Further Speculations on the Secrets of

The Templars, The Inklings, Nikola Tesla and Rennes-le-Chateau

Part Six

In the course of assembling the "Double Rainbow" pages for this site that explore the connections between the Rennes-le-Chateau mystery and the mysteries of the Martian Monuments, I’ve been carefully searching the web both for the purpose of finding corroborative information, and for the purposes of giving credit where credit is due, for I’m certainly not the first to propose the connection, although I’ve bothered to justify it on my own terms rather than take someone’s word for it, I’ve run into Bruce Coronet’s Cydonia Reports, which I never should have lost touch with, where of course he has been making the same connection for some time, and of course his being way ahead of me, he’s added many amazing things, including an ancient replica of the face on Mars in New York state. The connection probably isn’t surprising to anyone who’s well versed in the earth grid and the Sacred Geometry.

I’ve also run into the "I Wonder Productions" site, with many incredible enhancements of photos of Mars by Liz Edwards, and many amazing links, and I’ve been very taken with a close-up done by Liz of a photo taken directly from the image at a NASA site, showing what seems to be a city or other artificial structure near the southern polar ice cap on Mars.

Liz also devotes a page to the possibility that an ancient Roman map, recently discovered, corresponds to this mysterious city on Mars, and she could very well be right.

Above: a detail from the Martian polar image from the NASA site, with the apparent pentagonal geometry outlined in larger, similar geometry. This is the source for the detail of Liz Edward’s skilled enlargement, which can be found on a page of her site.

Even though the surfaces of at least one extraterrestrial planet in the solar system are littered with five (and six) sided geometry, there is much less chance of mistaking something like this. The medieval-like courtyard and tower seem obvious.

Is it with knowledge of this place that C. S. Lewis wrote of a medieval-like city on a long barren world in his Chonicles of Narnia, in "The Magician’s Nephew"? The giant queen of Lewis’ work conjures up both the traditional speculation about the size of beings born or living under different gravity than earth’s own, and some possibilities about the scale of this image. I am unable to tell you yet how big this structure actually is, and it may look deceptively small to the extreme.

Just to get a second opinion, I enlarged a cropping of the NASA image and increased the contrast myself, and produced versions of the same image that show how unmistakably regular and precise the wall of this structure seem to be.

Something else that was observed in my own meager derivatives of the NASA images is that the wall that you see running vertical on your screen on the side of the structure seems as if it may be the long part of an Egyptian crux ansata or ankh, formed by the wall extending further to the left and topped with the ring behind it, at upper left in this image. If so, it may lend both more confirmation and perhaps more importantly, context, to this Martian polar city. The whole area around it in fact may prove to be littered with artificial sites; there are at least two remarkably square sites to its left in the original NASA photo, and other odd pentagonal geometry arranged very close to it and possibly even another face, particularly to its upper right in the NASA scene.

The ability to identify the sharp and straight features of the wall alone may quickly distinguish it from any of the naturally occurring permanent and transient pentagonal geometry that has been seen on Mars over the last century, as may a more certain identification of the ankh.

In the best image I have so far managed to extract from the NASA original, you can see indeed that the tower of Liz Edward’s city is there.

It’s worth pointing out that the earthly tower built by the Templars that had such a starring role in a fateful and amazing television program was also white, with a black conical roof.

There also seems to be, behind and to the left, a possible square structure. Am I imagining things or is there a protruding tower at the left side of this square structure which gives it overall an astonishing resemblance to Sauniere’s tower, at right?

We may be one decent enlargement away here from one of the most amazing confirmations of a connection between Rennes-le-Chateau and Mars that is possible.

The possibility that ice may have difficulty forming on this pentagonal city site, as well as the apparent absence of any meteor strikes, may imply that the formation is equipped with a mode of shielding against such events, possibly by its geometry tapping the planetary power of equivalent geometry.

Here is the best view of the first possible southern polar face I can produce at the moment. Maybe it’s nothing, and maybe eyes, nose, mouth and chin are visible, and the suggestion of symmetry is further reinforced by another set of paired features above the head, as if this possible Martian face’s human animal fusion may take the form of an animal head appearing above the human face, rather than being superimposed upon or fused with the human features, as is the case with the Cydonia face.

The more I see of this, the more I think. I would have too easily presumed that every image on Mars has been found by the Enterprise Mission team, but the fact is that they are only so many people, and it may take even more eyes much more time to pick out every possibility from the NASA images. There’s still a lot for the average person to do with it all, even with the readily-available images, and there’s a sizable assortment of independent observations, some of them very good ones, on the web to bear witness to that fact.

There’s probably a lot of good reasons to be looking at the photos from other planets of the solar system, of Venus and Mercury, for the same kind of possible man-made artifacts.

Here is the image of a possible second face in the south polar region, very near to the previous one and to the right and slightly up from it in the original photograph. It’s a curious one, where a small face seems to be set off to the side of a very curiously shaped area, but the face, if it is one, looks, not surprisingly, very leonine, much as Richard Hoagland’s famous Face on Mars, "the Martian Sphinx". The area is more complicated than the D&M pyramid geometry, but seems as if may contain it, and many artificial features might be found in a clearer version of the same image.

The Utopia Planitia region (above) of Mars may deserve a great deal of interest. Using the "Armchair Astronaut" web feature the other day, I chose this region first because this was the name used on Star Trek’s "Next Generation" for the place the Enterprise was perfected. Not only have others found a very convincing additional face in this region (below right), the image I’m using has numerous strange, artificial-looking details.

One of them, apparently the largest, is this odd looking figure, which is amongst the ancient rune figures found in magick.

This rune is called "Othalaz" and other names. According to a modern source, the meanings of this rune are, not ironically (but perfectly appropriately):

"Homeland, property, inherited land, sacred enclosure, inborn qualities, tangible possessions"

It is also a rune associated to the moon and may here possess some lunar significance, in addition to its other meanings, and is also qualified to represent another form of the dolphin symbol which has been found recurring repeatedly on the surface of Mars. The square part of the rune has another square at the point, and what seems to be a face, with a strange grail shape leading behind it from the right. The Grail’s cup may prove to be unusually triangular. It may not be the only Grail on Mars. Some that seem to appear on both Mars and the earth are shown below.

A closer look at the face (right) shows it too may have a dual nature, like the hybrid face of Cydonia, and perhaps these others, for on the right side of the face appears what may be an entire face perhaps much that most famous face of Cydonia.

There are also a great deal of strange, unnaturally straight lines and unnaturally straight geometry. This pentagon (below right) shows two points of a star, that may have been once an entire one.

I am obviously working to associate the Martian mysteries with the ancient mystical traditions that might give us more clues to exactly how those artifacts got there, and why, who knew they were there, and how. It is the premise of this site’s Star Way pages of course that not only do we have a possible explanation for that ancient knowledge in the form of time cameras and magick mirrors, but perhaps through physics forms of not only microscopy such as may have provided the images of atoms found in these pages, but telescopic views of the heavens.

Since Hildegard of Bingen may prove to have been one of the most accomplished atomic seeresses, and the fruits of her visions as physics concepts might be applied to transportation to Mars, we could ask if there’s any evidence that she might also have been viewing the surface of Mars or its artificial features, and the possibility that maps showing ancient medieval-like castles is certainly a touch of an invitation to revisit her visions, perhaps helping us to know how deep and deliberate her intentions were, and just how much may have been provided for us that we are perhaps not yet aware of.

Hildegarde gazing at the heavens and Wormwood towering above her.

This herb not only may be part of her "migrainous" powers like the migraine remedy Feverfew, it contains thujone or thujone-like substances, and the aroma of either can also cause migraine or headache in certain individuals. Wormwood is a Martian herb, under the rulership of Mars in astrological terms, and in eclectic and signature-based or homeopathic medicine. Besides the reputation of its magnetic cousin, Mugwort, for liking to grow around blacksmith’s shops where scrap material might boost the level of iron in the soil, that and other concerns that may make it appropriate for use in colonizing Mars with vegetation.

Is its symbolic appearance here intended to communicate in part that Hildegard was in fact star-gazing at Mars?

She will no doubt not be the only one who may have incorporated Martian features into her artwork, but it’s a reasonable beginning premise.

Two of Hildegard’s visions that have blatant anti-gravitational themes, the "Zelus Dei" (left) and the "Sedens Lucidus" (right) from the Scivias. They are in fact fragments of one larger image (below right), reproduced here as it appears in Charles Singer’s "Magic into Science" in his extensive section on Hildegard and her visions.

The complete composite is Hildegard’s vision of "The Heavenly City". In spite of the Biblical connotations constantly assigned Hildegard’s far more mystical or Theosophical works, this peculiar city, even in the odd way it is drawn "as a square but not a square", has a not only recognizable but uncanny resemblance to the geometry of the Martian polar city (shown inverted below left), both of them seeming to have, oddly, perhaps only one tower. In all fairness, Hildegard’s vision may be somewhat on the bland side for a city of true heavenly glory, and its lack of literal realism is quite obvious. Is it the Martian city? Does the red face of the "Zelus Dei" symbolize the face of the Red Planet?

The geometry of Hildegard’s "heavenly" city is also vaguely suggestive of the Martian D&M pyramid’s (from DiPietro and Molenaar) pentagonal geometry, a five sided form of a normally four sided object. There is in addition at the left side in this image, the hint of a square within the pentagon exactly as in Hilegarde’s artwork.

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