by Tracy R. Twyman
from
DragonKeyPress Website
The Magic
and Mystery of America’s Money
It is commonly known now,
more so than ever before, that the United States of America was
founded largely by men with a philosophy grounded in the occult:
namely the members of Freemasonry, and other secret
societies, who saw in the US a potential “New Atlantis” or “New
Jerusalem.” They foresaw the future of the United States as a
beacon to the rest of the world, guiding the nations towards the
formation of a
New World Order of peace,
democracy, and enlightenment. Many people today would agree that the
US is indeed, in several ways, fulfilling this role already. If
nothing else, most people would certainly agree that the America has
come to dominate the world financially, and that among world
currencies, the American dollar is king.
But what few people understand is the correlation between the
esoteric doctrines of Masonry upon which the United States
was founded, and the economic principles that underpin the American
economy. Few understand that the dollar is a unit of magical energy,
and the dollar bill itself a magical talisman. Although many words
have been written by conspiracy theorists analyzing the Masonic
symbols on the one dollar bill, no one has yet been able to
sufficiently explain why these symbols are there, or what they
really mean. Certainly no researcher yet has successfully connected
the markings on American money to the hidden secrets of the
American monetary system.
The symbolism of the American dollar bill has been the
subject of Masonic conspiracy theories since the modern version was
first rolled our during the Roosevelt administration in 1935.
Masonic and mystical symbolism has been used on American currency
since the very beginning, and was employed as a means of
distinguishing our money from that of Old World Europe, which
invariably featured the bust of the reigning monarch. In contrast,
our founding fathers agreed that our money should be decorated with
the symbols of the anti-monarchist, pro-democratic Enlightenment
philosophy upon which the Republic was founded, and many of these
ideals were Masonic in origin.
The Great Pyramid, the
All-Seeing Eye, and quirky phrases like “Deo Favente Perennis”
(God’s Favor Through the Years”), or “Mind Your Business” appeared
on early American currency. Indeed, the heads of “dead Presidents”
and other state figures were not shown on US money until the
twentieth century, when it was seen as less taboo. But all
researchers of the subject agree that nothing tops the modern
American one dollar bill for the sheer exactness and complexity
of its mystical symbolism. The meaning of the symbolism is so deep,
the metaphors so multi-layered, and each element so precisely
placed, that although all of the other American bills have changed
their appearance to prevent counterfeiting (with the heads moved
off-center, and the addition of funky rainbow colors) the perfection
of the one dollar bill has remained intact.
When analyzing the symbolism of the one
dollar bill, most researchers tend to focus on the repeated use of
the number 13, which they always insist is “an important number
sacred to Freemasons”, without demonstrating any proof of the
supposed Masonic affinity for this particular number. This is, of
course, the number of colonies that originally constituted the
United States of America, and thus thirteen stars have been used in
American heraldry since the start of the union, appearing not only
on our first national flag, but upon many of our early coins as
well. Since Freemasons were responsible for both the
foundation of many of America’s institutions and the design of our
national symbols, it is tempting to ascribe a Masonic significance
to the use of this number, and indeed there may be one.
But there is no special mention of
the number 13 in any known Masonic ritual, except perhaps in the
rites of the Noble Order of the Shrine, where this number
seems to be mentioned often, but with no particular meaning given to
it. In any case, the Shriners did not exist at the time of
the founding of the American Republic. None of the quintessential
Masonic tomes, such as Albert Pike’s
Morals and Dogma, make any special
note of the number. Although Pike examines the meaning of
many numbers in terms of cabalism and sacred geometry, mention of 13
is conspicuously absent, almost like an office building from the
early twentieth century in which the thirteenth floor has been
superstitiously omitted. Even Freemason Manly P. Hall, in his
1944 book The Secret Destiny of America (where he interprets
the history of the United States as the unfolding of an ancient
Masonic plan) can only offer lamely that 13 symbolizes Jesus
and the twelve apostles, or the Sun and the twelve zodiac signs.
One would expect him to offer something
more interesting, but perhaps he was just being coy. Indeed, if
there are any Masonic teachings regarding this number, then they are
among the few Masonic teachings that have actually remained secret
throughout the centuries. My research tends to indicate that there
is in fact a proto-Masonic significance to this number, and
one which would have been of special importance to the founders of
the United States, had they known about it.
At any rate, Masonic or not, the
number 13 is undeniably the most omnipresent, most repeated symbol
on the one dollar bill, although its use isn’t always explicit. Most
of them are featured on the back of the bill. The pyramid on
the left has thirteen layers, not including the eye at the
top. Above the head of the eagle on the right, there is a
constellation of thirteen pentagonal stars, arranged in the
shape of a Seal of Solomon. There are thirteen leaves on the
olive branch in his right talon, and thirteen “Jonathan arrows”,
as they’re called, in his right. There are thirteen horizontal
divisions on the eagle’s shield, and thirteen vertical ones.
The motto “E Pluribus Unum”,
written on the banner in his beak, contains thirteen letters. So too
does the motto “Annuit Coeptis”, written above the pyramid on
the left. Furthermore, if you add the number of letters in “Novus
Ordo Seclorum” and “MDCCLXXVI” (“1776” in Roman numerals)
written below the pyramid, you get 26, or two sets of thirteen. On
the front of the bill, at the base of the portrait of George
Washington, on each side there are eight leaves and five
berries, indicating another two sets of thirteen. There are also
thirteen stars on the chevron on the seal of the Treasury Department
that is featured to the right of Washington, overlaying the word “ONE.”
Clearly these allusions to the number
thirteen are no accident. This truth is compounded by the
letters in permanently featured words on the front of the dollar
bill (that is, words not contingent upon any changing circumstance,
such as the name of the US Treasurer).
These words include:
-
“FEDERAL RESERVE NOTE”
-
“THE UNITED STATES OF
AMERICA”
-
"THIS NOTE IS LEGAL TENDER
FOR ALL DEBTS PUBLIC AND PRIVATE”
-
“WASHINGTON, D.C.”
-
“ONE”
-
“TREASURER OF THE UNITED
STATES”
-
“SECRETARY OF THE TREASURY”
-
“ONE DOLLAR"
-
“WASHINGTON”
The total number of letters in these
words is 169, or 13 squared.
Returning to the back of the bill, there would appear to be exactly
thirteen examples of the use of the number 13 there. But in order
for this to be correct, you have to count “IN GOD WE TRUST.”
Of course, there are only twelve letters in this phrase, but
occupying the same space in the center on the back of the bill is
the word “ONE”, implying that we should add 1 to this sum and make
13. This leads us to the thirteenth example of the use of 13 on the
back of the bill. There are twelve occurrences of the number “1”
or the written word “one”, unless you count the Latin word “unum”,
meaning “one”, used once, which makes 13 in all.
In fact, this emphasis on “one” on the one dollar bill is yet
another mysterious motif. The concept of “unity” could in fact be
said to be the real underlying theme of the one dollar bill. And
rightly so: it represents, after all, the original unit of currency
upon which the American economic system is founded. It is the
blueprint upon which all other dollar bills are based, and when we
think of the American dollar, the first image that pops into our
minds is the one dollar bill. As the official representation of the
original unit underpinning the economy, its unity is expressed with
the plenteous use of “1”, the central placement of “ONE”
on the back of the bill, and the use of the motto “E
Pluribus, Unum” (“Out of Many, One”) underneath a constellation
of thirteen stars, representing the original colonies that were
“unified” at the creation of the United States.
The theme of “one” is continued with the
use of the first American President, George Washington, on
the front of the bill, and with the word “ONE” written next to him.
As well, I would include the symbol of the pyramid on the back,
which according to the designers of this emblem, was meant to
represent the ideal state, made up of individuals (the stones)
unified into one structure (the pyramid), under the divine unifying
principle (the All-Seeing Eye of Providence).
Other strange features include the words “Annuit Coeptis”
(“He [meaning God] favors our undertaking”) and “Novus
Ordo Seclorum” (“The New Order of the Ages”). These are
both based on quotes from the Roman poet Virgil, although
they have been slightly altered, and both quotes referred in their
original context to “Juppiter Omnipites” (“Omnipotent
Jupiter”), essentially the Roman equivalent of the Judeo-Christian
Almighty God. (Interestingly, “E Pluribus Unum” is
also a quote from Virgil slightly altered, and some see in
these alterations a numerological significance.)
In the original Virgil poem, the
words “Juppiter Omnipotes, Audacibus Annue Coeptis” were a
plea for the deity to “favor my daring undertakings.” The words on
the back of the dollar bill not only plea for, but confidently
declare, God’s favor upon the “daring undertaking” there
represented: creation of a “New Order of the Ages”, or
new global power structure, headed
by the newly-created republic of the United States. For these
symbols and words belong not just to the dollar bill. They are part
of the Great Seal of the United States
(click below images), created in 1776, at
the same time the nation was founded. It is the front and back side
of the Great Seal which is represented on the back of the dollar
bill.
|
|
|
The three
stars around the Masonic eye represent the trinity
(Lucifer,
Antichrist, False Prophet)
. |
the eagle's
shield is positioned in the corner of the pyramid the
tip of his wing ends precisely at the end of the
illumined light.
This shows a
very careful design.
. |
The eye has
come down on the pyramid (New World Order domination).
The pyramid becomes a winged symbol. The Masonic eye is
coming out of the eagle's eye. The New World Order will
be a revived Roman Empire. Symbol of The Roman empire
was the eagle. The New World Order coming out of the Old
Roman Order. |
The design of the Great Seal has never been ascribed to any
one individual, and it has evolved a bit over the years. But the
essentials of the design were sketched out right at the beginning,
in 1776, the year of the Revolution, emblazoned in Roman numerals
beneath the pyramid on the back of the seal. That’s right: the
roundel featuring the eye above the pyramid is actually the
reverse side of the great seal, and the roundel featuring the
eagle is really the front. It is the front of the Seal which is used
to seal official US documents, not the back. Several people are
known to have contributed to the design of both sides of the Seal,
including Benjamin Franklin, Thomas Jefferson,
William Barton, Charles Thomson, and Pierre Eugene du
Simitiere, and all but one were Freemasons.
The first metal die for the Seal was cut
by Robert Scot, a Freemason, in 1782. However,
although dies were commissioned for both the front and the back of
the seal, only the front was actually cut. No die was made for the
back of the seal until much later, and most people were not aware
that their national seal had a back to it at all until it appeared
on the dollar bill in 1935. Thirty-third degree Freemason and
historian Manly P. Hall wrote that the reverse of the seal
was not originally used,
“because it was regarded as a
symbol of a secret society and not the proper device for a
sovereign state.”
Just like the Great Seal, the one
dollar bill was also designed by a group of Freemasons
working for the government; in this case, President Franklin
Roosevelt, Secretary of Agriculture Henry A. Wallace, and
Secretary of the Treasury Henry Morgenthau, although the
design was executed at the Bureau of Engraving and Printing
(which employed exactly thirteen engravers). It was Wallace’s
suggestion that the front and back of the Great Seal be used
on the reverse of the dollar, although he originally wanted the
front of the seal to be on the left, and the back of the seal to be
on the right, which makes sense logically. But it was President
Roosevelt who suggested switching that order, and putting the
more interesting reverse of the seal on the left, which made more
sense intuitively, since the Western eye naturally reads words and
images from left to right.
“In God We Trust” was not placed on the bill until 1957.
However, it was originally made the national motto of the United
States in 1863 at the suggestion of Treasury Secretary Salmon P.
Chase, who himself had supposedly been prompted to do so by a
protestant minister concerned with the waning of religious fervor in
the American public. This man purportedly wanted to ensure that the
US would always be officially grounded in faith in divine
Providence, and thus this motto was put on all American coins
ever since, although it did not appear on paper currency until much
later. But “In God We Trust” is indeed a Masonic motto
– one used in almost all Masonic rituals, in which the participants
must pledge to always put their “trust in God” during the
ceremonies – and this specific phrase can be found in Masonic
dictionaries. Its appearance on the dollar bill in the 1950s may
have been meant to bolster a currency increasingly dependant on
faith due to changes in American monetary policy.
This process began in earnest in the 1930s, right around the time
that the new one dollar bill was being designed. In an effort to
help America climb out of the Great Depression, Roosevelt
began employing the economic policies of advisor John Meynard
Keynes, who suggested that, during times in which the private
sector wasn’t producing enough investment to stimulate the economy,
the government should become the investor, financing public works,
and dumping money into the system in whatever way possible to grow
the economy. Thus he instituted the “New Deal”, creating an
“alphabet soup” of bureaucracies, many of which have now become
mainstays of federal government.
Among these was the FDIC, or
Federal Deposit Insurance Corporation, which insured bank
accounts to a limited amount in the event of a bank’s failure –
something that was necessary after a number of bank failures had
occurred in the previous years. And it may not be an accident that
“FDIC” implies the word “fiducial”, a financial term with its roots
in the Latin word “fides”, which means “trust,
confidence, reliance, credence, belief, faith…. credit.” (Fides
was symbolized in the Mithraic mysteries by two hands clasped
together, now a common Masonic motif, and the logo of
Allstate insurance.)
It was this “faith” in the
American dollar that Roosevelt and his friends may have been
attempting to create with the new design of the dollar bill. And
that faith was sorely needed, for in order to free up the money
needed to finance the New Deal, Roosevelt instituted
sweeping changes to the country’s monetary policy. He removed the
dollar from the “gold standard” to which it had been implicitly
set, so that he could have the money supply greatly expanded with no
predetermined limit. It worked to stabilize the economy just in time
for the United States to enter WWII, which turned out to be another
great economic stimulator.
As part of removing the gold standard, Roosevelt had
laws passed forcing US citizens to give all of the gold and silver
that they owned to the government, in exchange for an equivalent
amount of paper dollars. Americans’ faith in the new system was
severely tested the following year when the government devalued the
dollar relative to gold, thus causing all who had made the exchange
to lose 41% of the value of their money.
On July 22, 1946, at the end of WWII, an agreement was signed at a
conference between 44 nations in which the other countries agreed to
value their currencies in relation to the dollar, rather than gold,
silver, or anything else. The US then set the value of the dollar at
$35 per ounce of gold, and agreed to redeem dollars held by the
central banks of other nations in gold upon demand. However, this
led to a steady loss of US gold reserves, until finally, in
1971, President Richard Nixon closed the “gold window”,
announcing that the holdings of foreign central banks would no
longer be redeemed for gold by the US government.
This was the final step in abandoning the gold standard. Now the
value of the dollar floats freely in relation to foreign currencies,
with no fixed standard of value. The value can only be manipulated
by the market forces of the economy, and by the actions of the
Federal Reserve. The result has been rapidly expanding
inflation, which began during the Nixon years, and which has
been felt by all the foreign currencies that were pegged to the
dollar. Many of these currencies have repeatedly failed, and the
governments of their countries remained continually insolvent, ever
since.
So the dollar that we now use is one
backed entirely by faith alone – the public’s faith in America’s
economy, and America itself. The economies of other nations are
dependant upon this faith as well. For if no one believed in the
power of the dollar – if it was not universally accepted as a form
of payment – then it would have no value. As Jack Weatherford
writes in The History of Money:
“The government will not redeem a
dollar bill for anything other than another dollar bill. The
dollar is simply fiat currency. The dollar rests on the
power of the government and the faith of the people who use it –
faith that it will be able to buy something tomorrow, faith that
the US government will continue to exist and to accept dollars
in payment of taxes and pay them out in expenses, and faith that
other people will continue to believe in it. Aside from that
faith, nothing backs up the dollar.”
Likewise, William Greider wrote
in Secrets of the Temple: How the Federal Reserve Runs the
Country that:
“Above all, money [is] a function of
faith. It [requires] an implicit and universal social consent
that [is] indeed mysterious. To create money and use it, each
one must believe, and everyone must believe. Only then [do] the
worthless pieces of paper take on value. When a society [loses]
faith in money, it [is] implicitly losing faith in itself… The
money process… [requires] a deep, unacknowledged act of faith,
so mysterious that it could easily be confused with divine
powers.”
Of course, even before paper money
became widely used, the worth of gold and silver coins rested on a
similar social contract – a common, agreed-upon value. But the
difference is that gold and silver have intrinsic value, and when
these coins were used in the past, their value was roughly equal
(when made properly) to the value of the metal of which they
consisted. But our current paper dollars are “fiat currency” –
representations of wealth that have no physical existence until they
are used to purchase something that does – in which case, they cease
to be dollars.
The use of paper money was not new to America in 1935. They have
been used throughout our history, beginning with the “continentals”
which financed the Revolutionary War, and which were backed with
nothing more than the promise that America would win the war, and
begin collecting taxes from its citizens. A similar gamble was taken
during the Civil War, which was financed by “Greenbacks”, forebears
of the modern paper dollar. In addition to these two currencies,
each of which were issued by the federal government, there were,
throughout the United States’ early history, many paper dollars in
circulation that were issued by privately-owned banks throughout the
various states.
These dollars differed widely in
appearance from one another, which led to massive counterfeiting,
and when the banks failed, which they often did, the dollars became
worthless. Numerous measures were taken by the federal government in
attempts to control this problem. Finally, in 1913, a series of
banking collapses inspired the creation of the nation’s new central
bank,
the Federal Reserve, and a new
banking and monetary system, the Federal Reserve System.
The Federal Reserve is now the United States’ national bank,
and it is both quasi-governmental and privately-owned.
It sets the basic operating policies for all of its member banks
(which is most of the banks in the U.S.), and provides them with
their money supply. The process they use to supply this money,
“fractional reserve lending”, is not new. It’s almost as old as
banking itself. But when backed by a powerful dynamo like the Fed,
which created tremendous faith in the integrity of the money supply,
the new money system became an unstoppable force. In fractional
reserve lending, a bank can take the money from its depositors’
accounts, and lend it out to various persons or institutions on
interest. It can loan out the vast majority of the money deposited
(say, 87%), leaving only a fraction (13%) in the bank’s vaults. This
fraction is called the “reserve”, and it is the only
“actual” money sitting in the bank, backing all of the various loans
- the only money that is really ready to be withdrawn, should the
depositors choose to withdraw from their accounts.
When the loans are paid back, the bank earns a profit from the
interest. Thus, the bank has caused its depositors money to
multiply, and has kept the difference for itself, essentially
creating money out of nothing. If the bank has loaned money to
another bank or financial institution, that institution can then
loan it out and create even more money out of nothing. Or they can
loan it to a person or business who can use it earn more money by
producing goods and services that are sold. This money is then spent
into the economy again. Thus the money supply multiplies
exponentially, and the economy itself acts as a money multiplier – a
manna machine, in a way. Money can always be used to make
more money.
Now since the Federal Reserve is the point of origin for this
money, its initial injection into the system is sometimes called
“high-powered money”, because it effects the whole economy. It is
the tiny mustard seed which causes the rest of the money supply to
grow. The interest rate which the Fed chooses to set for the money
it lends determines how much money will be borrowed by other banks
at that time, and also determines the rate that those banks will
charge for loaning money.
This is the primary way in which the
Federal Reserve controls the money supply, and thus, as much as
possible, the American economy: too much money being loaned out (and
thus created) leads to inflation, and too little leads to recession.
When the Fed first loans it out to the member banks, the
money is “created”, and each time those banks lend it out,
they are breeding more. As Martin Mayer writes in The Fed:
The Inside Story of How the World’s Most Powerful Financial
Institution Drives the Markets:
“… The Fed’s actions were always and
necessarily pretty small by comparison with the effects desired,
and their effectiveness was explained by the operation of a
‘multiplier’ inherent in a system where banks had to keep
‘reserves’ against some fraction of their liabilities. The bank
that received the Fed’s ‘high-powered money’ might lend
90 percent of it, and the bank that received the proceeds of
that loan would lend 90 percent of that, producing deposits in
another bank that would lend 90 percent of that, etc…”
Some see the way in which fiat
currency, especially paper and electronic money, can be
simply “created, as nothing short of magic." Scottish philosopher
John Law wrote in his 1705 book, Money and Trade Considered
with a Proposal for Supplying the Nation with Money, that he had
discovered the “Philosopher’s Stone” of the alchemists, which could
purportedly turn lead into gold, or dross into something valuable.
The key to alchemy, he said, was the printing of paper money, and in
1715 he was hired by the French government to put his theories into
action. Law was put in charge of France’s national Banque
Royale, as well as the Mississippi Company, which
gathered investments from French citizens to finance operations in
French Louisiana, promising the investors profit payments.
He set up a paper-passing scheme between
the bank and the Company, in which investors could borrow paper
money printed by the bank to invest in the Company. They were
expected to pay back the bank in gold, while the Company paid their
profits in the bank’s paper money, which was supposedly redeemable
in gold. The whole scheme collapsed dramatically in what became
known as “the Great Mississippi Bubble”, and Law fled
in disgrace, dying shortly thereafter. But his ideas went on to
influence German writer Wolfgang von Goethe.
In Goethe’s classic play, Faust, the title character
and his teacher, Mephistopheles (the Devil), gain the favor
of the emperor by offering him the secret of alchemy: how to create
wealth by printing paper money. Soon the emperor presides over a
robust economy and a licentious, materialistic people. But the
currency eventually collapses, just as all the Devil’s creations
turn out, in this play, to be illusions.
It is my belief that the Freemasons and other occultists who
have been responsible for creating the United States, designing the
dollar bill, and engineering our economy have understood the
principles of alchemy, and have purposely chosen to construct our
economy upon these principles: the principles of creating worth from
worthlessness, and for creating a large volume from a small one,
using the power of faith. I explain my theory in much greater detail
in my book Solomon’s Treasure: The Magic and Mystery of America’s
Money.
In this book, I demonstrate that the
creation of money by the Federal Reserve, and its exponential
multiplication by the procedures of the banking system, is analogous
to the creation and multiplication of gold in alchemy. The
power of money to transform almost any thing or situation into
another is similar to the alchemical power of the so-called “Universal
Agent” or “Philosopher’s Stone”, and the act of turning
paper into dollars is like turning lead into gold. The members of
the Federal Reserve Board are in many ways like sorcerers,
conjuring wealth seemingly out of thin air and distributing it at
will to transform the American economy according to their desires.
The dollar is “fiat currency”,
declared into existence by the central bank in a manner similar to
the creation of the universe by the divine words “Fiat Lux!”
- “Let there be light!” Fiat money (best exemplified by the
American dollar) is perhaps the only thing that truly means
nothing, and has no independent existence, except in relation to
something else (i.e., what it can buy, or be converted into), and
yet it is the most powerful force within the human sphere of life –
like the “Azoth”, or secret essence of life spoken of in alchemical
texts. In Solomon’s Treasure, I explore the history of the
dollar prior to the formation of the Federal Reserve in
1913, and conclude that most of these magical principles
were at work in the American economy from the very beginning.
As stated, this system depends entirely on a religious faith
by the American people in the supernatural power of the dollar. The
ability of the United States President and other elected officials
to uphold and improve the economy depends largely upon their ability
to manipulate the spiritual will of the people, in much the same way
that a priest or a magician would, inspiring them to have faith in
the value of the dollar. This faith is reinforced by the financial
terminology currently in use (“trust”, “fiducial”, “credit”, etc.),
as well as by watchwords and symbols found on American money – not
only on the bills and coins we currently use, but on those dating
back from before the formation of the Republic.
These objects thus act as magical
charms, containing a unit of magical charge that is passed on from
one person to the next, and multiplied, as the money changes hands.
They also act as tokens of communal trust in, and fidelity to, the
dollar as an institution. The symbols and key phrases associated
with it thus work to enchant the public into a mass hypnotic spell,
in which the mind of each individual confirms the consensus belief
in the power of a dollar, and its ability to multiply itself as it
moves through the system. Every time a person spends a dollar, or
accepts a dollar as payment, they are confirming their belief in the
dollar, and using it to exercise their spiritual will.
Now the mysterious markings on the dollar bill can be understood.
The words “In God We Trust” are meant to inspire faith in the
dollar as a currency, and faith in the American republic. One should
trust the dollar the way one trusts in God, for it is implied
that God himself has chosen to favor the U.S. and, by
extension, the dollar. This is communicated by the message on the
reverse of the Great Seal, “Annuit Coeptis” – “He [God]
favors our undertaking.” The words “E Pluribus Unum” and the
other twelve examples of “one” on the bill, along with the pyramid,
remind us that our society is made up of various parts that are
essentially united, and money is the great uniter, since it is the
one thing that everyone in the country uses.
The spider web motif in the
background of the bill’s design shows that we are all connected
through the web of commerce. The bald eagle on the front of the
Great Seal looks a bit peculiar, and Masonic expert Manly P.
Hall claims that it is meant to secretly represent the
phoenix, the mythical bird who eternally dies and is reborn, and
which is a symbol of transformation in alchemy. (Indeed, the
original proposals for the design of the Seal did call for a
phoenix instead.) Even the green color of U.S. dollars is
symbolic, representing fecundity, plenteousness, and growth. Former
U.S. Treasurer Mary Ellen Withrow explicitly stated in a
interview with New Yorker Magazine that this is why the color
green is used.
The meaning of the number thirteen
is related to alchemy as well. As I explain in my book, the number
13 symbolized, for one proto-Masonic society, a concept which was
itself equivalent to the idea of the Philosopher’s Stone. I am
speaking of the Knights Templar, progenitors of modern
Freemasons, and inventors of modern banking. Their concept of
God, which they called “Baphomet”, was symbolized by the
number thirteen, and as I will explain in Part Two,
Baphomet was, to them, the key to applied alchemy – both
economically and otherwise.
I believe that the Templars
passed on the secrets of alchemy to the Freemasons,
who utilized them in the creation of the U.S. dollar. Incidentally,
the use of the number 13 can be found not just on the one-dollar
bill, but throughout the structure of the U.S. monetary system – in
the way the Federal Reserve operates, for instance. One of the most
striking examples, however, is the fact that there are exactly six
types of coins, and seven denominations of paper money, currently in
circulation in the U.S.
Indeed,
since the beginning, the dollar itself, independent of its
manifestation as paper money, bore the markers of alchemy.
The dollar did not begin with the U.S.A. The first “dollars” ever
minted (called “thalers” in German) were silver dollars
coined in Joachimsthaler, Bohemia, by a man named Georgius
Agricola (right), who had up until that point been a practicing
alchemist seeking the Philosopher’s Stone. He found
coining dollars to be the answer to what he was seeking, and
later became known as the “Father of Mineralogy” because of
the science he developed while mining and minting.
In addition to this, the dollar sign ($) seems to have an
alchemical connotation as well. It is thought to have been
chosen by Thomas Jefferson, who was responsible for the U.S.
adopting the dollar as its national currency. But the sign’s origin
remains a mystery. I have always thought it to be reminiscent of
the Caduceus, the magical wand of Hermes, a staff with a serpent
entwined upon it, which has long been a symbol of alchemical
transformation and healing (thus its use by the medical profession).
Author David Ovason, in The Secret Symbols of the Dollar
Bill, concurs, and adds that a symbol almost identical to the
dollar sign is used in astrology to denote Mercury, the
Roman version of Hermes, the god of alchemy.
There are other theories on the origin of the dollar sign, all with
the same ultimate meaning. Early Spanish dollars featured the
Pillars of Hercules, and the words “Plus Ultra” (meaning
“More Beyond”) written on banners that were wrapped around the
pillars. To the Europeans, the New World of America was the
long-fabled land beyond the Pillars of Hercules, and these “pillar
dollars” were widely circulated throughout colonial America. The
dollar sign thus supposedly evolved, according to this theory, to
represent two pillars wrapped in a banner (recalling that the
earliest versions of the $ sign included two vertical
lines, not one). But Masonic author Albert Pike has
pointed out that the coins of ancient Tyre featured serpents
coiled around trees, representing the Garden of Eden and the
Tree of Knowledge – an equivalent symbol to the Caduceus.
And author Ignatius Donnelly (Atlantis: The Antediluvian
World) stated his belief that the dollar sign represented
the Pillars of Hercules entwined with the serpent of Genesis.
In the forthcoming Part Two of this article, I will reveal,
as I do in Solomon’s Treasure, the origins of the magic of
the dollar with the Knights Templar. The discovery by the
Templars of the secrets of alchemy, its connection to the number
13, and the Templars’ creation, using this secret, of the modern
banking system, will be explored. It will then be explained how this
alchemical secret relates to the fabled treasure of King Solomon.
These facts should cause all to examine more carefully, and learn to
appreciate, the complex mystical qualities of the money that so many
of us take for granted.
Solomon's
Treasure
It is commonly known now, more so than
ever before, that the United States of America was founded largely
by men with a philosophy grounded in the occult: namely the members
of Freemasonry, and other secret societies, who saw in the US
a potential “New Atlantis” or “New Jerusalem.” They
foresaw the future of the United States as a beacon to the rest of
the
world,
guiding the nations towards the formation of a New World Order of
peace, democracy, and enlightenment. Many people today would agree
that the US is indeed, in many ways, fulfilling this role already.
If nothing else, most people would certainly agree that the America
has come to dominate the world financially, and that among world
currencies, the American dollar is king.
But what few people understand is the correlation between the
esoteric doctrines of Masonry upon which the United States was
founded, and the economic principles that underpin the American
economy. Few understand that the dollar is a unit of magical
energy, and the dollar bill itself a magical talisman. Although
many words have been written by conspiracy theorists analyzing the
Masonic symbols on the one dollar bill, no one has yet been
able to sufficiently explain why these symbols are there, or what
they really mean. Certainly no researcher yet has successfully
connected the markings on American money to the hidden secrets of
the American monetary system.
In Solomon’s Treasure, author Tracy R. Twyman explains
how the magic of the dollar operates. She states that the US dollar,
and the global dominance of American money, has been key to the
development of the New Atlantis foreseen by the founding
fathers, and that this has been part of the plan from the very
beginning. The riches of the New World spawned a global
mercantile economy, centered on America, which led to the downfall
of the old economic order, paving the way for the Freemason-inspired
revolutions that swept Europe and transformed the world. This led to
the creation of secular Republics and Capitalist economies
throughout the West and beyond. These changes, the author says,
would have been impossible without the uniquely magical properties
of the American dollar, and the works which it financed. Indeed, she
argues, the social, scientific, and technological advances of the
past two centuries could not have occurred without them.
The author demonstrates that the creation of money by the Federal
Reserve, and its exponential multiplication by the procedures of
the banking system, is analogous to the creation and multiplication
of gold in the metaphysical “ science” of alchemy. The power of
money to transform almost any thing or situation into another is
similar to the alchemical power of the so-called “Universal Solvent”
or “Philosopher’s Stone.” The members of the Federal Reserve
Board, says the author, are in many ways like sorcerers,
conjuring wealth seemingly out of thin air and distributing it at
will to transform the American economy according to their desires.
The dollar is “fiat currency”, declared into existence by the
central bank in a manner similar to the creation of the universe by
the divine words “Let there be light!” The author also explores the
history of the dollar prior to the formation of the Federal Reserve
in 1913, and concludes that most of these principles were at work in
the American economy from the very beginning.
This system, Twyman says, depends entirely on a religious
faith by the American people in the supernatural power of the
dollar. The power of the United States President and other elected
officials to uphold and improve the economy depends largely upon
their ability to manipulate the spiritual will of the people, in
much the same way that a priest or a magician would, inspiring them
to have faith in the value of the dollar. This faith is reinforced
by the financial terminology currently in use, as well as by
watchwords and symbols found on American money – not only on the
bills and coins we currently use, but on those dating back from
before the formation of the Republic.
These objects thus act as magical
charms, containing a unit of magical charge that is passed on from
one person to the next as the money changes hands. They also act as
tokens of communal trust in, and fidelity to, the dollar as an
institution. The symbols and key phrases associated with it thus
work to enchant the public into a mass hypnotic spell, in which the
mind of each individual confirms the consensus belief in the power
of a dollar, and its ability to multiply itself as it moves through
the system. Every time a person spends a dollar, or accepts a dollar
as payment, they are confirming their belief in the dollar, and
using it to exercise their spiritual will. Even the familiar “$”
sign has an occult meaning which is linked with these ideas.
Many of these things have their origin in yet another secret society
- one which the Masonic fraternity claims to be descended from. The
author of Solomon’s Treasure reveals, to an unprecedented
degree, the role played by the medieval warrior-monk heretics,
the Knights Templar, in the development of Capitalism and the
modern banking system. Because of their pivotal contributions,
numerous modern financial terms, monetary concepts, and banking
practices can be traced back to the Templars. Twyman further
hypothesizes that the plan for the creation of a New Atlantis
in a land beyond the “Pillars of Hercules” (the Americas) may have
originated with the Knights, with good evidence.
Perhaps most shockingly, the author
states that the modern concept of money is connected to that of
the Baphomet, the idol worshipped by the Templars, who may be
represented on the one dollar bill with the repeated use of the
number 13. She also draws an interestingly link between
America’s wealth, King Solomon’s treasure (believed by some to have
been discovered by the Knights Templar), and the fabled “lost
treasure of the Knights Templar.” She believes that this was not a
vast horde of gold, but a formula for creating wealth. This formula,
the author says, was probably discovered by the Templars and
passed on to certain Freemasons, who used it to construct the
architecture of the US banking system.
Analyzing the concept of money on a wider spectrum, the author of
Solomon’s Treasure illustrates how America’s monetary system
reflects Masonic teachings regarding wealth, money and business.
Furthermore, she shows that these principles are rooted in the
ancient religious traditions of Christianity, Judaism, and pagan
idol worship. In this book, she successfully argues the following:
-
that money has always been seen
as being representative of both divine and royal power
-
that the coining of money has
always been associated with the priesthood
-
that the operation of the
economy has always been seen as metaphysical
-
that the tokens of money have
always been thought of as enchanted objects
-
that the gaining of wealth has
often been viewed as being the result of allying oneself
with divine or demonic powers
Bibliography
-
Goodwin, Jason. Greenback: The
Almighty Dollar and the Invention of America. Henry Holt &
Company, 2003, New York, NY.
-
Greider, William. Secrets of the
Temple: How the Federal Reserve Runs the Country. 1987, Simon &
Schuster, New York, NY.
-
Hall, Manly P. The Secret Destiny of
America. The Philosophical Research Society, 1991, Canada.
-
Ovason, David. The Secret Symbols of
the Dollar Bill. Harper Collins, 2004, New York, NY.
-
Weatherford, John. The History of
Money. Random House, 1997, New York, NY.
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