by
James
from
WingMakers Website
Music is a language that
directly communicates what cannot be said with words. When you
encounter rhythm, melody, timbre, tone, harmony – the components of
music – your first instinct is to surrender to their language. You
crossover into the mysterious world of their creative presence where
a bridge can be built and integration between these two worlds can
be formed.
The
human instrument absorbs the sounds present in music and can, if the
music is properly tuned, form a sympathetic resonance with the
music. Similar to two tuning forks that resonate on the same
frequency when only one is struck, the human instrument can be a
resonant system in which its cellular and atomic structure is
entrained by the music – or more specifically – the vibratory
frequencies contained in the harmonics of the music.
The atomic structure of the human instrument is a
vibrating harmonic system. The nuclei vibrate, and the electrons
in their orbits vibrate in resonance to their nuclei, but to what
does the nuclei resonate with? What is the primal vibration that
establishes the vibratory expression of a human instrument? And can
this vibration change and adapt – in a sense migrate to new levels
of vibration that are more aligned and supportive to the spiritual
purpose in which the human soul chose to incarnate?
Modern humanity has been deluded by sound and
music – in effect, sung to sleep. The material world
of sonic vibration has ensnared the human instrument, keeping the
primal vibration of the human soul suppressed and diminished. This
condition creates a heightened sense of separation, which in turn
creates an unspecified, broad-spectrum anxiety that is difficult to
identify, and, consequently, to resolve.
It is to this vibration of separation and anxiety that most humans
submit, and as resonant systems, unwittingly nourish and promote.
But the truth is that life is encapsulated spirit, and all life is
part of a unified creative presence that lives underneath the
material world like a waterway of motion lives beneath the solid,
opaque ice of a river.
Using this analogy, music can break through the ice and enable the
individual to thrust their hands into the water and feel this motion
– this current of universal life that surges undeniably just below
the surface of the material world. This is the re-connective
experience that heals the sense of separation so powerfully woven
into the human condition. The music of Hakomi Chambers 4-6
(now playing) is intended to restore
and support this sense of reconnection.
Within the esoteric fields of study, it has long been known that
sound is the most effective way to move beyond separation and
rekindle the sense of integration between the heart-mind-body-soul
system. Music, properly tuned and orchestrated, is like a needle and
thread that stitches these component parts of the human entity
together not in permanent union, but in manageable alignment and
coherence.
It is this alignment and coherence that enables your spiritual work
to surface and bloom, and sound is the bridge that connects the
“archipelago” of the heart-mind-body-soul system, uniting them as a
singular “geography” or system in service to the native, original
purpose of the individuated consciousness.
(See Fig. 1 below.)
This does not mean that you necessarily
become a healer or a teacher of spiritual works. The original
purpose of the human instrument and soul – as a unified
team – is to harmonize consciousness from the density of
material survival to the highest vibration of love. This
harmonization is not ruled by human definitions of good and evil or
right and wrong. It is exclusively about bringing disparate
vibrations into harmony and building coherence between the two poles
of survival and divine love.
Spirit becomes matter through the vibration of sound, and similarly,
matter becomes spirit through the harmonics of sound. It is a
reciprocal energy transfer – one in which science is only now
beginning to understand. Since prehistoric times, humans have known
that music modifies the environment and our relationship to time
and space, but now science is revealing that music also modifies
our cellular structure, energy centers (chakras), and
the coherence between our total selfhood (heart-mind-body-soul
system).
In the study of wave phenomenon known as the science of
cymatics, sound waves produce an effect on inert matter,
structuring it into geometric, even archetypal forms. This same
cause and effect relationship of sound waves on matter is what
produces the effect at the atomic and cellular levels of the human
instrument. However, it is more than mere physical impressions of
the sound waves. There are harmonics within the sound that extend
into higher and lower frequencies than the audible range of the
human ear, but nonetheless impact on the vibrational structure of
the human instrument’s DNA, mind-brain structure, and
central nervous system.
The vibratory structure of the human instrument, which includes the
body, emotions, and mind structures, is an object lesson in
non-aligned frequencies. The vibrations of one organ are different
than another – say the stomach when compared to the heart. The
vibration of the higher mind is different than the emotions;
the crown chakra different than the vibration of the pituitary
gland. The human instrument is a vast collection of vibratory
systems, each operating in service to a functional outcome that
serves the material needs of the human instrument to survive in the
physical world and evolve towards the spiritual worlds of First
Source. These competing vibrational currents create the
condition of floating intentionality – which results in the
diffusion of the intention and will of the individual.
Because the vibratory structure of the human instrument is unaligned
and asymmetrical, it is a collection of vibrations operating in a
multiplicity of resonant systems. There are root sounds that are
primal and, because of their primal stature, causal. These root
sounds are inaudible, but nevertheless provide an orchestrating
frequency that brings a degree of coherence to the human instrument.
Mantras, particularly as they were applied in the esoteric
schools of sound and light, were designed to strengthen the root
frequencies or source vibration that establishes the unifying
vibration of each human instrument. It is this unifying Source
Vibration that generally defines the descending form in
which the human instrument manifests in the physical domain, as well
as the ascension path upon which it evolves.
The Source Vibration of the individual is intermixed with the
world of forms as the human instrument manifests. This is the “vibratory
soup” of the external world that impacts on, and influences, the
human instrument. This vibratory soup, particularly as it pertains
to technology, acts to diminish the Source Vibration in the space of
human consciousness. This Source Vibration is analogous to what is –
in esoteric schools – referred to as the soul’s heartbeat.
Figure 2 below, depicts this overall
relationship between the inward connectivity of the individuated
consciousness to First Source (God), and its interface with
the external world of form and vibratory density. Spiritual sound
helps to create an Interface Zone between the human
instrument and the vibratory soup of the world of forms. This Interface Zone supports the human instrument’s mission and
purpose, preventing its vibratory contamination as a vessel for the
human soul and an outlet of First Source’s expression of Sound and
Light, or what is sometimes referred to as Para Vach.
Para Vach is the
primordial, causal Sound and Light that transcends both
manifestation and non-manifestation. It is the Breath of First
Source beyond the cosmos that creates, vitalizes, and sets in
motion the vibratory substance of matter. It transcends the
manifestation of light and sound even as it exists in its most pure
and luminous state.
There are references in virtually all religious texts, as well as
physics and cosmology that describe – however obliquely – the
Para Vach.
-
in the Bible it is the Word
made flesh
-
it is the Nada of the
Upanishads
-
the Kalma-I-ilahi or inner
sound of the Koran
-
the HU of the Sufi
-
the music of the spheres in
Pythagorean philosophy
-
it is Fohat in Buddhism
-
the Kwan-Yin-Tien in Chinese
mysticism.
Regardless of its name or precise
definition, it is the fundamental cause of all sound and light
within the Grand Universe, which in turn is the
fundamental cause of all manifestation.
It is this connection that is embedded within each of us. It is our
source of the pure vibration that we live upon as endless beings. In
the book,
Liminal Cosmogony, it is
stated as follows:
From the Hidden Father originate the
Light and Sound harmonics – the universal codes of unity – that
are distilled into his Brilliant Children in the worlds of form.
However, it is the worlds of form that
can defile and contaminate this connection and subtle vibration,
hence the Interface Zone is an essential concept to
understand.
Harmony is the ruling principle of the Interface Zone,
and music – properly tuned – can help to create,
direct, and uphold this sense of harmony. If the Interface Zone is
rightfully managed, it will provide a buffer between the human soul
and the worlds of form that bear down upon it. This is a result of
the density of vibration within the worlds of form that
inadvertently, and, in some instances, purposely, diminish the
vibratory state of the human soul’s vessel – the human instrument –
to the vibratory rate of matter.
Sacred music, chants, mantras, and harmonic vibrations are the
countervailing effect of this vibratory density, and it is the most
potent way in which to direct and uphold the inherent harmony of
the Interface Zone that surrounds each of us. In a meditative
state, the sound of one’s voice chanting a mantra or the sacred name
of First Source is very powerful, particularly if one is
actively visualizing and imagining a harmonious Interface Zone.
There are melody lines embedded within the music of Hakomi
Chambers 4-6 that can be internalized and used as a harmonic
“broom” to sweep the denser vibrations that may have accumulated
within your Interface Zone. This procedure does not require a good
voice, and indeed, can be more potent if given expression within
your consciousness instead of through your vocal chords and mouth.
There will be a
Lyricus discourse released in the
next month that will provide more background depth and practical
applications related to the
Interface Zone and its role in supporting and
facilitating the evolutionary consciousness.
From my world to yours,
James
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