by Zecharia Sitchin
Comments by Rob Solàrion

from SlowMotionDoomsday Website
 

The following information, transcribed almost verbatim, to which I have added Comments, comes from pages 47-71 of The Stairway to Heaven by Zecharia Sitchin. This is Volume 2 of THE EARTH CHRONICLES series, which I first read in its entirety in the summer and fall of 1993. Mr. Sitchin always includes numerous graphics to accompany his text. For those, you should consult the printed edition.

Chapter IV ("The Stairway To Heaven") is presented in a rather "factual" manner, whereas in Chapter V ("The Gods Who Came To Planet Earth") Mr. Sitchin tends to philosophize about these facts from a modern perspective. Mr. Sitchin wrote in THE EARTH CHRONICLES that there was a "spaceport" in the Sinai and an "airport" at Baalbeck, Phoenicia/Lebanon. Thus, by inference, when the Pharaoh went "eastwards", he went to the Sinai Spaceport with all its elaborate security precautions, just like Cape Canaveral today, I am sure. Mr. Sitchin is attempting to bolster his theory that there was a "spaceport" in the Sinai, which Nibiruan Prince Utu/Apollo sabotaged during The Pyramid Wars.

I have no disagreement with that. However, as I shall note in my comments, I think that this "Stairway To Heaven" was located in the far-north, possibly accessible from "east of Egypt" (as from central Asia) by underground tunnels and the like. But the actual "Stairway" itself was the electromagnetic tether-beam connecting our North Pole to Planet X Nibiru’s South Pole. The "Ascender" described below is the same "animal" as the "tomcat" of Siberian legend, a "tomcat" that climbed up and down the "North Pole". This "tomcat" was remembered as a "squirrel" named "Ratatosk" that climbed up and down the Yggdrasill Tree in the Nordic legends, and as a "monkey" in the Central American legends. Even in modern Alaska there are Indian "totem poles" on which are carved some sort of animal shown climbing up or down, or perched on top. See Illustrations 23-26 of my book Planet X Nibiru : Slow-Motion Doomsday.

"There is a mill which grinds by itself, swings of itself, and scatters the dust a hundred versts away. And there is a golden pole with a golden cage on top which is also the Nail of the North. And there is a very wise tomcat which climbs up and down this pole. When he climbs down, he sings songs; and when he climbs up, he tells tales."

Legend of the Ostyaks of the Siberian Irtysh River Valley

This "animal" was a space "elevator" or "conveyance" of some sort that "ferried" gods and men up the "tree trunk" from North Polar Regions (Scandinavia, Siberia, Alaska) to Planet X, or to its "mothership", tethered about 60,000 miles (about 100,000 kilometers) above our North Pole. When this "configuration" was still in place over 2,700 years ago, it is said in the Egyptian legend that it required a journey of 8 days to travel up this "ladder" or "pillar" to the "Celestial Disk" or "Heaven", from northern Siberia, for example. That seems a bit long to me, but then I do not really understand what sort of "conveyance" the Pyramid Texts were referring to in the first place. Neither does anyone else.

As for the northern celestial millwheel that "scatters the dust a hundred versts away", in Norse mythology there is reference to a sacred "Vigrid Plain" which is associated with their "Ragnarok" legends. It is stated:

"The sons of Muspel direct their course to the plain which is called Vigrid. Thither repair also the Fenris-Wolf and the Midgard-Serpent."

And:

"To this place have also come Loke and Hrym, and with him all the Frost Giants. In Loke’s company are all the friends of Hel. The sons of Muspel have then their efficient bands alone by themselves. The plain Vigrid is one hundred rasts on each side."

This "Vigrid Plain" may be the exact same area called Duat in Egypt. The "Vigrid Plain" is the same size as the area over which the millwheel scatters the dust, and it is significant that in two completely different mythologies there are references to a northern, polar area that is 100 "rasts" or "versts" wide. The words "rast" and "verst" are identical, like the Spanish word "amigo" and the Italian "amico". When "coincidental" details turn up in two or more cultures, one knows that one is on the trail of "hidden secrets"!

The facts presented in Chapter IV obviously indicate that someone, such as Pharaoh Pepi I (Apopi I) actually travelled up the "Rainbow Bridge Bifrost" to "Asgard"; then returned and lived to tell about it. One presumes that after The Cosmic Tree finally "dissolved" in 687 BCE, it was remembered only as a "mythical" place for the Pharaohs’ "eternal life"; but there is no doubt that when you consider such legends in our contemporary technological context, as Mr. Sitchin does at the beginning of Chapter V, this is clearly a description of a journey from our planet to theirs, or to their gigantic tethered/anchored mothership.

Further comments are included below.

 

CHAPTER IV, THE STAIRWAY TO HEAVEN

Let us imagine ourselves in the Pharaoh’s magnificent funerary temple. Having mummified and prepared the Pharaoh for his Journey, the Shem priests now intone the gods to open for the king a path and a gateway. The divine messenger has arrived on the other side of the false door, ready to take the Pharaoh through the stone wall and launch him on his journey.

[COMMENT: The term Shem is interpreted by Sitchin elsewhere as being a word for "spaceship" or "rocketship". RS]

Emerging through the false door on the eastern side of his tomb, the Pharaoh was instructed to set his course eastward. Lest he misunderstand, he was explicitly warned against going west: "Those who go thither, they return not!" His goal was the Duat, in the "Land of the Mountain Gods". He was to enter there "The Great House of Two ... the House of Fire"; where, during a "night of computing years", he shall be transformed into a Divine Being and ascend "to the east side of Heaven".

[COMMENT: In my book Planet X Nibiru : Slow-Motion Doomsday, in Chapter 7, "Heaven & Hell", I discuss "Tuat, City Of God". The word Tuat is identical with the word Duat. There I postulated that Tuat was that part of the Planet Earth in the Southern Hemisphere, where The Cosmic Tree was not visible. It was a land of gloom and terror in the "partially lighted regions" where the "solid darkness" began -- hence, Hell. See also Illustrations 3-8 of my book. Here, however, Sitchin presents the idea that the Duat was in the Northern Hemisphere. This seems logical when you read through what follows.

This matter deserves further investigation. However, the "Land Of The Mountain Gods" certainly refers to The Sacred Mountain, Mount Olympus, Mount Zion, Mount Meru, Hyperborea -- "the land beyond the mountains where the North Wind rises"! "The Great House Of Two" is probably a reference to the fact that Planet X Nibiru is ruled by two: Emperor Anu & Empress Antu. The "City Of An" mentioned below is certainly a reference to Anu. Furthermore, if one were looking upwards at Planet X above our North Pole, one would be looking at its Southern Hemisphere.

Perhaps the "landing pad" of the "City Of Anu" is located on the eastern side of their Planet, or this idea simply indicated the cardinal direction on their Planet where the "tomcat" arrived before "landing" on top of the "North Pole", in the "Golden Cage" or the turning millwheel, that is, the rotating Planet X! We shall not know this for sure until after 2012, when we can once again see this Sacred World Tree with our own eyes. And finally, I am at a loss to explain this reference, repeated later, to a "Night Of Computing Years". Our years, or their "shars", or both? Is this mysterious idea the Planet X equivalent of our own "atomic clock"? But they are coming back, and they’ll be "computing years" again, we can be certain of that! RS]

The first obstacle in the Pharaoh’s course was the Lake of Reeds -- a long body of marshy waters made up of a series of adjoining lakes. Symbolically, he had the blessing of his guardian god to cross the lake by parting its waters; physically, the crossing was possible because the lake was served by the Divine Ferryman, who ferried the gods across in a boat made by Khnum, the Divine Craftsman. But the Ferryman was stationed on the far side of the lake, and the Pharaoh had a hard time convincing him that he was entitled to be fetched and ferried over.

The Ferryman questioned the Pharaoh about his origins. Was he the son of a god or goddess? Was he listed in the "Register of the Two Great Gods"? The Pharaoh explained his claims to being of "divine seed", and gave assurances of his righteousness. In some cases it worked. In other instances the Pharaoh had to appeal to Ra or to Thoth to get him across; in which instances, the boat and its oars or rudder came alive with uncanny forces; the ferryboat began to move by itself, the steering-oar grasped by the king directed itself. All, in short, became self-propelled. One way or another, the Pharaoh managed to cross the lake and be on his way toward "The Two That Bring Closer the Heavens":

He descends into the boat, like Ra,
On the shores of the Winding Watercourse.
The king rows in his Hanbu-boat;
He takes the helm toward the
Plain of "The Two That Bring Closer the Heavens",
In the land beginning from the Lake of Reeds.

[COMMENT: The exact location of this "Lake Of Reeds" is unknown. However, one gets the distinct impression when reading this, that access to the Duat was highly restricted; even getting to its location in the first place was impossible because of all the "security checks" along the way. Nibiruan Duke Adonis Dumuzi once worked for King Nergal Hades as a "ferryman" of Adamu slaves to the "Underworld", probably a reference to the gold mines that Nergal supervised in southern Africa, in the fiery land of the "partially lighted regions" -- Hell. Duke Dumuzi was murdered by Baron Marduk during The Pyramid Wars, when the evil Baron Marduk and his treacherous consort Baroness Sarpanit stole the powerful MEs from Emperor Anu and Empress Antu and declared themselves the new Emperor and Empress. Eventually they were defeated, and the MEs were returned to Anu and Antu. This period of war probably preceded the Egyptian legend; thus, a new "ferryman" might have replaced Duke Dumuzi. But this reference could also be to a completely different type of "ferryman". RS]

The Lake of Reeds was situated at the eastern end of the domain of Horus. Beyond lay the territories of his adversary Seth, the "lands of Asia". As would be expected on such a sensitive boundary, the king discovers the lake’s eastern shore is patrolled by four "Crossing guards, the wearers of side locks". The way these guards wore their hair was truly their most conspicuous feature.

"Black as coal," it was "arranged in curls on their foreheads, at their temples and at the back of their heads, with braids in the center of their heads."

[COMMENT: Clearly by now the king has arrived in Central Asia, but this hairstyle sounds a bit like Orthodox Hasidic Jews. This is "mysterious", to say the least. In northern Siberia, just south of the Arctic Ocean there are high mountain peaks. There are also myriad rivers that empty into the Arctic Ocean, and one presumes that there are numerous lakes as well. The Rhipaean Mountains which led to Hyperborea were thought to have been located around the Altai Mountains of central Siberia and western Mongolia. See Chapter 8 of my book, "Hyperborea & The Rhipaean Mountains". The Duat could have been located north of the Altais. This is highly inhospitable, middle-of-nowhere territory. Even today, it would be a daunting task to try to hike with only a backpack from Ulan Bator, Mongolia, to Khatanga, Siberia. RS]

Combining diplomacy with firmness, the king again proclaimed his divine origins, claiming he was summoned by "my father Ra". One Pharaoh is reported to have used threats: "Delay my crossing, and I will pluck out your locks as lotus flowers are plucked in the lotus pond!" Another had some of the gods come to his assistance. One way or another, the Pharaoh managed to proceed.

The king has now left the lands of Horus. The eastward place which he seeks to reach -- though under the aegis of Ra -- is "in the region of Seth". His goal is a mountainous area, the Mountains of the East. His course is set toward a pass between two mountains, "the two mountains which stand in awe of Seth." But first he has to traverse an arid and barren area, a kind of no-god’s land between the domains of Horus and Seth. Just as the pace and urgency of the Utterances increase, for the king is getting closer to the Hidden Place where the Doors of Heaven are located, he is challenged again by guards. "Where goest thou?" they demand to know.

The king’s sponsors answer for him? "The king goes to Heaven, to possess life and joy; that the king may see his father, that the king may see Ra." As the guards contemplate the request, the king himself pleads with them: "Open the frontier ... incline its barrier ... let me pass as the gods pass through!"

Having come from Egypt, from the domain of Horus, the king and his sponsors recognize the need for prudence. Many Utterances and verses are employed to present the king as neutral in the feud between the gods. The king is introduced both as "born of Horus, he at whose name the Earth quakes", and as "conceived by Seth, he at whose name Heaven trembles". The king stresses not only his affinity to Ra, but declares that he proceeds "in the service of Ra"; producing thereby a laissez-passer from higher authority. With shrewd evenhandedness, the texts point out to the two gods with their own self-interest in the king’s continued journey, for Ra would surely appreciate their aid to one who comes in his service.

[COMMENT: It is unclear to whom this "Ra" refers. Sitchin equates Duke Dumuzi with the Egyptian "Aten-Ra" and Baron Marduk with the Egyptian "Amon-Ra". Horus (Prince Ishkur/Ares) was the son of Osiris (Crown-Prince Enlil/Zeus), who was dismembered by his brother Seth (Prince Enki/Poseidon). Isis (Queen Ninkhursag/Hera) collected the pieces of Osiris and reassembled them. This episode resulted in the "feud between the gods" mentioned above. At any rate, this particular Pharaoh was allowed to proceed. RS]

Finally, the guards of the Land of Seth let the king proceed toward a mountain pass. The king’s sponsors make sure that he realizes the import of the moment:

Thou are now on the way to the high places
In the land of Seth.
In the land of Seth
Thou will be set on the high places,
On that high Tree of the Eastern Sky
On which the gods sit.

The king has arrived at the Duat.

The Duat was conceived as a completely enclosed Circle of the Gods, at the head-point of which there was an opening to the skies (symbolized by the goddess Nut) through which the Imperishable Star (symbolized by the Celestial Disk) could be reached. Other sources suggested in reality a more oblong or oval valley, enclosed by mountains. A river which divided into many streams flowed through this land, but it was hardly navigable and most of the time Ra’s barge had to be towed, or moved by its own power as a "boat of earth", as a sled.

[COMMENT: The "Imperishable Star" and "Celestial Disk" refer to Planet X Nibiru tethered and floating like a cosmic jewel above our North Pole. The "Goddess Nut" is a reference to the Egyptian Goddess Neith, who is the equivalent of Empress Antu, the Greek Rhea (wife of Kronos, or Emperor Anu). The Nibiruan Antu was also known as Nintud or Apsu in Sumeria, Apas in Phoenicia and Assyria, Apo in India, Ops in Rome, Akna in Mexico, Akka/Rauni in Finland, Danu/Anu in England and Niang-Niang in China. She, of course, resides and rules on Planet X Nibiru, Mount Olympus. RS]

The Duat was divided into twelve divisions, variably described as fields, plains, walled circles, caverns or halls, beginning above ground and continuing underground. It took the departed king twelve hours to journey through this enchanted and awesome realm; this he could achieve, because Ra had put at his disposal his magical barge or sled, in which the king traveled aided and protected by his sponsoring gods.

[COMMENT: The crucial "key" for entrance by a "visitor" into the Duat was the presence of these so-called "sponsoring gods". Certainly no one who was not "sponsored" could enter, just as some modern tourist who is not "sponsored" cannot visit the classified areas of Cape Canaveral. The Elysian Fields, or Champs Elysées, were supposedly part of the Duat. RS]

There were seven gaps or passes in the mountains that enclosed the Duat, and two of them were in the mountains on the east side of Egypt (i.e., in the mountains on the west of the Duat), which were called "The Horizon" or "The Horn" of "The Hidden Place". The pass through which Ra had traveled was 220 atru (some twenty-seven miles) long, and followed the course of a stream: the stream, however, ran dry and Ra’s barge had to be towed. The pass was guarded and had fortifications "whose doors were strong".

[COMMENT: The "Hidden Place" was the "airport" where this "tomcat" conveyance climbed up and down the North Nail, North Pole, to the "Golden Cage" on top. Just as a fast-moving freight train whistle sounds different when the train is approaching than when the train is departing, so also this "tomcat" sounded different: when it descended, it sounded as if it were "singing" (high pitch?); when it ascended, it sounded as if it were "talking" (low pitch?). RS]

The Pharaoh, as some papyri indicate, took the course leading through the second, shorter pass (only some fifteen miles long). The papyrus drawings show him upon the barge or sled of Ra, passing between two mountain peaks on each of which there is stationed a company of twelve guardian gods. The texts describe a "Lake of Boiling Waters" nearby -- waters which, despite their fiery nature are cool to the touch. A fire burns below the ground. The place has a strong bituminous or "natron" stench which drives away the birds. Yet not too far away, there is depicted an oasis with shrubs or low trees around it.

Once across the pass, the king encounters other companies of gods. "Come in peace," they say. He has arrived at the second division.

It is called, after the stream that runs through it, Ur-nes (a name which some scholars equate with Uranus, the Greek god of the skies). Measuring some fifteen by thirty-nine miles, it is inhabited by people with long hair, who eat the flesh of their asses and depend on the gods for water and sustenance, for the place is arid and the streams are mostly dry. Even Ra’s barge turns here into a "boat of earth". It is a domain associated with the Moon god, and with Hathor, the Goddess of Turquoise.

[COMMENT: Hathor is the Egyptian equivalent of Nibiruan Princess-Royal Inanna, the Greek Aphrodite and the Hindu Lakshmi. She was the passionate lover of Duke Adonis Dumuzi at the time of his murder during The Pyramid Wars. Their torrid Saurian "interstellar romance" was "the talk of the Sector" -- she, the Miss Universe; he, the Sexiest Man Alive! Inanna was the mother of Lord Hellespontiacus, an ugly but well-hung "Fertility God", whose name was given to what is now the Turkish Hellespont. RS]

Aided by the gods, the king passes safely through the second division and in the Third Hour arrives at Net-Asar, "The Stream of Osiris". Similar in size to the second division, this third division is inhabited by "The Fighters". It is there that the four gods, who are in charge of the four cardinal points of the compass, are stationed.

The pictorial depictions which accompanied the hieroglyphic texts surprisingly showed the Stream of Osiris as meandering its way from an agricultural area, through a chain of mountains, to where the stream divided into tributaries. There, watched over by the legendary Phoenix birds, the Stairway to Heaven was situated; there, the Celestial Boat of Ra was depicted as sitting atop a mountain, or rising heavenward upon streams of fire.

Here, the pace of prayers and Utterances increases again. The king invokes the "magical protectors", that "this man of Earth may enter the Neter-Khert" unmolested. The king is nearing the heart of the Duat; he is near the Amen-Ta, the "Hidden Place".

It was there that Osiris himself had risen to the Eternal Afterlife. It was there that the "Two That Bring Closer the Heaven" stood out "yonder against the sky", as two magical trees. The king offers a prayer to Osiris (the Chapter’s title in the Book of the Dead is "Chapter of Making His Name in the Neter-Khert Granted"):

May be given to me my Name
In the Great House of Two;
May in the House of Fire
My Name be granted.
In the night of computing years,
And of telling the months,
May I be a Divine Being,
May I sit at the east side of Heaven.
Let the god advance me from behind;
Everlasting is his Name.

The king is within sight of the "Mountain of Light".

He has reached the STAIRWAY TO HEAVEN.

The Pyramid Texts said of the place that it was "the stairway in order to reach the heights". Its stairs were described as "the stairs to the sky, which are laid out for the king, that he may ascend thereon to the heavens". The hieroglyphic pictograph for the Stairway to Heaven was sometimes a single stairway (which was also cast in gold and worn as a charm), or more often a double stairway, as a step pyramid. This Stairway to Heaven was constructed by the gods of the city of An -- the location of the principal temple of Ra -- so that they, the gods, could be "united with the Above".

The king’s goal is the Celestial Ladder, an Ascender which would actually carry him aloft. But to reach it in the House of Fire, the Great House of Two, he must enter the Amen-Ta, the Hidden Land of Seker, God of the Wilderness.

It is a domain described as a fortified circle. It is the subterranean Land of Darkness, reachable by entering into a mountain and going down spiraling hidden paths protected by secret doors. It is the fourth division of the Duat which the king must now enter; but the mountain entrance is protected by two walls and the passage between them is swept by flames and manned by guarding gods.

When Ra himself had arrived at this entrance to the Hidden Place, "he performed the designs" -- followed the procedures -- "of the gods who are therein by means of his voice, without seeing them." But can the king’s voice alone achieve for him admission? The texts remind the challenger that only "he who knoweth the plan of the hidden shaftways which are in the Land of Seker" shall have the ability to journey through the Place of Underground Passages and eat the bread of the gods.

Once again the king offers his credentials. "I am the Bull, a son of the ancestors of Osiris," he announces. Then the gods who sponsor him, pronounce in his behalf the crucial words for admission:

Admittance is not refused thee
At the gate of the Duat;
The folding doors of the Mountain of Light
Are opened to thee;
The bolts open to thee of themselves.
Thou treadest the Hall of the Two Truths;
The god who is in it greets thee.

The right formula or password having thus been pronounced, a god named Sa uttered a command; at his word, the flames ceased, the guards withdrew, the doors opened automatically, and the Pharaoh was admitted into the subterranean world.

"The mouth of the earth opens for thee, the eastern door of heaven is open for thee," the gods of the Duat announce to the king. He is reassured that though he enters the mouth of the earth, it is indeed the Gateway to Heaven, the coveted eastern door.

[COMMENT: It was at this point that the king could enter the "underground installations" which led to the port of departure. RS]

The journey in the fourth and following Hours leads the king through caverns and tunnels where gods of diverse functions are sometimes seen, sometimes only heard. There are underground canals, on which gods move about in soundless barques. There are eerie lights, phosphorous waters, torches that light the way. Mystified and terrified, the king moves on, toward "the pillars that reach the Heaven".

[COMMENT: Nowadays our space facilities are generally above ground and totally manmade. It could be that the Nibiruans simply, culturally, liked to incorporate dramatic vistas created by Nature into their architectural designs; hence, the peculiarity of the descriptions of some of these "chambers" or "levels" in the Duat. RS]

The gods seen along the way are mostly organized in groups of twelve, and bear such epithets as "Gods of the Mountain", "Gods of the Mountain of the Hidden Land", or "The Holders of the Time of Life in the Hidden Land". The drawings that accompanied some of the ancient texts provide identification of these gods through the different scepters held by them, their particular headgear, or by depicting their animal attributes -- hawk-headed, jackal-headed, lion-headed. Serpents also make an appearance, representing subterranean guards or servants of the gods in the Hidden Land.

[COMMENT: Here Sitchin makes reference to serpents, but he certainly does not think of these Nibiruans as being "saurian" or "reptilian". I can only refer you to the original edition of Flying Serpents & Dragons by R.A. Boulay, with which I am in almost total agreement. In fact, supplementary information about various sideline topics mentioned here, such as The Pyramid Wars and Lord Hellespontiacus, can also be found. RS]

The texts and the ancient illustrations suggest that the king has entered a circular underground complex, within which a vast tunnel first spirals down and then up. The depictions, presented in a cross-section fashion, show a gradually sloping tunnel some forty feet high, with a smooth ceiling and a smooth floor, both made of some solid material two to three feet thick. The tunnel is partitioned into three levels, and the king moves within the middle level or corridor. The upper and lower levels are occupied by gods, serpents and structures of diverse functions.

The king’s sled, pulled by four gods, begins its journey by gliding silently along the middle corridor; only a beam emitted from the vehicle’s bow lights the way. But soon the passage is blocked by a sharply slanting partition, and the king must get off and continue on foot.

The partition, as the cross-section depictions show, is one wall of a shaft that cuts across the three tunnel levels (which slope at about 15°) at a sharper angle of some 40°. It apparently begins above the tunnel, perhaps at ground level or somewhere higher within the mountain; it seems to end as it reaches the floor of the lowest, third level. It is called Re-Stau, "The Path of the Hidden Doors" and at first and second levels, it is indeed provided with chambers that look like air-locks. These chambers enable Seker and other "hidden gods" to pass through, though "the door has no leaves". The king, who has left his sled, mysteriously passes through this slanting wall simply by virtue of the command of some god, whose voice had activated the air-lock. He is greeted on the other side by representatives of Horus and Thoth, and is passed along from god to god.

On his way down, the king sees "faceless gods" -- gods whose faces cannot be seen. Offended or simply curious, he pleads with them:

Uncover your faces,
Take off your head coverings,
When ye meet me;
For, behold, I [too] am a mighty god
Come to be among you.

But they do not heed his plea to show their faces; and the texts explain that even they, "these hidden beings, neither see or look upon" their own chief, the god Seker "when he is in this form himself, when he is inside his abode in the earth".

Spiraling his way down, the king passes through a door and finds himself on the third, lowest level. He enters an antechamber which bears the emblem of the Celestial Disk, and is greeted by the god who is "The Messenger of Heaven" and a goddess who wears the feathered emblem of Shu, "He who rested the sky upon the Stairway to Heaven." As called for by the formula in the Book of the Dead, the king proclaims:

Hail, two children of Shu!
Hail, children of the Place Of The Horizon ...
May I ascend?
May I journey forth like Osiris?

The answer must be positive, for the king is admitted by them, through a massive door, into the shafts which only the hidden gods use.

In the Fifth Hour, the Pharaoh reaches the deepest subterranean parts which are the secret ways of Seker. Following shafts that incline up, over and down, the Pharaoh cannot see Seker; but the cross-section drawings depict the god as a hawk-headed person, standing upon a serpent and holding two wings within a completely enclosed oval structure deep underground, guarded by two sphinxes. Though the king cannot see this chamber, he hears coming from it "a mighty noise, like that heard in the heights of the heavens when they are disturbed by a storm". From the sealed chamber there flows a subterranean pool whose "waters are like fire". Chamber and pool alike are in turn enclosed by a bunkerlike door on the right side. As further protection, a mound of soil is piled up atop the sealed chamber. The mound is topped by a goddess, whose head only is seen, protruding into the descending corridor. A beetle symbol (meaning "to roll, to come into being") connects the head of the goddess with a conical chamber or object in the uppermost corridor; two birds are perched upon it.

The text and symbols inform us that, though Seker was hidden, his presence could be made known even in the darkness, because of a glowing "through the head and eyes of the great god, whose flesh radiates forth light". The triple arrangement -- goddess, beetle (Kheper) and conical object or chamber -- apparently served to enable the hidden god to be informed of what goes on outside his hermetically sealed chamber. The hieroglyphic text adjoining the beetle symbol states: "Behold Kheper who, immediately the (boat?) is towed to the top of this circle, connects himself with the ways of the Duat. When this god standeth on the head of the goddess, he speaks words to Seker every day."

[COMMENT: Think about it. This is quite peculiar language here: "When the god standeth on the head of the goddess, he speaks words to Seker every day." Does this mean that when the "tomcat" conveyance is climbing to Planet X, over a period of 8 days, it sounds like it is "telling tales" to someone, in this case Seker? Have you got an alternative explanation? RS]

The passage by the Pharaoh over the hidden chamber of Seker and by the setup through which Seker was informed of such passage, was deemed a crucial phase in his progress. The Egyptians were not the only ones in antiquity who believed that each departed person faced a moment of judgment, a spot where their deeds or hearts would be weighed and evaluated and their soul or Double either condemned to the Fiery Waters of Hell, or blessed to enjoy the cool and lifegiving waters of paradise. By ancient accounts, here was such a Moment of Truth for the Pharaoh.

Speaking for the Lord of the Duat, the goddess whose head only was seen announced to the Pharaoh the favorable decision: "Come in peace to the Duat ...advance in thy boat on the road which is in the earth." Naming herself Ament (the female Hidden One), she added: "Ament calls to thee, so that thou mayest go forward in the sky, as the Great One who is in the Horizon."

Passing the test, not dying a second time, the king was born again. The way now led by a row of gods whose task it was to punish the condemned; but the king proceeds unharmed. He rejoins his boat or sled, it is accompanied by a procession of gods, one of them holds the emblem of the Tree of Life.

The king has been found worthy of Afterlife.

[COMMENT: In other words, the king has passed through all the necessary "utterances", these "secret passwords", these "security codes", to allow him to board the "tomcat" up the electromagnetic "Golden Pole" to the tethered Celestial Winged Disk, Planet X Nibiru, or its monstrous "mothership". RS]

Leaving the zone of Seker, the king enters the sixth division, associated with Osiris. (In versions of the Book of the Gates, it was in this Sixth Hour that Osiris judged the departed.) Jackal-headed gods "Who Open the Ways" invite the king to take a refreshing dip in the subterranean pool or Lake of Life, as the Great God himself had done when he passed here before. Other gods, "humming as bees", reside in cubicles who doors fly open by themselves as the king moves by. As he progresses, the epithets of the gods assume more technical aspects. There are twelve gods "who hold the rope in the Duat", and the twelve "who hold the measuring cord".

[COMMENT: Obviously these Saurian Nibiruans had such an advanced technology that this ancient Egyptian priest didn’t have the vocabulary necessary to describe it properly. One wonders what is meant by "the rope in the Duat" and "the measuring cord". RS]

The sixth division is occupied by a series of chambers set close together. A curving path is called "The Secret Path of the Hidden Place". The king’s boat is towed by gods clad in leopard skins, just as the Shem priests who performed the Opening of the Mouth ceremonies were clad.

Is the king nearing the Opening or Mouth of the Mountain? In the Book of the Dead, the chapters indeed now bear such titles as "The chapter of sniffing the air and of getting power". His vehicle is now "endowed with magical powers ... he journeyeth where there is no stream and where there are none to tow him; he performeth this by words of power" which proceed from the mouth of a god.

As the king passes through a guarded gate into the seventh division, the gods and the surroundings lose their "underworld" aspects and begin to assume celestial affiliations. The king encounters the falcon-headed god Heru-Her-Khent, whose hieroglyphic name included the stairway symbol and who wore on his head the Celestial Disk emblem. His task is "to send the star-gods on their way and to make the constellation-goddesses go on their way". These were a group of twelve gods and twelve goddesses who were depicted with star emblems. The incantations to them were addressed to "the starry gods" --

Who are divine in flesh, whose magical powers have come into being ...
Who are united into your stars, who rise up for Ra ...
Let your stars guide his two hands so that he may journey to the Hidden Place in peace.

[COMMENT: If these "underground surroundings" began to take on more "celestial affiliations", then this must indicate that the king had entered a more artificial or manmade environment than the one he’d just passed through. He was approaching the actual "launch site". One wonders, in passing, how an ancient Egyptian scribe would portray Cape Canaveral today, being surrounded by water, exotic vegetation and wildlife, including all sorts of reptiles, aquatic and otherwise. A difference between then and now would be that today, the people running Cape Canaveral would be "sapien humanoids" like the scribe himself, so the element of "god-like mystery" would be removed from the modern scenario. RS]

In this division, there are also present two companies of gods associated with the Ben-ben, the mysterious object of Ra that was kept at his temple in the city of An (Heliopolis). They "are those who possess the mystery", guarding it inside the Het-Benben (The Ben-ben House); and eight who guard outside but also "enter unto the Hidden Object". Here there are also nine objects, set up in a row, representing the symbol Shem which hieroglyphically meant "Follower".

The king has indeed arrived in parts of the Duat associated with An, after whom Heliopolis was named. In the Ninth Hour, he sees the resting place of the twelve "Divine Rowers of the Boat of Ra", they who operate Ra’s celestial "Boat of Millions of Years". In the Tenth Hour, passing through a gate, the king enters a place astir with activity. The task of the gods there is to provide Flame and Fire to the boat of Ra. One of the gods is called "Captain of the gods of the boat". Two others are those "Who order the course of the stars". They and other gods are depicted with one, two or three star symbols, as though showing some rank associated with the heavens.

[COMMENT: This "Boat Of Millions Of Years" may indeed be a literal rendition of words used by the ancient scribe. Perhaps this spaceship or "conveyance" is indeed millions of Earth Years old. A million Earth Years would be only about 277 "Shars"! Today we call our vehicles "space shuttles" and "space stations", but we could just as easily have called them "boats" instead of "shuttles". RS]

Passing from the tenth to the eleventh division, the affinity to the heavens rapidly increases. Gods bear the Celestial Disk and star emblems. There are eight goddesses with star emblems "who have come from the abode of Ra". The king sees the "Star Lady" and the "Star Lord", and gods whose task it is to provide "power for emerging" from the Duat, "to make the Object of Ra advance to the Hidden House in the Upper Heavens".

[COMMENT: The "Hidden House In The Upper Heavens" undoubtedly refers to the "palace" of Emperor Anu and Empress Antu on Planet X Nibiru, atop the "Golden Pole" to Mount Olympus. RS]

In this place there are also gods and goddesses whose task it is to equip the king for a celestial trip "over the sky". Together with some gods he is made to enter a "serpent" inside which he is to "shed the skin" and emerge "in the form of a rejuvenated Ra". Some of the terms here employed in the texts are still not understood, but the process is clearly explained: the king, having entered dressed as he came, emerges as a falcon, "equipped as a god"; the king "lays down on the ground the Mshdt-garment"; he puts on his back the "Mark-garment"; he "takes his divine Shuh-vestment" and he puts on "the collar of beloved Horus" which is like "a collar on the neck of Ra". Having done all that, "the king has established himself there as a god, like them". And he tells the god who is with him: "If thou goest to Heaven, so will the king go to Heaven."

[COMMENT: Obviously, as Mr. Sitchin notes below, the king had gone into a "dressing room" of some sort, took off his royal garments and donned a "spacesuit" before boarding the "tomcat" and climbing the Golden Pole. The fact that there is a reference to a serpent’s shedding the skin, rather than, say, to a sheep’s being shorn of its wool, further indicates the "saurian" or "reptilian" nature of these technologically advanced super-beings, these "custodial gods" as William Bramley refers to them in his spine-tingling book The Gods Of Eden. Reptiles can easily hibernate; it is only a matter of ambient air temperature. They would be much more efficient space travellers than Earth mammals, who would have to carry along ultra-elaborate life-support systems. RS]

The illustrations in the ancient texts depict here a group of gods dressed in unusual garb, like tightly fitting overalls adorned with circular collar bands.

[COMMENT: It sounds like a spacesuit to me! RS]

They are led or directed by a god with the emblem of the Celestial Disk upon his head who stands with outstretched arms between the wings of a serpent with four human legs. Against a starry background, the god and the serpent face another serpent which, though wingless, clearly flies as it carries aloft a seated Osiris.

Having been properly equipped, the king is led to an opening in the center of a semi-circular wall. He passes the hidden door. Now he moves within a tunnel which is "1300 cubits long" called "Dawn at the End". He reaches a vestibule; the emblems of the Winged Disk are seen everywhere. He encounters goddesses "who shed light upon the road of Ra" and a magical scepter representing "Seth, the Watcher".

The gods explain to the awed king:

This cavern is the broad hall of Osiris
Wherein the wind is brought;
The north wind, refreshing,
Will raise thee, O king, as Osiris.

[COMMENT: Here is a reference to the "North Wind". Obviously some sort of propulsion mechanism is indicated, and it reinforces the idea that "Hyperborea" (literally, from the Greek, "beyond the north") is a "land beyond the mountains where the North Wind rises"! RS]

It is now the twelfth division, the final Hour of the king’s subterranean journey. It is "the uttermost limit of the thick darkness". The point which he has reached is named "Mountain of the Ascent of Ra". The king looks up and is startled; the celestial boat of Ra looms in front of his eyes, in all its awesome majesty.

He has reached an object which is called "The Ascender to the Sky". Some texts suggest that Ra himself prepared the Ascender for the king, "that the king may ascend upon it to the heavens"; other texts say that the Ascender was made or set up by several other gods. It is "the Ascender which had carried Seth" heavenward. Osiris could not reach the Firmament of Heaven except by means of such an Ascender; thus the king too requires it in order to be translated, as Osiris, to eternal life.

The Ascender or Divine Ladder was not a common ladder. It was bound together by copper cables; "its sinews (like those) of the Bull of Heaven". The "uprights at its sides" were covered over tightly with a kind of "skin"; its rungs were "Shesha-hewn (meaning unknown); and "a great support (was) placed under it by He Who binds".

[COMMENT: This reference to the "Bull Of Heaven", as will be explained by Sitchin below, indicates the actual "conveyance" that "ferried" people from our North Polar Regions to Planet X Nibiru. This is the fourth animal metaphor for whatever climbed up and down the "Golden Pole" or "Totem Pole": tomcat, squirrel, monkey, or bull. One presumes that close-up this "Ascender" seemed large like a bull, but when viewed from afar, it seemed more like a smaller animal. It is quite interesting, and I am sure that Mr. Sitchin did not make this connection, that this "ladder" was bound together by copper cables. In the totally unrelated Finnish Creation Myth Kalevala we find the following passages for comparison:

"Now rejoiced the Crone of Podja, And conveyed the bulky Sampo, To the rocky hills of Pohja, And within the Mount of Copper, And behind nine locks secured it. There it struck its roots around it, Fathoms nine in depth that measured, One in Mother Earth deep-rooted, In the strand the next was planted, In the nearest mount the third one. ... Again commenced his songs of magic, For the last time sang them loudly, Sang himself a boat of copper, With a copper deck provided. In the stern himself he seated, Sailing o’er the sparkling billows, Still he sang as he was sailing: ’May the time pass quickly o’er us, One day passes, comes another, And again shall I be needed. Men will look for me and miss me, To construct another Sampo, And another harp to make me Make another Moon for gleaming, And another Sun for shining. When my Sun and Moon are absent, In the air no joy remaineth.’"

The Finnish "Sampo" is the same "object" as the Siberian "Golden Pole" with the "Golden Cage" on top, the Egyptian Ded or Djed Pillar(s), the Nordic Yggdrasill Tree, and the ancient Korean Crown with Cosmic Tree pictured by Illustration 32 in my book. See also Chapter 9, "Yggdrasill & Ragnarok". RS]

Illustrations to the Book of the Dead showed such a Divine Ladder -- sometimes with the Ankh ("Life") sign symbolically reaching toward the Celestial Disk in the heavens -- in the shape of a high tower with a superstructure. In stylized form, the tower by itself was written hieroglyphically ("Ded") and meant "Everlastingness". It was a symbol most closely associated with Osiris, for a pair of such pillars commemorate the two objects which stood in the Land of Seker and made possible the ascent of Osiris heavenward.

[COMMENT: The Ankh would be an excellent symbol to represent The Cosmic Tree. Compare the modernistic illustration on the cover of my book with the Ankh symbol. RS]

A long Utterance in the Pyramid Texts is both a hymn to the Ascender -- the "Divine Ladder" -- and a prayer for its granting to the king Pepi:

Greeting to thee, divine Ascender;
Greeting to thee, Ascender of Seth.
Stand thou upright, Ascender of god;
Stand upright, Ascender of Seth;
Stand upright, Ascender of Horus
Whereby Osiris came forth into Heaven ...
Lord of the Ascender ...
To whom shalt thou give the Ladder of god?
To whom shalt thou give the Ladder of Seth,
That Pepi may ascend to Heaven on it,
To do service as a courtier of Ra?
Let also the Ladder of god be given to Pepi,
Let the Ladder of Seth be given to Pepi
That Pepi may ascend to Heaven on it.

[COMMENT: The Pharaoh "Pepi I" was "Apopi I", one of the Assyrian Hyksos conquerors, or an Egyptian puppet ruler, in that Egyptian "Dark-Age Interregnum" between the end of the Middle Kingdom and the start of the New Kingdom. Dr. Immanuel Velikovsky’s synchronization of the Israelite Exodus from Egypt with the end of the Middle Kingdom is the "cornerstone" or "signature" event mathematically, chronologically. According to the Velikovskian Historical Reconstruction, Apopi I ruled Egypt from about 1482 until about 1440 BCE. This was well after the establishment of The Cosmic Tree a century earlier. Apopi I was the contemporary of Israelite Judges Ehud and Shamgar and Chaldean Queen Bilatat. See page 162 of Slow-Motion Doomsday. Let me state in passing here that Dr. Velikovsky will ultimately be more remembered for his historical reconstruction in the AGES IN CHAOS series than for his accompanying scientific writings. Without his historical reconstruction, it would have been literally impossible for me or anyone else to have determined the mathematics for this current Shar, which is set to end in 2012 CE. RS]

The Ascender was operated by four falcon-men, "Children of Horus" the Falcon-god, who were "the sailors of the boat of Ra". They were "four youths", who were "Children of the Sky". It is they "who come from the eastern side of the sky ... who prepare the two floats for the king, that the king may thereby go to the horizon, to Ra". It is they who "join together" -- assemble, prepare -- the Ascender for the king. "They bring the Ascender ... they set up the Ascender ... they raise up the Ascender for the king ... that he might ascend to Heaven on it."

The king offers a prayer:

May my "Name" to me be given
In the Great House of Two;
May my "Name" be called
In the House of Fire,
In the night of Computing Years.

Some illustrations show the king being granted a Ded -- "Everlastingness". Blessed by Isis and Nephtys, he is led by a falcon-god to a rocket-like Ded, equipped with fins.

The king’s prayer to be given Everlastingness, a "Name", a Divine Ladder, has been granted. He is about to begin his actual ascent to the Heavens.

Though he requires only one Divine Ladder for himself, not one but two Ascenders are raised together. Both the "Eye of Ra" and the "Eye of Horus" are prepared and put into position, one on the "wing of Thoth" and the other on the "wing of Seth". To the puzzled king, the gods explain that the second boat is for the "son of Aten", a god descended of the Winged Disk -- perhaps the god to whom the king had spoken in the "equipping chamber":

The Eye of Horus is mounted
Upon the wing of Seth.
The cables are tied,
The boats are assembled,
That the son of the Aten
Be not without a boat.
The king is with the son of Aten;
He is not without a boat.

"Equipped as a god", the king is assisted by two goddesses "who seize his cables" to step into the Eye of Horus. The term "Eye" (of Horus, of Ra), which has gradually replaced the term Ascender or Ladder, now is being increasingly displaced by the term "boat". The "Eye" or "boat" into which the king steps is 770 cubits (circa 1000 feet) long. A god who is in charge of the boat sits at its bow. He is instructed: "Take this king with thee in the cabin of thy boat."

As the king "steps down into the perch" -- a term denoting an elevated resting place, especially of birds -- he can see the face of the god who is in the cabin. "for the face of the god is open". The king "takes a seat in the divine boat" between two gods; the seat is called "Truth which makes alive". Two "horns" protrude from the king’s head (or helmet): "he attaches to himself that which went forth from the head of Horus." He is plugged-in for action.

The texts dealing with the Journey to the Afterlife by King Pepi I describe the moment:

"Pepi is arrayed in the apparel of Horus, and in the dress of Thoth; Isis is before him and Nephtys is behind him; Ap-uat who is Opener of the Ways hath opened a way unto him; Shu the Sky Bearer hath lifted him up; the gods of An make him ascend the Stairway and set him before the Firmament of the Heaven; Nut the sky goddess extends her hand to him."

[COMMENT: Nephtys, or Nephthys, is Princess Ninti, the Greek Libya, the wife of Prince Enki, the Greek Poseidon, the Egyptian Seth. This reference to "Ap-uat" certainly indicates Empress Antu, also known as Apas, Apsu, Apo and Ops, as was noted earlier. It is unclear to me whether "Shu" refers to Emperor Anu, consort of Antu, or to the wicked deposed Emperor Alalu, who is now in pathetic exile on Planet Earth, probably in a gilded cavern in the Grand Teton Mountains at Yellowstone National Park, Wyoming. But that is just my "opinion" for what it’s worth. Whether all these "bigwig dignitaries" were actually present at the launch site is questionable, but certainly "sponsors" or representatives from "The Council Of Twelve" were present there. RS]

The magical moment has arrived; there are only two more doors to be opened, and the king -- as Ra and Osiris had done before -- will emerge triumphantly from the Duat and his boat will float on the Celestial Waters. The king says a silent prayer: "O Lofty one ... thou Door of Heaven: the king has come to thee; cause this door to be opened for him." The "two Ded pillars are standing" upright, motionless.

And suddenly "the double doors of heaven are open!"

The texts break out in ecstatic pronouncements:

The Door to Heaven is open!
The Door of Earth is open!
The aperture of the celestial windows is open!
The Stairway to Heaven is open;
The Steps of Light are revealed ...
The double Doors to Heaven are open;
The double doors of Khebhu are open
For Horus of the east, at daybreak.

Ape-gods symbolizing the waning moon ("Daybreak") begin to pronounce magical "words of power which will cause splendor to issue from the Eye of Horus". The "radiance" -- reported earlier as the hallmark of the twin-peaked Mountain of Light -- intensifies:

The sky-god
Has strengthened the Radiance for the king
That the king may lift himself to Heaven
Like the Eye of Ra.
The king is in this Eye of Horus,
Where the command of the gods is heard.

[COMMENT: "Ape-gods"? Fascinating. RS]

The "Eye of Horus" begins to change hues: first it is blue, then it is red. There are excitement and much activity all around:

The red-Eye of Horus is furious in wrath,
Its might no one can withstand.
His messengers hurry, his runner hastens.
They announce to him who lifts up his arm
In the East: "let this one pass."
Let the god command the fathers, the gods:
"Be silent ... lay your hands upon your mouth ...
Stand at the doorway of the horizon,
Open the double doors (of heaven)."

The silence is broken; now there are sound and fury, roaring and quaking:

The Heaven speaks, the Earth quakes;
The Earth trembles;
The two districts of the gods shout;
The ground is come apart ...
When the king ascends to Heaven
When he ferries over the vault (to Heaven) ...

The Earth laughs, the Sky smiles
When the king ascends to Heaven.
Heaven shouts in joy for him;
The Earth quakes for him.
The roaring tempest drives him,
It roars like Seth.
The guardians of Heaven’s parts
Open the doors of Heaven for him.

Then "the two mountains divide", and there is a lift-off into a cloudy sky of dawn from which the stars of night are gone:

The sky is overcast,
The stars are darkened.
The bows are agitated,
The bones of Earth quake.

Amid the agitation, quaking and thundering, the "Bull of Heaven" ("whose belly is full of magic") rises from the "Isle of Flame". Then the agitation ceases; and the king is aloft -- "dawning as a falcon":

They see the king dawning as a falcon, as a god;
To live with his fathers,
To feed with his mothers ...
The king is a Bull of Heaven ...
Whose belly is full of magic
From the Isle of Flame.

Utterance 422 speaks eloquently of this moment:

O this Pepi!
Thou hast departed!
Thou art a Glorious One,
Mighty as a god, seated as Osiris!
Thy soul is within thee;
Thy Power ("Control") has thou behind thee;
The your head, the Misut-crown is at thy hand ...
Thou ascendest to thy mother, goddess of Heaven
She lays hold of thine arm,
She shows thee the way to the horizon,
To the place where Ra is.
The double doors of heaven are opened for thee,
The double doors of the sky are opened for thee ...
Thou risest, O Pepi ... equipped as a god.

(An illustration in the tomb of Ramses IX suggests that the Double Doors were opened by inclining them away from each other; this was achieved by the manipulation of wheels and pulleys, operated by six gods at each door. Through the funnel-like opening, a giant man-like falcon could then emerge.)

[COMMENT: The parentheses are Sitchin’s. According to the Velikovskian Historical Reconstruction, Ramses IX may have been the Pharaoh Inaros, who revolted in 455 BCE against the Persian conquest and occupation of Egypt from 504 BCE, which was the fifth year of Persian King Cambyses II. Inaros/Ramses IX was executed in 449 BCE at the end of the Six-Year Egyptian War. During this half-century there also occurred the epic battles between Persia and Greece at Marathon, Thermopylae, Salamis, Eurymedon and Cyprus. Persia and Greece signed the Peace of Callias in 449, simultaneously with the end of the Egyptian War. This period was 200 years after the "dissolution" and final "departure" of The Cosmic Tree in 687 BCE, so any illustration by Ramses IX would have been based solely upon historic memory, not personal observation. RS]

With great self-satisfaction at the achievement, the texts announce to the king’s subjects:

"He flies who flies; this king Pepi flies away from you, ye mortals. He is not of the Earth, he is of the Heaven ... This king Pepi flies as a cloud to the sky, like a masthead bird: this king Pepi kisses the sky like a falcon; he reaches the sky of the Horizon god."

The king, the Pyramid Texts continue, is now "on the Sky-Bearer, the upholder of the stars; from within the shadow of the Walls of God, he crosses the skies".

He encompasses the sky like Ra,
He traverses the sky like Thoth ...
He traveleth over the regions of Horus,
He traveleth over the regions of Seth ...
He has completely encircled twice the heavens,
He has revolved about the two lands ...
The king is a falcon surpassing the falcons;
He is a Great Falcon.

(A verse also states that the king "crosses the sky like Sunt, which crosses the sky nine times in one night"; but the meaning of Sunt and thus the comparison are as yet undeciphered.)

Still sitting between "these two companions who voyage over the sky", the king soars toward the eastern horizon, far far away in the heavens. His destination is the Aten, the Winged Disk, which is also called the Imperishable Star. The prayers now focus on getting the king to the Aten and his safe arrival upon it. "Aten, let him ascend to thee; enfold him in thine embrace," the texts intone in behalf of the king. There is the abode of Ra, and the prayers seek to assure a favorable welcome for the king, by presenting his arrival at the Celestial Abode as the return of a son to his father.

Ra of the Aten,
Thy son has come to thee;
Pepi comes to thee;
Let him ascend to thee;
Enfold him in thine embrace.

Now "there is clamor in Heaven: ’We see a new thing’ say the celestial gods; ’a Horus is in the rays of Ra.’" The king -- "on his way to Heaven, on the wind" -- "advances in Heaven, he cleaves its firmament", expecting a welcome at his destination.

The celestial journey is to last eight days: "When the hour of the morrow comes, the hour of the eighth day, the king will be summoned by Ra"; the gods who guard the entrance to the Aten or to Ra’s abode there will let him through, for Ra himself shall await the king on the Imperishable Star:

When the hour of the morrow comes ...
When the king shall stand there, on the star
Which is on the underside of the Heaven,
He shall be judged as a god,
Listened to like a prince.
The king shall call out to them;
They shall come to him, those four gods
Who stand on the Dam-scepters of Heaven,
That they may speak the king’s name to Ra,
Announce his name Horus of the Horizons:
"He has come to thee!
"The king has come to thee!"

Traveling in "the lake that is the heavens", the king nears "the shores of the sky". As he approaches, the gods on the Imperishable Star indeed announce as expected: "The arriver comes ... Ra has given him his arm on the Stairway to Heaven. ’He Who Knows The Place’ comes, say the gods." There, at the gates of the Double Palace, Ra is indeed awaiting the king:

Thou findest Ra standing there;
He greets thee, lays hold on thine arm;
He leads thee into the celestial Double Palace;
He places thee upon the throne of Osiris.

[COMMENT: The "shores of the sky" obviously refer to the perimeter boundaries of the Winged Celestial Disk. The "tomcat" had once again climbed up the "Golden Pole" to the "Golden Cage" on top, telling his tales as he travelled, that is to say, generating a lot of low-rumbling noises that were audible to wide-eyed ancient "tourists" on the ground in Alaska, Siberia and Scandinavia. And this reference to "the lake that is in the heavens" reminds one that The Cosmic Tree was also remembered as "Pool of the Sun", "Pool of the Moon", "Pool of Natron", "Lake of Sa" and "Lake of the Dragons". See Illustrations 6 and 7 of my book, as well as Celestial Ship Of The North by Miss E. Valentia Straiton, available in PDF HERE. RS]

And the texts announce: "Ra has taken the king to himself, to Heaven, on the eastern side of Heaven ... the king is on that star which radiates in Heaven."

Now there is one more detail left to accomplish. In the company of "Horus of the Duat", described as "the great green divine falcon", the king sets out to find the Tree of Life in the midst of the Place of Offering.

"This king Pepi goes to the Field of Life, the birthplace of Ra in the heavens. He finds Kebehet approaching him with these four jars with which she refreshes the heart of the Great God on the day when he awakes. She refreshes the heart of this king Pepi therewith to Life."

Mission achieved, the texts announce with glee:

Ho, this Pepi!
All satisfying life is given to thee;
"Eternity is thine," says Ra ...
Thou perishest not, thou passest not away
For ever and ever.

The king has ascended the Stairway to Heaven; he has reached the Imperishable Star; "his lifetime is eternity, its limit everlastingness."

CHAPTER V, THE GODS WHO CAME TO PLANET EARTH (initial excerpt only)

Nowadays, we take space flight for granted. We can read of plans for permanently orbiting space settlements without blinking an eye; the development of a reusable space shuttle is viewed not with wonderment, but with appreciation of its cost-saving potentialities. All this, of course, because we have seen with our own eyes, in print and on television astronauts fly in space and unmanned craft land on other planets. We accept space travel and interplanetary contacts because we have heard with our own ears a mortal named Neil Armstrong, commander of the Apollo 11 spacecraft, report on his radio -- for all the world to hear -- the first landing by Man on another celestial body, the Moon:

Houston!
Tranquility Base here.
The Eagle has landed!

Eagle was not only the code-name for the Lunar Module, but the epithet by which the Apollo 11 spacecraft was called, and the proud nickname by which the three astronauts identified themselves. The Falcon too has soared into space, and landed on the Moon. In the immense National Air and Space Museum of the Smithsonian Institution in Washington, one can see and touch the actual spacecraft that were flown or that were used as backup vehicles in the American space program. In a special section where the Moon landings have been simulated with the aid of the original equipment, the visitor can still hear a recorded message from the surface of the Moon:

O.K., Houston.
The Falcon is on the plain at Hadley!

Whereupon the Manned Spacecraft Center at Houston announced to the world:

"That was a jubilant Dave Scott reporting Apollo 15 on the plain at Hadley."

Up to a few decades ago, the notion that a common mortal can put on some special clothes, strap himself in the front part of a long object, then zoom off the face of Earth, seemed preposterous or worse. A century or two ago, such a notion would not have even come about, for there was nothing in human experience or knowledge to trigger such fantasies.

Yet, as we have just described, the Egyptians -- 5,000 years ago -- could readily visualize all this happening to their Pharaoh: he would journey to a launch site east of Egypt; he would enter a subterranean complex of tunnels and chambers; he would safely pass by the installation’s atomic plant and radiation chamber. He would don the suit and gear of an astronaut, enter the cabin of an Ascender, and sit strapped between two gods. And then, as the double-doors would open, and the dawn skies would be revealed, the jet engines would ignite and the Ascender would turn into the Celestial Ladder by which the Pharaoh will reach the Abode of the Gods on the "Planet of Millions of Years".

On what TV screens had the Egyptians seen such things happen, that they so firmly believed that all this was really possible?

In the absence of television in their homes, the only alternative would have been to either go to the Spaceport and watch the rocketships come and go, or visit a "Smithsonian" and see the craft on display, accompanied by a knowing guide or viewing flight simulations. The evidence suggests that the ancient Egyptians had indeed done that: they had seen the launch site, and the hardware, and the astronauts with their own eyes. But the astronauts were not Earthlings going elsewhere: they were, rather, astronauts from elsewhere who had come to Planet Earth.

Greatly enamored with art, the ancient Egyptians depicted in their tombs what they had seen and experienced in their lifetimes. The architecturally detailed drawings of the subterranean corridors and chambers of the Duat come from the tomb of Seti I. An even more startling depiction has been found in the tomb of Huy, who was viceroy in Nubia and in the Sinai peninsula during the reign of the renowned Pharaoh Tut-Ankh-Amon. Decorated with scenes of people, places and objects from the two domains of which he was viceroy, his tomb preserved to this very day a depiction in vivid colors of a rocketship: its shaft is contained in an underground silo, its upper stage with the command module is above ground (click image right to see original fresco). The shaft is subdivided, like a multi-stage rocket. Inside its lower part, two persons attend to hoses and levers; there is a row of circular dials above them. The silo cutaway shows that it is surrounded by tubular cells for heat-exchange or some other energy-related function.

[COMMENT: Tutankhamon ruled Egypt during 852-845 BCE. He was the "historical duplication" or "ghost correlation" of King Takelothis. He was a successor of the controversial King Akhetaten and Queen Nefertiti. These people would have seen The Cosmic Tree with their own eyes. Tutankhamon was the contemporary of King Jehu in Israel and King Joash in Judah. See pages 168-169 of my book. However, Seti I, The Great, did not rule Egypt until 659-605 BCE. Whether he was born before 687 BCE and actually caught some glimpse of the departing Planet X Nibiru is unknown to me. It is possible, but not probable, that Seti I ("ghost correlation" of Psammetichus I) saw remnants of The Cosmic Tree with his own eyes. RS]

Above ground, the hemispherical base of the upper stage is clearly depicted in the color painting as scorched, as though from a re-entry into the Earth’s atmosphere. The command module -- large enough to hold three to four persons -- is conical in shape, and there are vertical "peep holes" all around its bottom. The cabin is surrounded by worshippers, in a landscape of date palm trees and giraffes.

The underground chamber is decorated with leopard skins, and this provides a direct link with certain phases in the Pharaoh’s Journey to Immortality. The leopard skin was the distinctive garb symbolically worn by the Shem priest as he performed the Opening of the Mouth ceremony. It was the distinctive garb symbolically worn by the gods who towed the Pharaoh through "The Secret Path of the Hidden Place" of the Duat -- a symbolism repeated to stress the affinity between the Pharaoh’s journey and the rocketship in the underground silo.

As the Pyramid Texts make clear, the Pharaoh, in his Translation into an eternal Afterlife, embarked on a journey simulating the gods. Ra and Seth, Osiris and Horus and other gods had ascended to the heavens in this manner. But, the Egyptians also believed, it was by the same Celestial Boat that the Great Gods had come down to Earth in the first place. At the city of An (Heliopolis), Egypt’s oldest center of worship, the god Ptah built a special structure -- a "Smithsonian Institution", if you will -- wherein an actual space capsule could be viewed and revered by the people of Egypt!

[COMMENT: Ptah, the Egyptian "god of the handsome face", is the equivalent of the Nibiruan Baron Ninurta, who was active against the usurpers Baron Marduk and Baroness Sarpanit during The Pyramid Wars. He was known in Greco-Roman traditions as Haphaestus, Vulcan or Typhon, in England as Cú Chulainn and in Germany as Niflhel -- a word with linguistic similarities to both the Biblical word for giants or "Nefilim" and the name of the German Goddess "Hel", who was actually Nibiruan Duchess Ereshkigal, consort of Duke Nergal in the African Underworld of "partially lighted regions". She was known in Egypt as Serqet and in Greece as Persephone. RS]

The secret object -- the Ben-Ben -- was enshrined in the Het Benben, the "Temple of the Benben". We know from the hieroglyphic depiction of the place’s name that the structure looked like a massive launch tower from within which a pointed rocket was poised skyward.

The Ben-Ben was, according to the ancient Egyptians, a solid object that had actually come to Earth from the Celestial Disk. It was the "Celestial Chamber" in which the great god Ra himself had landed on Earth; the term Ben (literally:

"That Which Flowed Out") conveying the combined meaning of "to shine" and "to shoot up in the sky".

An inscription on the stela of the Pharaoh Pi-Ankhi (per Brugsch, Dictionnaire Géographique de l’Ancienne Egypte) said thus:

The king Pi-Ankhi mounted the stairs toward the large window, in order to view the god Ra within the Ben-Ben. The king personally standing up and being all alone, pushed apart the bolt and opened the two doorleaves. Then he saw his father Ra in the splendid sanctuary of Het-Benben. He saw the Maad, Ra’s Barge; and he saw Sektet, the Barge of the Aten. ...
 

CONCLUDING COMMENTS

Mr. Sitchin doesn’t specify whether this king was the Pharaoh Piankhi I who ruled Egypt during 776-725 BCE, or his son Piankhi II, The Great, who ruled during 725-703 BCE. Piankhi I was also known as Sheshonk "III", and it was in the 15^th year of Sheshonk III that "The Sun Devoured The Moon" on 15 June 762 BCE at the time of the Great Eclipse and Great Earthquake. This event has been clearly documented and established by traditional historians and astronomers. This year of 762 BCE also fell during the reigns of King Uzziah in Judah and King Asshurdan III in Assyria and was contemporaneous with the Trojan War, which lasted from 770 until 760 BCE. Piankhi II is the equivalent "ghost correlation" of Sheshonk "I" or So. We can only speculate as to what these two Piankhis and their contemporaries actually saw with their own eyes during this crucial 75-year period from 762-687 BCE when the detethering and departure sequence of the "Sampo" visibly played itself out in the overhead sky. See pages 171-173 of my book for additional chronological notes.

"One day passes, comes another, and again shall I be needed. Men will look for me and miss me, to construct another Sampo ... "

Rob Solàrion
Northeast Texas
21 July 2004