"Travelers are in for a uniquely
Colorado experience when they pass through Denver International
Airport. The works of art that grace the airport create a
journey through our stateís history and diversity. Like all
successful public art, the program at DIA exemplifies an
expression of ourselves and provides an opportunity to educate
- Mayor Wellington B. Webb
"What in Godís name is that all about? Man, thatís sick!
- Doug McGivens of Glen Burnie, MD. while looking at the mural
"Ah, terrific... I donít need this right now. What a horrible
thing to have up for people to have to look at!"
- Karen D. from
Broomfield, CO after her 8-year old daughter got upset at seeing
"The damn sneaks"
- Me, when I saw they painted over and changed
some of the murals
An African woman in colorful native garb; a Native American woman
whoís heritage the airportís art supposedly celebrates; a blonde
girl with cupid bow lips, a Star of David on her chest and a bible
in her hands. Each lay dead in open coffins for your viewing
pleasure. A burning city, children sleeping on piles of bricks, a
line of mourning women in rags with dead babies, limp in their arms.
A huge, looming military figure in a gas mask brandishes a sword and
machine gun. Part of an actual note written by a child interred in a
Nazi death camp. Strange words embedded in the floor with no
explanation about what they mean. Welcome to Denver International
Thatís just the part you see up close, though. What you donít see
are 8 sub-basements, low- and high- frequency sounds that make
people sick, air vents jutting out of the surrounding barren acres
of fenced lots that have barbed wire along their tops - pointing in.
Whole buildings that were constructed below ground level and then
buried as is, the excuse being they were "built wrong". An entire
runway constructed, then buried under a layer of dirt and
"forgotten". The layers of workers and companies who were fired so
no one would have a Big Picture. And workers even reported seeing
Aliens working there. Are you rolling your eyes and going, "Oh
sure.. Nazis? Aliens, too huh? CRIPES".
Well, I have to admit when I got to that
part I did, too. But thereís a lot of credible stories about a lot
of documented things, so we can start there. With the dead babies
and buried buildings. As far as
NWO and Nazis... Iíll
mention it... ok? As far as the place being something Not Right Under
There, Iím convinced. Except youíll have to take my word for some of
it because when I re-researched things to update this section... well!
It seems they painted over two of the four walls that make up this
sick mural and altered part of one thatís still there.
Part One -
The airport was built in 1995 on 34,000 acres (53 square miles;
137.593 Sq. km) in spite of the fact that Denver already had what
everyone said was a perfectly fine airport - Stapleton - which was
ordered closed when DIA was built so there "wouldnít be any
competition". In fact the new airport has less gates and less
runways than Stapleton did (I hope youíre saying, "That makes no
sense"...). All it does have is a lot more acreage. More acreage
than an airport that size could possibly need. Most which sits
unused. They say itís in case they need to do any future expansion.
DIA is the 7th busiest airport in the US according to a 2002 Crainís
Chicago Business report.
The initial cost of this New Beast was to be 1.7 billion dollars
(with a "B") but by the time they were done playing games, having
problems, getting bailed out and got extra government money (and
money from private corporations on top of that), it cost about $4.8
billion - obscenely over budget. I have yet to meet a local who
wanted the thing built, or didnít have a frothing, rabid story about
the whole mess. Words used to describe the DIA were "buried in
technical problems", "poor project management", "overwhelming
complexity" and "Americaís
most inconvenient airport". It was built in a high wind
area (Stapleton hadnít been) that causes it to be shut down or
flights delayed often. The extensive automated baggage system so was
messed up, such a circus of errors that it was worse than unusable -
it was an industry joke. But it had to be built, and built there.
Some say the reason that this was built and there was no stopping
it, no cost spared to do so and why it was so SO over budget and took
so many years is because itís really an underground military base
and a civilian detainment camp.
Some interesting facts:
Even though the area is basically
flat (with a stunning view of mountains all around, since itís
in a valley), the expense and time was taken to extensively
lower some areas and raise others. They moved 110 million cubic
yards of earth around. This is about 1/3rd of the amount of
earth they moved when they dug out the Panama Canal.
The airport has a fiber optic
communications core made of 5,300 miles of cable. Thatís longer
than the Nile River. Thatís from New York City to Buenos Aires,
Argentina. The airport also has 11,365 miles of copper cable
The fueling system can pump 1,000
gallons of jet fuel per minute through a 28-mile network of
pipes. There are six fuel hold tanks that each hold 2.73 million
gallons of jet fuel. This is somewhere in the "no one will ever
ever need this much" range.
Granite was imported from all over
the world - Asia, Africa, Europe, North and South America - and
used in making the main terminal floor. This is a ridiculous
expense, especially when youíre already over budget. They say,
"The floor pattern echoes the roof design and subtly reinforces
passenger flows". Ah... subliminal messages to move your ass. It
might look pretty but would any of us know Chilean granite from
Chinese granite? Or care? You can dye rock if itís colors youíre
after. Cheaper rocks. (I wonder what the "stones have power"
people say about this...)
The huge, main terminal is Jeppesen
Terminal, named after
Elfrey Jeppesen, who was the first person
to create maps specifically for aviation (the company is still
in business today). This area is known as the "Great Hall"; itís
said this is what the Masons name their meeting place.
It is 900 feet by 210 feet big. This
is over 1.5 million square feet of space. All told, there is
over 6 million square feet of public space at DIA. The airport
brags that they have room to build another terminal and two more
concourses and could serve 100 million passengers a year. The
airport flew 36 million in 2001.
The only way to get to the other two
concourses/terminals from the Great Hall, or vice versa, is via
the airportís train system.
There are more than 19 miles (30 km)
of conveyor belt track, luggage transport cars and road in their
own underground tunnels that move baggage and goods. Theyíre so
huge you can drive trucks through them, and some remain unused.
The entire roof of DIA is made of 15
acres of Teflon-coated, woven fiber glass. The same material is
on the inside as a layer, also. The place looks like a bizarre
(but kind of cool) scene out of "Dune", comprised of huge,
spiked tent-like structures. The material reflects 90% of the
sunlight and doesnít conduct heat. So you canít see into the
place with radar or see heat signatures. I added helpfully.
And as I poked around I found some
lovely, light reading entitled:
for the United States Navy and Marine Corps, 2000-2035 Becoming
a 21st-Century Force",
- Volume 9: Modeling and Simulation
- 3 Potential Failures and Disasters
for DODís M&S
- Broad Observations: Intellectual and Technological
- Complex Systems and the Need for Humility
Hey, I like reading this stuff... donít
make faces. DOD stands for Department of Defense, of
what do I see but:
..."The studyís terms of reference
(Appendix A) asked for an identification of "present and
emerging technologies that relate to the full breadth of Navy
and Marine Corps mission capabilities," with specific attention
to "(1) information warfare, electronic warfare, and the use of
surveillance assets;.........The study should review the overall
architecture of models and simulation in the DoD (DoN, JCS, and
OSD), the ability of the models to represent real world
situations, and their merits as tools upon which to make
technical and force composition decisions.... This increased
complexity means that it will be harder to design systems and to
predict their behavior.
Some might argue that in the
engineering domain, modern design tools should overcome these
difficulties. While there certainly have been impressive
advances (e.g., in computer-aided design), there is a feeling
with at least some members of the engineering community
interviewed in the course of the study that they have nearly
reached the limits of complexity that can be addressed with
current tools and methods.
Challenging examples that could lie
beyond current approaches include future generation networks and
very large scale integrated circuits. Indications of the
difficulty of building complex engineering systems are given by
some of the well-known "disasters"-explosion of the Ariane
missile, inability to build a next-generation air-traffic
control system, outages in telephone and power systems, and even
the problems with the baggage handling system at the Denver
Perhaps the DIA does push the "limit of
complexity" but thatís only because the politicians and government
designed it to be such a complex monster. Itís not as if some
engineering problem was posed and met like the Chunnel, the Petrova
Towers in Malaysia, the Burj Al Arab hotel in Dubai or a
hydroelectric dam. Why would the military give a hoot about the
baggage problems the airport had? If you believe what you are told
in the papers, most of the problem was because the people who built
the system werenít the ones that were awarded the contract to run
the thing. Hardly any "engineering" snafu. Or did their billion
dollar underground base not work out as good as they had hoped?
This interview below is kind of old; itís with a man named Alex
Christopher (AC) and was done by Leading Edge International Research
Journal # 92, 4/26/96 - I edited it a bit for Blithering and chopped
it up for better flow with the pages. Itís got interesting
information. This interview can be found in itís entirety
HERE. I am going to jump around a lot here, taking parts of
DA: Do you know of John Coleman?
The Committee of 300?
DA: Yes. Whatís your take on that?
AC: I think his information is fantastic. If he had had the
information that I put in Pandoraís Box when I put that
together, it would have have blown his mind. But, as far as I
know from my standpoint, both sets of material go hand in hand,
right down the line.
DA: You bet.
AC: All of them are doing the bidding, and it goes back
to their secret societies and the establishment of the
Order, which all leads back to the house of Windsor. There has
been in this country for a long time a grooming process whereby
people carry on the bidding of the Crown of England. That is
one of the things the system involving the Rhodes Scholars was
set up to achieve.
Cecil Rhodes set it up to groom people for
this task, to carry the United States into the New World Order.
It appears, from what I have been
able to find out, that the Crown of England has had this very
skillfully planned for hundreds of years, and it could be
possible that they have been privy to information that not many
of us have been for a long long time about the chaos involving
Earth changes that is coming. It is my understanding that
England is not going to make it through the changes, so they set
up a whole new Empire over here. That goes back to some of the
things we discussed before, about lands being bought up in
(In fact itís said the Queen is buying up an incredible amount
of land here, and America has been bankrupted in a plot
article is endless, if you want to read it - by the
British Crown. Which is why in the last
few years, rich, influential American citizens have been
Knighted; Ex-President George Bush, General Colin Powell,
General Norman Schwarzkopf, ex-President Ronald Reagan,
James Wolfensohn (President of the World Bank) and Alan Greenspan in
September, 2002 (Chairman of the U.S. Federal Reserve Board).
Some think they were knighted for being good little soldiers
with their services to the British Crown and the agendas for a
One World Government by the elite. But I digress...)
DA: We talked about the Denver airport last night and what is
really going on down there. The area is of a pretty high
altitude, where it will be safe. (Denver is known as the Mile
High City and is strategically protected by the Rocky
Mountains/Continental Divide. The view there is breathtaking.)
AC: Yes. Plus, all the symbolism that is apparent in the layout
of the new Denver airport says that it is a control center for
world control. There is a lot of "secret society" symbology at
the airport. We started researching all of this to find out what
it all means. Itís all very scary. A gentleman by the name of
Al Bielek, who has been involved in some very unusual government
projects in the past, told me that the Denver area is where the
establishment of the Western sector of the New World Order will
be in the United States. Little bits and pieces keep coming to
me, confirming things I have not had confirmed before.
DA: About some of these things on
the airport in Denver. Would you mind discussing some of those
AC: Well, the first thing that got my attention at the airport
was the capstone that I saw in a photograph, that had a Masonic
symbol on it.
DA: The capstone?
AC: The capstone, or the dedication stone for the Denver airport
has a Masonic symbol on it. A whole group of us went out to the
airport to see some friends off and see this capstone which also
has a time capsule imbedded inside it. It sits at the south
eastern side of the terminal which, by the way, is called The
Great Hall, which is what Masons refer to as their meeting hall.
And on this thing it mentions the New World Airport Commission.
I have never heard of that, have you?
AC: It has a Masonic symbol on it, and it also has very unusual
geometric designs. An arm rises up out of it that curves at a 45
degree angle. It also has a thing that looks like a keypad on
it. This capstone structure is made of carved granite and
stainless steel, and it is very fancy. This little keypad area
at the end of the arm has an out-of-place unfinished wooden
block sitting on it. The gentleman that was with me on the first
trip out to the airport has since died. They say he committed
suicide, but everything else tells me that this is not possible.
No one can double-tie a catheter behind his own neck and
His name was
Phil Schneider, and he
started blowing the whistle on all this stuff going on in the
underground bases that he had helped build for years and years.
He worked on the underground bases at
Area 51 and Dulce, New
Mexico, as well as several other places. Schneider told me that
this keypad-looking area looked like a form of techno-geometry
that is alien-oriented, and that it had something to do with a
"directional system", whatever that meant, that functioned as a
homing beacon to bring ships right into the Great Hall. In the
same general area on this capstone, there are some most unusual
designs on the floor that are all Masonic in nature, which lead
right back to the Black Sun.
stone over time
Keypad that does
who knows what
I wrote to the DIA people and asked what
was in the time capsule.
"The time capsule contains, among
Photos of Coors Field and an
autographed opening-day game ball
Indian prayer baskets
representing Native American culture and indigenous peoples
Black Hawk casino tokens
A piece of the DIA roof
A Stapleton International
Airport history book
Newspaper articles about DIAís
Coins from the Denver Mint
Jeppesen flight charts
Mayor Wellington Webbís sneakers
Photos of Mayor Webb and the
Pope during World Youth Day in Denver"
Important shit, not, 100 years from now.
"Among other things"...:
Landig was an Austrian SS veteran and postwar Nazi activist
who coined the idea of the ďBlack Sun,Ē a mystical energy source
that would be capable of regenerating the Aryan race.
Supposedly, in 1945 some Nazi pilots painted the black sun
symbol on their aircraft.
It is now a symbol of a belief in
Polar UFO bases, secret organized world Aryan cults and Nazis
who have been living and organizing all these decades and who
will spring ready to take the world back from the existing
inferior Judeo-Christian masters and ...you get the idea.
Interestingly, the runways of Denver International
are laid out in the shape of a Swastika
(image left). Most aeronautical
documents I was able to read said that parallel runways are the
most efficient and busy airports like Hartsfield and OíHare use
DA: Now, you mentioned that
underneath this airport it goes down many levels. Does the fact
that all these underground levels are there have something to do
with why it took so long for this airport to open?
AC: Well, the gentleman that I was dealing with, Phil Schneider,
said that during the last year of construction they were
connecting the underground airport system to the deep
underground base. He told me that there was at least an eight-level deep underground base there, and that there was a 4.5
square mile underground city and an 88.5 square-mile base
underneath the airport. It is very unusual that they would allot
a 50 square-mile area on the surface at which to locate an
airport in the middle of nowhere unless they really planned to
use it for something very unusual later.
There is a 10-mile, 4-line highway
out to this airport, and there is nothing out there in between
the airport and Denver. Not even a service station, at least in
September 1995. The people in Denver are really upset with the
fact that this airport went in the way it did. There was this
fellow who wrote a book in which he made the statement that they
had a copy of an audio tape on which a Denver city official was
talking with people from the CIA, and that he was paid 1.5
million dollars to allow the "airport" to be built, no matter
what it took. It appears that there was a lot more interest in
getting the airport built from just officials in the Denver
area. They plan on using this facility for something else other
than just landing planes.
DA: So, this guy got you down there to take a look at the
AC: Well, he was invited to go along on the trip. I had a friend
that actually got us down into the active area in the
underground. Itís very interesting down there. The baggage
equipment area is very unusual. All the old luggage equipment
that wouldnít work right doesnít look much different than the
stuff that is working today.
(There was a big controversy when the airport was built about
this. The story was that a lot of the budget over runs and
mistakes were caused by the policy that Affirmative Action
minority owned companies had to be hired to do the work.
Sometimes these couldnít be found or did "inferior" work and had
no idea what they were doing and so it had to be redone. And
redone. The Baggage area was the worst of it all as the contract
for running the thing wasnít awarded to the people who designed
and built the baggage system. It was so bad it became an
"DA: You were telling me that there are huge concrete corridors
with sprinklers all along the ceiling. What are these sprinkler
heads doing in a concrete bunker, pray tell?
AC: Well, this is the same question we asked. These shafts are
huge and run along adjacent to the tramline on both sides. So,
there are two of these huge shafts large enough to fit a
two-lane highway in there. There are every few openings into and
out of the tram shaft, but at the end of them, going out into
this 50 square miles of acreage is a huge steel door that would
facilitate the entrance of a great big truck. It could be used
for almost anything, but what is so unusual about it is that
about every five or six feet on the ceiling, across almost the
full width of the area, there is a pipe with three or four
sprinkler heads. This goes on for the full length of the thing,
which must be close to a mile.
There are two of these shafts, and I
got picture in the mail the other day which was very unusual
that was taken by someone on board the tram in the shaft. The
picture appeared to actually show ghost-like figures on it. It
was a mother and a baby wrapped in a blanket. When you are down
in that concrete shaft, both times I got nauseated. There are
some very unusual vibrations down there. Now, the tunnel shaft
that the tram comes in on could connect up with an underground
tunnel coming in from five buildings that were built and buried.
There was already a 40 foot diameter tunnel there when
Those five buildings were built 3
1/2 years ago (early on in the airport construction), and
suddenly they said, "oops, these are in the wrong place" and
buried them, along with a very high-tech runway that is buried
under about four inches of dirt. It seems insane that they would
build a very technical building complex with interlocking
tunnels and a tunnel going back to the tram tunnel at the
concourse, and then state that they built it in the "wrong
place" and cover it up with dirt. I donít believe that people
are that stupid.
DA: No. Projects like that are
strategically planned, and they just donít go and do that.
AC: Some of these five buildings are 150 feet tall. There is one
78 feet tall, and one that is 126 feet tall. They are all in
that range. From this complex there is a shaft that runs to
concourse "C". When they started this project, as I said, there
was also a huge 40 foot diameter shaft brought in there from
somewhere that was off-limits to the work crews. It was there
when the project was started. And, everybody that worked on
these projects.... there were five different contractors, and the
people on each contracted crew did not interact with the other
ones. When the project was done, everyone was fired and sent
DA: You would think that during this massive construction they
would not be able to keep this stuff secret.
AC: I think a lot of the people saw things that disturbed them
so much that they would not talk about it. I know several people
who worked on the project that managed to find their way down
into the depths, probably close to the deep underground base,
and saw things that scared them so badly they wonít talk about
it. I interviewed a few of the former employees on these
construction crews that worked out there on these buildings that
ended up buried, and they are afraid to talk. They say that
everybody is real nervous about it, and they decided to tell
some of the secrets that they knew, but they donít want anybody
to know who they are. So, I can tell you that it is a very
unusual and spooky type of place, and if you are a sensitive
person you get nauseated as soon as you enter the perimeter of
the airport. Especially when you go down underground. You become
very nauseated a nervous. There is also so much electromagnetic
flux in the area that if you get out on the open ground around
the airport, you will "buzz".
DA: Where is this flux field coming from? What do you think the
purpose of this is?
AC: I think that its coming from some kind of underground
electrical system, because where we were there were no power
lines, and the whole place was just buzzing with this free
energy floating around. Very unusual. In addition, there are
areas in the underground that have chain-link fences with the
barbed wire tops pointed inward, like they were there to keep
people in, not keep people out. All these areas are there, acres
of it, and none of it is in active use. There are many terraced
areas that go down. One area in particular is forbidden to go
into unless you are wearing a biological protective suit. They
say there is some kind of "unidentified biological fungus" in
that area that attacks peopleís lungs.
DA: Hmmm. Some kind of way to hide something that is in this
AC: Well, we think that area is one that leads to deeper levels
underground at the airport. But, it is surrounded by a
chain-link fence and you canít get in there. We think this is
the area that one of the electricians kind of stumbled into that
went down about six levels below the fourth level, and ran into
some really weird stuff. He wonít talk about any of it now.
DA: Real weird stuff.
AC: Also, at the airport there are what look like miniature
nuclear reactor cooling towers, and I donít understand why they
are there. When people asked, the reply is that they are part of
the ventilation and exhaust system. Ventilation and exhaust
DA: What do you think its for?
AC: I think it is all hooked up to the deep underground.
DA: They say that this place looks like some underground
"holding area"... somewhat like a cattle lot.... a place that
could hold thousands of people. The gates, fences....
AC: The luggage transport vehicles move on a full-sized
double-lane highway, and along this highway are chain-linked
areas that could be used for holding areas. I donít understand
why they built this the way they did, unless they planned to use
it for something like that in the future. Things are escalating at an
incredible rate. I think a lot of these movies in the media are
trying to get us softened up for what they plan to unleash on
DA: So, in just a matter of years,
they plan to bring it out and bring people to that airport?
AC: You know, Reagan said more than once that the only thing
that would bring people together would be some kind of "outside
DA: Exactly, I remember that. He said that several times.
the Iron Mountain Report. The guy that claims to be the
author of it now claims that it was nothing more than a joke,
but for a joke, it seems to be following the time line to the
hilt, so I think it was something that made its way out and they
are trying to cover that up. Everything that was in that report
is happening in great detail right now. It is interesting that
high officials in the Clinton administration, like Cisneros,
were deeply involved with the construction of this airport.
Also, there is a fellow by the name of Rodney Stitch, who
writes about the total corruption in the Denver area. He is the
one that wrote the book
Defrauding America. He said that they
had a tape of a CIA agent paying off the mayor of Denver to get
the airport built. There is just so much corruption. They are
selling the good American people out. We have some of our own
people selling the rest of population out for a few pieces of
Then, we have this system of murals at
the airport that are the most grotesque things youíve ever seen.
Iíve told people I know who are going to DIA to be sure to check
this artwork out. They come back and say, "That mural was bizarre as
hell. So was the airport. It gave me the creeps". Itís a beautiful
airport, which is the shame of it (for $5 billion it better be...).
Itís full of Native American art and cultural symbology, and is
bright and sunny. This mural Iím speaking of stretched over four
huge walls, each wall being a different part of the same story. No
matter what country you came from or what your age, the visions and
messages in the mural (or most art) can be conveyed and understood.
Iíve named the four walls, in the order in which they appeared:
1) The Dead Women in Coffins Mural
2) The Dead Babies and General Skeletor Mural
3) Happy Happy Joy Joy
4) Jesus and the Holy
What?! youíre saying? Why, thatís horrible! Yes, but itís accurate.
But weíll start out doing it your way. Except I have to add here
that since this bunch oí DIA pages were put online here, it seems
all but two of the walls have been painted over by nicer artwork.
Not that Iím saying I had a thing to do with it; maybe there were
enough comments to Whomever that it got to be a bit embarrassing,
seeing how people reacted. The reasoning was that the artwork in the
airport is simply rotated or refreshed from time to time so new
artists can be shown.
Yuh-huh. This is what the DIA web site says about the first wall of
the mural, titled:
"Children of the world dream of peace in Peace and Harmony with
Artist: Leo Tanguma
PROJECT DESCRIPTION: "The Children of the World Dream of Peace" is a
powerful mural expressing the artistís desire to abolish violence in
society. One part of the diptych exhibits the tragedy and
devastation of war and its impact on humanity. The mural then moves
to images of smiling children dressed in folk costumes from around
the world celebrating peace prevailing over war. "In Peace and
Harmony with Nature" addresses environmental issues of the world.
One side of the mural shows children pouring out great sadness over
the destruction and extinction of life - human, flora and fauna.
Images within the mural include several local area children who were
victims of violence. The other part depicts humanity coming together
to rehabilitate and celebrate nature and its diversity.
Leo Tanguma is a Chicano artist-activist who has created
murals throughout the country, generally with the help of local
students and volunteers. His innate social consciousness
characterizes his vision as a human being and guides him as an
ARTIST QUOTE: "My mission is to emphasize human dignity in all
people, preserve the heritage of Chicanos, and most importantly, to
stress the ideals of love, respect and justice".
Sounds warm and fuzzy, and somewhat huh? Until you take a good look
at this thing, itís quite horrifying. What hit me was that the
Denver site now features two parts/walls to this mural when in fact,
as I mentioned above, there were four. It seems that two have been
painted over ::poof!::: and part of oneís been removed yet the
message or the mural doesnít seem to suffer at all having half itís
body missing. You also have to wonder how someone would get such a
violent, politically motivated piece of artwork into the DIA when
there had to be thousands of artists applying to to get their work
featured here. And if you go by what Leo the Artist says, he didnít
have anything to do with it; he was just hired to paint what was
given to him. Which would then make sense because I canít think of
too many artists that would spend the time and creativity on a
massive work and let half of it be destroyed.
Alex Christopher (remember the guy from the previous part?)
DA: Thatís part of the ritual connected with the Skull & Bones Club.
AC: I say that that they (the murals) are about what they plan to do
to us, and the world as a whole, not what has happened or some
fantasy. One of them that is very unusual has three caskets with
dead people in them...
Skull and Bones Club was formed at
Yale University in 1856 and
is very, very exclusive. Only 15 people are hand picked each year to
join and go through the initiation rites. President Bush I and
President Bush II are members. Up until 1990 only influential, rich
males were invited to join and oh... itís pretty much that way in
spite of the "changes". They have an air tight network among
themselves. The Club exists only to promote the agenda of those in
it and to help place the each other into positions to do so.)
AC: There are evidently three groups of people that they would
like to see dead. The first casket has what the artist told me was a
Jewish-American child, a little girl, and she has the "star" on her
clothes and a little Bible and a locket...
DA: Jewish lineage is passed through the female...
AC: Yes. Well, all these caskets depict women who are dead. Then, in
the center casket there is depicted a Native American woman, and the
last casket has a black woman in it. Now, normally I would not have
thought too much about these murals if I had not done a lot of
Even in the government documents I have run across
gene-splicing discussions on how they would like to splice out
specific races, and also whoever these people are do not like the
Jewish people. This is just one of the murals, and these murals are
huge. This same mural depicts the destruction of a city and the
forest...... and there is a little girl holding a Mayan tablet that
speaks of the destruction of civilization.
Was there any truth in the statement that the murals show what they
are going to do to us? If so, is the fact the burning city is gone
signal that itís been Mission Accomplished?
I hope itís just my
imagination seeing two towers in that city. Sure, maybe theyíre
being Sensitive and thought that particular scene would upset people
but this mural has been upsetting people since it went up and that
didnít make them remove anything. (I doubt many people like seeing a
dead kid in a coffin or the racist and anti-religious tone of this
thing. Oh I forgot, itís "Peace and Harmony". My bad.)
AC: When I first tried to contact the artist and talk to him about
these murals, he told me that he was given guidelines on what to
paint and put in the murals. When I showed up in his studio, I asked
to see the guidelines for the last two murals he was working on, he
suddenly went "brain dead" and said "of course, there are no
It took myself and two other people over eight months
to figure out all the symbology that is embodied in these murals. It
turned out that some of these are "trigger" pictures, containing
symbology designed to trigger altered personalities of people that
have been groomed in
MKULTRA type programs for specific tasks that
they have been trained to do in terms of something connected with
Satanic rituals and mind control. I had one woman that called me out
of the blue one night, and she was really disturbed about some
information. She told me many different things that later turned out
to be known MKULTRA triggers.
Also, almost every aspect of these
murals contains symbols relating back to secret societies. When you
get the overall view of what they are talking about in these things,
it is very very scary. It goes back to the Biodiversity Treaty,
getting rid of specific races of people, taking over the world and
Part Three -
wall / Happy Happy Joy Joy
Iíll save you having to go look - hereís the photo showing this work
(and the exact size they show, too)
that is up on the DIA site and the text:
"The Children of the World Dream of Peace"
ďThe Children of the World Dream of PeaceĒ is a powerful mural
expressing the artistís desire to abolish violence in society. One
part of the diptych exhibits the tragedy and devastation of war and
its impact on humanity. The mural then moves to images of smiling
children dressed in folk costumes from around the world celebrating
peace prevailing over war."
Sweet, huh? Iím sure we all came away with this exact intellectual
critique about what we saw, too. ::rolling eyes::
Take a look at how big this thing actually is. (The Dead
Women/Burning City wall is this same size, too).
The funny part is
the word "diptych" is used; a diptych is a 2-part painting which
opens like a hinged book. As I mentioned, there were originally four
walls to this mural, so two entire walls, or half the mural, is are
now gone. Yet they donít miss a beat explaining the message of these
two as a joined work, even though this picture was # 3 of the 4 - so
the middle and end are missing. As I also mentioned, I canít think
of any artist who would let or like half his work wiped out like it
didnít matter and never existed.
"AC: This same mural extends over to another mural which depicts all
of the children of the world taking the weapons from each country on
earth and giving them to a central figure which is a German boy who
has this iron fist and anvil in his hand that is totally out of
proportion to the childís body, beating the swords into plowshares.
I thought, well, this is very odd depicting a German child doing
this. What all this symbology on the airport murals seems to convey
is that not only do we have a secret society behind this, but that
it is a German secret society behind this, working in the vicinity
of this New World Control Center.
DA: It is interesting when you consider
Operation Paperclip wherein
all these Nazis were brought to the United States to be groomed,
financed, and basically brought back into power.
AC: Well, I know theyíre here, because I have seen them along side
the Americans in the more sensitive areas of the airport. But, these
paintings are most disturbing and very unusual."
I wonder why the Asian man thatís directly right of hammer head is
the only one facing the wrong way to the rest of the crowd. This is
repeated a few times in the mural, as is the fact he has a normal
sized head and a small, strangely tiny body. And why the back of the
kidís jacket burnt?
Notice the military hat, gas mask and trench coat laying at the foot
of the anvil appears to be a broken statue. This leads us to the
first of two walls/sections of this mural that seem to have been
recently painted over. The Dead Babies and There Must Have Been a
Sale On Blue Paint Mural....
(also please note
the dove has a girlfriend/boyfriend/significant
other.... this is important!)
Babies and Commander Skeletor
Was this wall was recently painted over... for implying the Military
were Evil People? (This was originally the 2nd wall of the four,
right after the women in the Caskets). Or for being ugly and using
too much blue? Or are we all hearing enough about how evil foreign
military powers are these days so we donít have to be reminded of
the íthreatí? I donít care how much the DIA people want to spin and
BS about what a touching story of world peace this whole thing
is/was... this part of the mural had no redeeming message. Imagine
walking through the airport and in your hurry to catch a flight,
this is the only artwork you really saw? Welcome to Frickiní Denver!
We have a huge military figure with a sword in one hand and a huge
machine gun in the other (you know what they saw about guys who need
big guns...). The tip of his huge sword rams the butt of a dove.
Subtle imagery Fellini would love.
(Remember from the previous page - I said to notice
the Dove has a
partner? Itís important? Well look here - Darth is poking the dove
up the privates with his sword and the other dove is nowhere to be
seen. I find this quite uncalled for).
He also wears a mask that has
scowling Alien eyes and wrinkles on it
like actual skin, making the face look more like some Sci-fi
Bio-construct than a typical gas mask This is obviously the guy who
is the toppled statue is on the previous page. Which makes sense
then, since this wall came before that one and so seeing this, youíd
then understand who/what the toppled statue was in that mural, had
it been next. As it is now you donít know what the heck it is or
The emblem on his hat appears to be an eagle with spread wings
standing on a (half) globe; pretty reminiscent of the metal emblems
that were on Nazi uniforms.
On the right side you have what looks like the shell of a destroyed
church. On the left you have a line of weeping women holding limp,
dead babies that stretches off into the horizon. Next to that are
children sleeping on a pile of bricks. One holds a teddy bear as if
to drive the "innocent young child" image home to us. (more about
this scene later...)
In the right lower corner (you can just barely see it in the photo)
is a piece of paper - click below right image
- on which is part of an actual poem written by a
child who was interned and died in a Nazi concentration camp (move
along... donít dwell too long on the fact this thingís chock full of
Nazi/German/White Guy Supremacy stuff. Or these rumors that the
Nazis never really left power and how we brought all the Nazi rocket
scientists to the US after the war to work here).
The letter reads
(click image right):
"I once was a little child who longed for other worlds
but I am no more a child for I have known fear
I have learned to hate how tragic, then, is youth
which lives with enemies, with gallows ropes.
Yet, I still believe I only sleep today. that Iíll wake up,
a child again, and start to laugh and play.
Hama Herchenberg, 14 years old.. died December 18, 1943
Auschwitz Concentration camp".
Is this saying weíre headed for camps all over again if we donít
behave? One second weíre in Future Nuclear Extinction Hell and then
weíre back in Hitlerís hell. No mention of the current Childrenís
Hells found today - nah - weíre going for blatant common-denominator
shock images here.
One more wall to go, because they didnít get into drugs yet. You
have to have drugs when you have mayhem, slaughter, death,
infanticide, genocide, extinction, famine and walls of flames - sure
ya do! Or maybe itís genetically altered plants that save the day?
All that is missing are some naked women, but I guess thatíd be
offensive in a public area.
Part Five -
the Holy Thingamabob
AC says: "There is one picture in which every plant turns out to be
mind-altering or poisonous, and all the animals are Masonic symbols
used in literature in every country in the world. It took a very
long time to track all this stuff down and figure out what theyíre
trying to say."
This is one of the walls that was painted over recently. It was
extremely detailed and must have taken ages to create.
We have a guy who looks like Jesus (Iíll be damned! He did come
back...!!), complete with glowing halo, presenting a bizarre looking
plant which isnít like anything we have on Earth. How
Christopher came up with the conclusion that "all the plants" in
this painting are mind-altering or poisonous, he doesnít explain (he
doesnít explain a lot of "facts" he says took him so much time and
research to find here) . The plant is glowing like a neon sign.
People run to it from all sides with hysterically ecstatic
expressions on their faces, almost as happy as a cola commercial on
The feet of some people donít touch the ground, so they float in
the air; some have gone off the edge of the ground and hover in
empty space. The "Earth" is divided into Above and Below and is
propped up by metal poles in front, like a carpet to show a dark,
evil underworld and menacing faces glaring out. In the right corner
are a few white, horn shaped flowers I was too lazy to go research
to find the possible type of. The background above shows dry,
scorched desert with a huge fissure through it, then lush green
tropics. The Quetzalcotl bird that was stuffed and in a glass case
in the mural with the dead women is now alive and flies overhead.
This one is full of weird images. The more I looked the more I
found. I wish I had a poster of this mural...
itís so bizarre itís incredible.
strange little kid at the front just to the left of the
plant at the edge of Earth. His face is an actual photo of a human
kidís face - thereís a few of those in here. His eyes closed and
arms out straight in front of him - heís floating through the air as
if in a trance or sleepwalking. He also seems to have only one leg.
An Indian woman has her arm around his shoulder as if sheís pulling
him along. She has no lower body. Thereís few people in these murals
with strange, out of proportion deformed bodies; usually their head
and shoulders are normal sized and their waists and legs are tiny or
shriveled. (The Asian man facing the wrong way in the "Kid With The
Hammer mural is another one)
Speaking if The Kid With The Hammer, he shows up again, still
severely polished, crisp and blond. He looks like heís wearing a
uniform. If you look at the lapels closely youíll see each one has a
different symbol on it though at first glance it just looks like
some matching design. I thought the one on the left was a biohazard
symbol but it seems to more closely match the
Civil Defenseís symbol
for Radiation. The right one could be a Maltese Cross.
There are "eyes" hidden all over the place. Thereís some
on the shawl of the lady in the left front....
This face is on the skirt of
woman next to her
and some in the darkness of the upper left corner
This shadow thing
with eyes and deadlock tentacles is in the fissure in the desert in
the upper right ...
Under the "drape" of the ground lurks an angry black ape-like face.
Does this mean that when the New World is born, the evil will remain
underground? There was one more under there that didnít show up on
Itís too hard to see online but this was another one of those dark
Ape-monsters turning sideways (the eye on the left), whispering into
the ear of a second. Theyíre to the right of the other one.
A double red face in the upper left at the top
This is a blob by the
leopards. Itís not part of any of them and is out of proportion to
the rest of their design.
The leopard parent has a regular, perfect cat face while the two
cubs have painted on photographs of real children for faces. The one
on the left looks like a clown and nothing like a leopard; the one
on the right looks like a kid wearing a costume hood. Both have
white bibs that follow the costume theme. Why werenít the cubs
painted like regular animal cubs? Why human? There are some white
streaks around their heads which youíd think are clouds, but theyíre
jagged and straight - not cloud-like at all. One might be the side
of a hill, but theyíre awkwardly blatant and there isnít any hill on
some. Hmm... chemtrails?
This person is dressed in the prison uniform some wore in the German
concentration camps. It sticks out like a thumb among the colorful
ínativeí clothing of the other people. For a third time in these
murals, an Asian person facing the wrong way from everyone else in
the crowd facing the person in uniform..
In the upper right corner by the parched, cracked desert, we have
yet another Asian person facing the wrong way from everyone else,
looking to their left, facing a man in (Greek?) a vest and red hat.
The colors red and orange are so overbearing and prevalent in these
murals, that if I made the larger photos a negative, the colors that
werenít in the red family stuck out like sore thumbs.
And so ends the tour of the murals.
However, weíre not quite done ....
Part Six -
and other Tidbits
One of the interesting things I ran across looking at all this stuff
before I updated it was that it seemed the murals, even the ones
that were just painted over, had at some point been at first
retouched and made more vibrant, clear and detailed. They havenít
been up that long to fade or get so filthy they had to be restored.
I first saw this "Updating" on The Burning City but thought maybe it
was just the various resolutions and contrasts; I have a few actual
hard copies of photos that were different coloring than those I
found online, and online stuff is copied so many times it loses
things. But I found another example in another scene of the colors
being totally different and renewed so figured I probably wasnít
wrong after all. Itís strange that someone would put all the time,
work and energy into only touching up the more disturbing images,
making them clearer and bolder - then erase it all in the end.
The burning city was made clearer and more intense in color
from itís original grey, pink and yellow suggestion of city.
original . . . . ... . . .updated
Now itís totally painted over and the
rowed field is just plain green. Is this
because of the 9-11 attack?
Why change the field? If theyíre
worrying about the image upsetting
people, the whole damn thing upsets people.
The children sleeping (or dead) on a pile of bricks was made more
colorful and the child in the background made a "minority". This
mural is now covered up and gone.
original . . . . . . . . . . updated
The kid with the hammer was changed, too. Barely. He was made
lighter and more colorful from his drab grey. A green shirt in the
background was changed to blue (you can see a sliver of green in
there along the collar)
The woman next to him who holds the sword
and had a nice Pepsodent smile but is now solemn.
original. . . . . .. . . . updated
The floor is interesting, too. Thereís brass inlays of the extinct
animals that have left fossils in the area (some of which were found
digging up the area for the airport) and also Native American words
which have spiritual references. Which is quite a rare chance for
the rest of us to learn about Native American culture, wouldnít you
think? Not even a plaque explaining all this symbolism can be found,
so we pretty much just see strange words embedded in the floors that
make us go, "Huh?" as we gingerly step over them. Isnít that what
this was all for? So whatís with all inside secrets?
Mt. Blanca is one of the four
sacred mountains to the Navajo Nation.
The name the Navajoís call by it Sisnaajini - actually it means
"Dawn" or "White Shell" Mountain, the sacred mountain of the East.
Tsoodzil (Mt. Taylor near Albuquerque) is the West. Dookíoíoosliid
is in the San Francisco Peaks just outside Flagstaff and makes the
North of the four scared pillars. Dibe Ntsaa (Hesperus Mountain) is
in South west Colorado. Why they mention this twice is anyoneís
guess. And why they donít mention these other three that complete
the story of the Four scared pillars is anyoneís guess, too.
Navahos didnít really live in this area in the past but lived in the
Four Corner Area until Kit Carson pretty much killed them all off by
rounding them up like cattle and marching most to their deaths. (But
I wonít go off ranting here about todayís Native American "rights"
or I wonít shut up for 4 hours.) The interesting thing, though, is
Navajo legend explains that the people were brought to the surface
of Earth to live through a series of twelve underworlds, which were
grouped by fours into three layers.
Oh, make that three times. This exactly means
White (Dzit) mountain
(gaii) in the Navajo language. No clue what "dit" is. The only
know of is Morse code - dots are called íditsí. I doubt thatís got a
thing to do with it. Sounded good though, huh?
The White Mountain Research Center in California is the highest
research station in North America and theyíre planning to create an
energy system that produces and runs on hydrogen. The drawings of
this place are Sci-Fi in itself; they also have a radio telescope.
If they manage to do this, itíll be the first massive stand-alone
installation of its kind in the world. This probably hasnít got a
thing to do with a thing either but itís incredibly interesting.
Cochetopa means "Pass of the Buffalo" in Ute. Iím assuming, perhaps,
that Utes lived in this area and called it Cochetopa. But you knew
that, right? Itís a shame, since theyíre honoring native names for
the area that "Shit Waste Of Taxpayer Money" isnít embedded in the
floor, too. Perhaps in that lovely imported cocoa-red granite from
Near the top of where the time capsule arm with the keypad on it
ends, you can see a face in the floor. Itís of an American Indian.
Why heís decapitated and on a railing is anyoneís guess.
And we have this charming guy keeping watch over the baggage area.
Itís a gargoyle with the beak of an eagle and a strip of something
hanging out of itís mouth; perhaps a tie from one of the bags of
Heís way up on a shelf that comes out of the wall and heís pretty
Symbolically gargoyles can mean all kinds of things but being
this big and costing a few thousand $ to make and then perched up
high like this where no one really notices them I add quickly, they
can be "protectors" or "guardians".
The Church used to use gargoyles
in a cartoon-like situations to teach the Godless Stupid Uneducated
Pagans about the merits and salvation of Christianity... but hey,
thatís not us.
The rest of the Alex Christopher interview can be found