- but actually, a cleverly derived
Egyptian hieroglyph for something else ... something much more
"exotic," at one time used by and befitting a true "lord?" In terms
of the controversial glyphs we’ve been discussing, remember Dr.
Katherine Griffis-Greenberg’s interpretation of the panel’s whole
"translation?"
"... It was decided in antiquity to replace the five-fold royal
titulary of Seti I with that of his son and successor, Ramesses II.
In the photos, we clearly see "Who repulses the Nine Bows," which
figures in some of the Two-Ladies [Nbtyy] names of Seti I, replaced
by "Who protects Egypt and overthrows the foreign countries," a
Two-Ladies [Nbtyy] name of Ramesses II. With some of the plaster
that once covered Seti I’s titulary now fallen away, certain of the
superimposed signs do indeed look like a submarine, etc., but it’s
just a coincidence ...
In fact, if we are right, it’s not "coincidence" -- but "deliberate
priestly code!" If you take the "submarine-shaped object" (a remarkable "high-tech"
reference to a special kind of "boat" -- below, top left!), and cut
away the bottom instantly transforming its original lenticular
geometry into half of that ... into a shallow "basket"
(bottom,
left) -- you are left with a perfect
Nb
hieroglyph:
(bottom, right)!
And that is a fitting "coded symbol" for a "Lord"-- directly derived
from the very ancient, "magic craft" that such Lords must have used
... Whose original "sacred image," for some overwhelming reason,
Set-I insisted now be used ... and in plain view ... in the ceiling
of his own Great Temple ...
Which, I believe, is the real reason why the "honest" Egyptologists
--those we’ve cited, still attempting to decode the blatant
originals at Abydos -- understandably, must consider them
"composites!"
The Ancient Egyptians even had a precise (though equally mysterious
-- to mainstream Egyptologists) name for such a highly revered Epoch
and accompanying artifacts and symbols: Zep Tepi ... "The First Time"
... the central reason for the existence of every Egyptian temple
(including, the Great Temple of Seti-I) ... as every mainstream
scholar knows.
(Incidentally, a further meaning of "tepi," is "the foremost part of
a ship." More allusions to "water" in connection with
Osiris ...
And, in 1991, archaeologist David O’Connor made an astonishing "find":
twelve boats (another "hyperdimensional
number") buried in the desert sands of Abydos. At the dawn of known
Egyptian history (c. 3000 B.C.) someone, according to O’Connor’s
research, went to a lot of trouble to dig twelve, shallow "boat pits"
(similar to Giza), each over 60 feet long, and bury the wooden hulls
of twelve real boats underneath its sands. Any "practical" use for
such a "fleet"-- literally miles from the nearest access to the Nile
-- is obviously ludicrous; the primary intent was additional,
symbolic reinforcement of Osiris repeated textual association with
"celestial waters" ... and a catastrophic end of the First Time.
And in that context, the name of "Abydos" itself is most intriguing
... I believe, in light of what I’ve just described, that the
modern "Abydos" derives from the Greek, "abyssos" (the
abyss). Which,
in turn, derives from the Akkadian apsu ... which came from
the earlier Sumerian AB.ZU -- literally referring to a "deep,
primeval source." Now, most contemporary scholars believe this refers
to "deep waters." However, there is also a case that can be made for
the term being applied to a purely man-made excavation, extending
deep into the earth... with something "ancient and valuable" (za.ab
in Hebrew means "precious metals") waiting in the depths ...
In other words, are there additional, ancient "precious" secrets just waiting to be found ... deep underground ... at
"Abydos"-- the "deep, primeval source?")
According to the model we have outlined here, it was in the inner
sanctum of Seti’s Great Temple at Abydos -- built almost ten thousand
years after the disappearance of Those Gods Who Once Ruled Egypt, and
dedicated to the greatest of those vanished "gods" himself,
Osiris!
-- that a special cult of priests seems to have continued a critical
tradition: the celebrated "Followers of Horus."
A cult admittedly, in all the texts, dedicated to preserving
the knowledge of that crucial First Epoch from Before (in our
scenario -- "the ancient, Hyper-dimensionally-determined polar
shift") -- under the banner of the "resurrected son" -- Horus -- of
the slain "Osiris." A cult ultimately bent on restoring a "risen
Osiris" to a waiting world (a Second Coming, anyone ..?!) at the the
time of the "Eternal Return".
In this scenario, consistent with Seti’s key "oracular" selection of
the site of Osirion, as the "only" place to build his Temple, he (or,
the Followers of Horus) then decide to "up the ante" even more: to
inscribe in a highly visible place within this Temple, the last
surviving record of some of those most secret and venerated objects
from Zep Tepi ... from literally -- The Time that Came Before...
Directly "hinting" at further ancient wonders to be found ...buried
underneath the sands of "sacred Abydos."
And how long have they been buried? Again, Seti tried to tell us ...
In Seti’s magnificent Temple, there is a passage -- called
"the Corridor of Kings" along which, filling one entire wall
(below), is inscribed the famous
Abydos Kings List
Seti-I is
depicted showing his young son, Ramses II (reading from a roll of
papyrus), the legacy of all the Pharaohs who had ruled before - a
royal heritage of thousands of years.
On the opposite wall, Seti
directed that the scribes produce a similar List - of all the
Gods who had ruled Egypt
(click image below), long before the reign of men - all the way
back to the First Time. A written history literally numbering in the
tens of thousands of years -
And yet, Egyptologists literally don’t believe him ... (or so we have
been told)!
Which brings up the inevitable question: what other records,
besides these awesome Lists - backed up now by the images of
these "impossible" pre-Egyptian artifacts -- if not more
artifacts themselves! -- are waiting there at Abydos as proof of "the
First Time?" What did Seti-I really find within (and remove from!) the
mysterious Osirion ... 3000 years ago? Are the "glyphs" recorded in
the ceiling, literal images of exactly what he found??!!
And where are those things now ..!?
Finally, given that even part of this is true what is the real
agenda of the modern "Followers of Horus?"
That we are dealing with contemporary "Followers" of Egypt’s sacred
ways now seems more than clear; acolytes still planning NASA
missions by "the stars of Ancient Egypt" ... and those "in-crowd"
Egyptologists, following in the footsteps of Hawass ... carefully
guarding the true mysteries of Egypt from the rest of us ... in this
case, by carefully downplaying (for their honest colleagues) the true
nature and significance of what is literally written on the walls at Abydos ... while, at the same time, with the mysterious
Osirion already known (and not thoroughly explored ...)
pretending to
have recently found a new Osiris "tomb" at Giza
...literally, at the other end of Egypt!
Talk about continued clever "misdirection"
And what of the celebrated "golden capstone" ceremonies, even at
this moment being planned by Hawass, for the Great Pyramid and the
turning of the Millennium ... at Midnight ... December 31, this
year?
Just why is former President
George Bush (among scores of other
world-class "notables"), planning to be literally at the base of the
Pyramids that Midnight ..?
And could this have anything to do with the poorly-hidden
expectation, among many of this influential ’in-crowd," that the
literal "End/Beginning of the World" -- Zep Tepi --
is about to come
again (see painting, below) ..? The long-awaited "Eternal Return."
And, that by appropriate worship of "the gods of Ancient Egypt" (as
is demonstrably going on in NASA at this instant ...) -- including,
special "ceremonies" at the very Pyramids themselves ñ these actions
can, in some "magical way," actually save the "chosen few" ..?
Photo: Joeseph Firmage and Robert A.M. Stephens
Is this why, suddenly -- as the pieces finally begin to fit
together-- that so many now have tried ... and all within the last
few months ...to destroy those who have finally made real progress
in figuring out the Major Secret of the last thirteen thousand years
...
"Enterprise" ... and its long-time friend, Art Bell?
If you really want to know the answers ... just stay tuned.
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