CHAPTER FIVE:
DETAILED
ACCOUNT OF
THE PRINCIPAL
MARIAL APPARITIONS
[Note: This
chapter, and all others in this book, are excerpted from The End of Our
Century by Francois Masson, written in 1979-80. It was transcribed from
French into English by David Michael Steinberg in 1981 and a publisher was never
found. It was finally edited, updated and published on the Internet by David
Wilcock in 2001.]
After the statements in the
last chapter, an exact description of the important appearances of the
Virgin Mary seems indispensable. The
reader
can then judge
for himself the relationship
between these supernatural manifestations
and human
destiny. During this exposition, the author will make certain comparisons
which may shock certain religious
beliefs. But again, he is not
trying to mock the Marian
apparitions, as he has already explained at length. But the
observations
made in the course of them
and related by thousands of witnesses, many of whom are cultured and
educated minds, match the statements made by perfectly honest and sensible
people describing encounters of the third kind.
Quite undeniable parallels,
not only proving the existence of superior beings
but
letting us see the profound reasons for
their intervention. The Marial
apparitions
reported by the visionaries often describe the
Virgin Mary as a girl
between 12 and 15 years
old,
of superhuman beauty, expressing piety and goodness at
the same time.
She is always dressed in a cape or an ample robe bespangled with gold stars. She
is always surrounded by a supernatural light and accompanied by
“stars of time,” and often
the moon
appears under
her feet. All this
is in the sole
material proof,
the painting of the Virgin Mary
left with Juan Diego at
the time of the 1531
visitation and still on view in
Mexico.
THE 1531
APPARITION IN MEXICO
We will start with the vision of Our Lady of Guadeloupe
near Mexico. Chronologically it is the first to coincide with a pivotal
historical date and it is also the only case in which a material proof of the
supernatural contact was left with us.
You can still see this proof
at Our Lady of Guadeloupe in Mexico.
The author can state from personal experience that it is
impossible for a man free of religious bias to get the idea that this painting
could prove the existence of another dimension.
Such is our modern spirit; we would require proof of
technological superiority. And yet the support used for that painting, a simple
tilma made of mango fibers, like a burlap bag, is, in theory, a surface
impossible to paint on; the condition of preservation and the freshness of the
paint is incredible after constant exposure for 450 years; all this added to the
records made at the time, chiefly by Bishop Juan de Zumarragua, dispels our
doubts, for we cannot call the whole story a lie.
It began on Saturday,
December 9, 1531. A 57-year-old Aztec christened Juan Diego whose original name
was Singing Eagle was on his way to the church of Tlaltelolco. It was a cold day
before sunrise, but
suddenly
Juan heard birds singing sharply
and sweetly. He froze; the concert continued, then ceased brusquely, to be
followed by a very sweet female voice calling him by his
name. The voice came from the top of a hill covered by a
shining cloud – a description already quoted in the Fatima case. When Juan Diego
climbed the hill he saw the apparition.
Here is the report of that encounter from a contemporary source.
“The sun was still below the horizon, yet Juan saw the Lady silhouetted by the golden rays that bathed her figure from head to feet. She looked like a young Mexican about 14 years old, of incomparable beauty. As she spoke with Juan, the Girl told him that she was the Virgin Mary and that she wanted a church built on that spot. She asked him to go immediately to Tenochtitlan (present-day Mexico) to tell the bishop what he had seen and what the Virgin Mary desired.”
This request greatly embarrassed the poor Indian little used to meeting such high personages. However, he carried out his mission and managed to see Bishop Don Juan de Zumarragua, who received him kindly but did not believe his story. Juan Diego went back to the hill and saw the Lady again. He asked her to choose another agent fitter than he was to fulfill such a difficult mission. The Virgin Mary replied,
“Listen, my child, there are many I might have sent, but you are the one I have chosen for this task. Tomorrow morning go back to the bishop, tell him you have been sent by the Holy Virgin and repeat my wish to see a church built on this spot.”
The next day Juan Diego mustered up all his courage and returned to Mexico to see the kindly bishop, who had been impressed by the old Indian's purity and honesty and was rather shaken by this new story. He told Juan Diego to ask the Lady for a tangible sign, then ordered his servants to follow him and watch all his acts and gestures. They carried out their assignment and noticed that Juan Diego spoke to no one, and they saw him climb the hill and disappear. Although they hunted all around, they couldn't find him. Now, Juan Diego had gone up on the hill again to report the bishop's answer to the Lady, and she said:
“Good, my child, come back tomorrow at daybreak, I will give you a sign to bring him. You have gone to a lot of trouble for me. I will reward you.”
But the next day Juan Diego could not keep his rendezvous with the Lady. His uncle, his only relative, was dying and he stayed with him all day to ease his pain. He only left him the following day to go in search of a priest. On the way the apparition blocked his path. Embarrassed, Juan explained why he was absent and the Lady said:
"My child, be not troubled and fear not, Am I not as your mother? Have I not taken you under my tutelage and protection? Your uncle shall not die and he has recovered his health at this very moment. You have no further need to follow this path; you may follow mine with a clear conscience. Go climb the hill, pick the flowers growing there and bring them to me.”
Diego knew that there
couldn't be any flowers on the hill at that season, in December, but he obeyed
and upon reaching the top he found Castile roses, their petals wet with dew. He
gathered then and put them in his tilma, a long Indian cape, and took
then to the Lady. She arranged the flowers
that Juan had brought, then tied the corners of the tilma behind his neck, so
that the roses were in a sort of sack and
couldn’t fall out. Then the vision disappeared and Juan Diego never saw her
again, but his uncle was healed instantaneously, as
promised.
When the old Indian reached
the bishop's palace, several servants
started to make fun of him and his visions. They jostled him and tried to grab
the roses, but seeing that the roses dissolved when they tried to seize them
they were startled and they let him pass. Once more
Juan Diego stood before the bishop. He untied the corners of his tilma, but the
cloth slipped out of his fingers and the precious flowers fell pell-mell on the
ground. What had become of the beautiful arrangement the Lady had made? Juan
felt mortified at his clumsiness, but his consternation reached its peak when he
saw the bishop and everyone else in the room suddenly fall on their knees before
the tilma, for on it shone a magnificent painting obviously representing the
Virgin Mary, a painting that you can see to this day in the Basilica of Our Lady
at Guadeloupe In Mexico.
This tilma consists of two pieces of cloth woven from
mango fiber and sewn together. The whole forms a cape; the fabric is raw, rough
and light brown in color. On this cape, about five feet high, is a remarkable
painting of a young woman surrounded by a halo of light like sunbeams. Every
detail of the painting is sharp and filled with grace and devotion. The virgin
is dressed in a chlamys covering her head and reaching to her feet. This
brilliant azure cloak is edged with gold and spangled with gold stars. The Lady
wears a robe of deep pink, decorated with floral motifs which form a golden
network. She stands on a gold crescent moon beneath which appears the head and
bust or a winged cherub whose figure, despite its small size, is quite sharply
defined. The Virgin Mary's hands are joined as if in prayer, the beautiful face
has a serious, even sad, expression; the head is slightly bowed and leaning to
the right, as if looking down upon mankind. The eyelids are lowered, almost
closed, yet the pupils can be seen. The whole effect is of compassion and
ethereal love.
That is why Bishop Juan Zumarragua fell to his knees as
did everyone
there. This was in 1531: such a thing in such circumstances was completely
unexpected. For a poor Indian to have such a work of art in his possession was
absolutely inconceivable and the roses
which evaporated at a
human touch added to the unreal atmosphere of the scene.
We
can imagine how excited and awestruck the spectators
were.
The Virgin Mary did not give
humanity any special message at that time, except for her wish to have a church
built on the site of the appearance, but the facts were so unusual in themselves
that they caused the conversion of millions of Indians who, from
that day forward, renounced the plumed Serpent
Quetzalcoatl and his human sacrifice. But
most important, this was the only time that
the higher powers left a material proof in the hands of human beings. Even today
that proof arouses both curiosity and disbelief among us and yet there is no
reason to doubt the deep sincerity of the witnesses of that bygone
age.
LOURDES: FEBRUARY – JULY
1858
The apparitions of Lourdes are hard to analyze. There
was only one seer, Bernadette Soubirous, but her personality was exceptional.
Her purity, her sincerity, her faith convinced everyone. Her ecstasy and visions
cannot be doubted, but aside from her trances and her words there is not much
material evidence. The gushing of the miraculous spring which immediately
manifested healing power is the most remarkable. There is also the case of the
rosebush, planted by the Lady's orders, which bloomed in one night. Then there
were some unnatural celestial phenomena, but the reports are inconsistent and
must be treated cautiously. Few things, in fact, that cannot be quickly
explained by rationalists…
Paradoxically, although the
cause was so limited that the fame of the events at Lourdes should never have
gone beyond local news, the effect, as history records, was that the story grew
to huge proportions and spread in a most abnormal way.
Was the faith of Bernadette Soubirous transmitted by
chain reaction to all of France and then to the catholic world? Perhaps that was
the real miracle, along with the statement by the Lady that her name was “The
Immaculate Conception,” a name whose meaning was quite unknown to
Bernadette – that point is firmly established – when she reported it to her
parish priest. It has been proven that following that revelation the
visionary kept repeating these incomprehensible words as she walked along so as
to report
them
accurately. These are things one cannot make up. In any case, the spiritual
impact of Lourdes was and is still tremendous and stirred up an unthinkable
religious revival. You have but to open your eyes and try to count the number of
places consecrated to the virgin of Lourdes in the Catholic countries. It is
incalculable.
PONTMAIN
The visitation at Pontmain, a little town in the west of France, is quite different, but to an objective observer it is very important, if only for the symbolism which it contains. On January 17, 1871, two children were working in a barn with their father when the eldest, named Eugene, saw above the house across the street a “beautiful and Great Lady” whose face was small, white and of incomparable beauty: her hands were outstretched and lowered, she looked at the child and smiled. The 12-year-old Eugene called his younger brother Joseph and the following dialogue took place.
“Joseph, can you see it?”
“Yes,” said the child, “I see a beautiful Great Lady.”
“How is she dressed?”
“I see a Great Lady who has a blue dress, gold stars on her dress, blue slippers with gold buckles.”
“Now tell ma, Joseph,” said his brother, “look well and see if she has a crown?”
“Yes, I see a crown that flares out, and a little red thread in the middle of the crown and a black veil.”
So begins the story of that
event. Let us add a few details to this dialogue; the Lady wore a black
veil which covered her hair and ears but left her face visible and fell about
halfway down her back.
This vision
was like a silent animated color
film and lasted a good three hours. As the news spread
around the community curious adults
brought six more children to join the two little seers. They also saw the
apparition and described it similarly, but the grown-ups perceived nothing
abnormal, except the happy or ecstatic
cries of the children. Even a 2 1/2-year-old became
excited by the
show.
The vision went on with various changes. First a big
luminous oval appeared around the Lady, while the figure grew, doubling in area
and volume. The stars of time appeared, those are the words used by the
children, but they could never explain their meaning. Could they be the twelve
stars mentioned by St. John in Rev. 12:1?
Then a big sign appeared,
1.5 meters high and over 12 meters long on which the following words were slowly
written: "But pray my children God will absolve you in a short time.” Then a
second line was formed saying: “My son lets himself be touched” and a big gold
line gradually appeared beneath the second line as if to underscore its
importance.
The sixty-odd adults who by
this time had crowded into the barn still saw nothing of what the children were
describing, but their sincere expressions, their deep excitement, and especially
the gradual unfolding of Mary's message convinced everyone and it was in an
atmosphere of acceptance that the manifestation
continued.
After this massage the Holy Virgin again grew sad and
the children saw at the same time a red cross about two feet high on which was
crucified a Christ of the same color. This cross appeared at one of the Lady's
feet; she lowered her hands, which until then she had held at shoulder height,
took the crucifix, holding it in both hands, tilted slightly toward the children
as if presenting it to them. At the top of the cross, on a white sign, was
written in red letters “Jesus Christ.” Then the stars of time moved and suddenly
one star took off from under her feet and rising toward the left, crossed the
blue circle and lit the candle that was on a level with Mary's knee, then lit
the one level with her shoulder, then the two candles on her right, then came to
rest above her head where it remained.
Next the crucifix disappeared, the Lady stretched out
her arms in her
former posture; on each of her
shoulders appeared a little white cross about 20 centimeters high and the Virgin
again smiled at the children who were transported with joy. Then a white veil
came out
from beneath the Lady's feet
and rose slowly: bit by bit the
vision
disappeared from view.
As noted, this essentially
consoling apparition is rife with amazing symbols: the red Christ on a red
crucifix, the stars of
time as the children called
them, the three big stars around the Lady's head from start to finish of the
visit, the four candles, lit by a star after the display of the crucifix, the
multiplying of stars on the Lady's dress like a golden swarm, and above all the
appearance of the two white crosses on the Virgin's shoulders and 20 centimeters
high which probably represent (following
the Christ on a
much larger cross – 60 centimeters high) the two prophets put to death and
resuscitated in Revelations 11.
Man's future
religious
destiny is surely written in
all these symbols whose meaning
remains rather
obscure.
But the most instructive fact for us who live at the end of the 20th century is what befell a certain headstrong woman during this visitation. A regular distaff St. Thomas and well known local character, Mme Guidecoq, owned the house above which the vision appeared. Here is the story as it was reported at the time:
“Mme. Augustin Guidecoq, who had arrived at the barn at the same time as the parish priest, went back home in the middle of the Magnificat because she saw nothing and she was cold. Goaded by curiosity, she came back during the chanting of the litanies and stood near the little seers. Neither their exact statements, nor their perfect agreement, nor the consoling words they read in the sky, nor the excitement and faith of the audience could convince her that the apparition was real.
“The cure’ sees nothing,” she said to herself, “nor do the sisters. The children say it's over my house and I don't see anything either. Their sight must be defective. There is nothing,” and she went outside the barn to get a better view, crossed the road and was going along the alley between her house and that of the little seers’ family. Reaching the fence that separated the latter from the church square, she again glanced at her roof. “There is nothing” she murmured and tried to go on, but her legs gave way and she fell to her knees on the icy snow. “God is punishing me,” she thought and, weeping, she recited three or four paternosters and Hail Marys in honor of the Holy Virgin. Then she was able to rise, and retracing her steps, she re-entered her house, walking quickly through it into her garden in hopes of seeing the vision from that side – all in vain: she still didn't see the lady. she went back through the house and to the barn where she kept on praying, shedding tears of remorse for having been so incredulous.
This
report of a minor but related incident, from the
original notes of 1871,
describes exactly in the words of the time,
the paralysis that struck many reliable witnesses who found themselves too
close to a UFO.
KNOCK
On August 21, 1879. in the little Irish
village of Knock in County Mayo a similar scene was repeated, but with no
message or animation, just still pictures, showing the Holy Virgin in the
middle, and, say the witnesses, St. John the Evangelist and St. Joseph at her
sides. What chiefly struck the spectators, young and old (for unlike Pontmain it
was visible to everyone) was the intense golden light that surrounded the
vision, as bright as the sun, but changeable. Sometimes it dimmed, sometimes it
grew even brighter. More surprising, while it was pouring rain, a woman who saw
the vision tried to kiss the Lady but
she just touched the church
wall on which the image was projected and she added: “I carefully felt the
ground with my hands… it was perfectly dry and at that spot no drop of rain fell
from the sky upon the image.”
Here again we have a picture
show as at Pontmain, but this one was static, with no message. It was seen by 14
witnesses from 5 to 72
years of
age, as if this vision were an answer
to the campaign of slander that
followed
Pontmain, accusing
the children of telling
tales and the adults of self-hypnosis. But
the huge golden
light, as strong as
the sun and constantly
changing, is reminiscent of Fatima. The ground found absolutely dry
and the lack of rain on the
vision are like the phenomena that followed Fatima when 70,000 people found
their clothes dry after the “dance of the sun.”
In conclusion. it seems sure that mankind has been in
contact with superior spiritual forces since very distant times: recall the
statements of several Old Testament prophets describing such encounters and
relating their teachings. Look at Elijah and Ezekiel. It
seems also that these benevolent higher powers willingly
appear publicly, especially when crises are near, their object being to inspire
men to greater spirituality in order to spare them the cruelest
suffering.
But just as there are contacts with benevolent entities, so there must be contacts with malevolent ones, because of the duality of the world. But those contacts are much more discreet, the Devil preferring to work from afar through the medium of “men of destiny” to turn mankind in the direction he desires. These human agents rarely boast of their true function. As Churchill said: “The Devil's great power is to make us believe he doesn't exist.”
Indeed, were it not for the confessions of Hitler and his entourage, as well as certain remarks by Krushchev at the 20th Soviet Congress, and the suicide of Stalin's first wife, we would still have nothing to go on but the faint clues of diabolic possession during the mystical period of the Middle Ages.